This year, TJ’s One Question was as follows: “How can we strive to discover and pursue our own passions despite societal norms and external pressures that would compromise our aspirations and dissuade us from pursuing them?” Well, if one listens to The Picture of Dorian Gray, the answer is to do the opposite of what the titular character, Dorian Gray, does, which is ignore societal norms and live a life as a work of art, free of pesky morals and humanity. Dorian starts out as a young and innocent teenager who is influenced by the people and society around him. The book focuses on eternal beauty as a goal. Lord Henry is obsessed with such glamor and when the two meet, Lord Henry 's obsession rubs off on Dorian. From then on, Dorian 's life is dictated exclusively by Lord Henry 's interests. His life ends in failure and the book implies that ignoring influences and focusing on self-development is a better way of achieving one 's aspirations in life. At the start of the novel, Dorian Gray is a handsome, vain, young, and innocent man but he grows into an ageless debauched sensualist. In the novel, almost every character has a passion for beauty, a passion that is frequently borderline obsessive, and shows a disregard for the consequences of living such lives. Basil is devoted to Dorian because of his looks and Basil 's fascination with Dorian creates the portrait which becomes evil. Lord Henry refuses to believe that Dorian could do anything bad because of his exquisiteness
When Dorian is told that his beauty will be lost once he outgrows his boyhood, he makes a desperate wish: “[i]f it were I who was to be always young, and the picture that was to grow old! For that I would give everything” (Wilde LOC 64). From this point forward in the novel, Dorian remains forever young and the picture assumes his burdens of age and sin. Dorian’s unchanging face causes those around him to falsely believe he is incapable of evil. This can be seen in Basil’s disbeliefs of the rumors surrounding Dorian when he states, “[b]ut you, Dorian, with your pure, bright, innocent face, and your marvellous untroubled youth— I can't believe anything against you” (Wilde LOC 360). Dorian even gets away with murder because the people of London refuse to believe that someone of his appearance is capable of sin. Lady Narborough later confirms this when she says, “‘Lord Henry is very wicked… but you are made to be good— you look so good’” (Wilde LOC 431). Dorian’s charming good looks contradict the monstrosity of the portrait, proving that people are not always what they seem.
Themes of the evil and representations of the devil also feature in Dorian Gray. The devil is represented by Lord Henry Wotton – his worldview and words have a profound effect on the innocent minded Dorian, who takes Henry's philosophy into practice. Hence, symbolically Henry is the evil influence upon Dorian. Evil is also showcased through the deal with the devil that Dorian makes. In the beginning of the novel, Dorian desires to sell his soul in order to remain young and beautiful forever. His wish is granted and that sets in motion the path of infamy which Dorian will take. In Wilde's time, Morality, Hedonism and culture's obsession with beauty and youth were key issues in society. Wilde understood this and included such themes into Dorian Gray. Hence, making the text relatable and vital to the period in which Dorian Gray was penned. Wilde in Dorian Gray is making a wider statement about society – Victorian era Britain was supposed
Dorian is introduced to Lord Henry Wotton. Lord Henry Wotton seems at the beginning of the novel to be the most corrupting character in the book, being the catalyst of Dorian Gray?s change in character, or realization of true character. Wotton is a cynical character, and is somewhat of a hypocrite, as Hallward rightly says (paraphrasing Charles 2nds epigram), "You never say a moral thing, and you never do a wrong thing" (4). For all his talk, Lord Henry remains a married man who chooses a life as a spectator rather than a carouser (Miller 385). From the instant of their acquaintance, Lord Henry causes an instantaneous difference in Dorian. "Lord Henry lives vicariously on the emotions and experiences of other people" (Shewan 376). Lord Henry awakens in Dorian feelings and thoughts Dorian has never had before, and Dorian feels overcome with awe. When asked about his negative influence on people, Lord Henry says," There is no such thing as a good influence, Mr. Gray. All influence is immoral?Because to influence a person is to give him one?s own soul?" (17). Dorian immediately develops an attachment to Lord Henry, one which Henry claims will be everlasting. Jeffrey Meyers explains, "If Hallward is the masochistic creator of Dorian?s aesthetic glorification, Wotton (who manipulates the vanity stimulated by the portrait) is the sadistic catalyst of his moral degeneration"(372). In fact, Ted Spivey claims that
And both of them handle it in a similar way. Dorian feels bad about what he has done, only realizing that this after looking at his portrait and how it has grown to be a “foul parody” (Wilde 203) of what Basil originally painted. Instead of facing his problems, rationalizes his actions, all the while he feels “keenly the terrible pleasure of a double life.” This quote shows us that he is not the least bit ashamed about his actions, he is very well aware of the wicked rumours that surround him, but also aware that people do not really believe them because his face continues to look youthful and innocent. All the while the portrait of him is truly changing to reflect Dorian’s inner sins. Dorian seems ever interested in the bad behaviors that Lord Henry introduced to him, Lord Henry said this to Dorian, “You will always be fond of me. I represent to you all the sins you never had the courage to commit.” This quote shows us how little Lord Henry cares about how much he has negatively influenced Dorian, and probably finds it as amusing as a game to see how far he can go before Dorian snaps. It is also a true statement to an extent. Throughout the book Dorian keeps in contact with Lord Henry. Dorian is fascinated by the lifestyle that he lives, asking him on advice on what to do and how to act. Every time he receives a piece of advice from Lord Henry it is another piece of Dorian that is
The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.
In the beginning of The Picture of Dorian Gray, Dorian is viewed highly by Basil and is claimed to be his sole inspiration. By this little description we read of Dorian, the reader can already see how Dorian at the beginning of the book has a strong presence. However Basil describes Dorian as having a “simple and beautiful nature”(pg-12) and tells Lord Henry, “Don’t spoil him. Don’t try to influence him. Your influence would be bad.” (pg-12). Lord Henry is the first person to start to influence and change Dorian into being deceitful. The second factor that changes Dorian is the painting. In chapter two, Basil finishes the Painting and presents it to Dorian. Instead of being filled with joy, Dorian realizes that he will grow old and the Painting will stay young. Later in the story the Portrait changes to show a sneer around Dorians mouth. The reason for this is because Dorian broke Sybil’s heart. After learning about Sybil’s suicide, Dorian accepts that the Painting will show ageing while he appears to have not aged. This forces Dorian to lock away his painting and this also shows Dorian being deceitful with his looks.
As Dorian listens to Lord Henry and realizes the importance of his youth and the time that he has, he begins to venture out and manipulate others including friends and strangers. His new outlook on life encourages his act of narcissism and superiority (Duggan). "Dorian Gray personifies the aesthetic lifestyle in action, pursuing personal gratification with abandonment. Yet, while he enjoys these indulgences, his behavior ultimately kills him and others, and he dies
Oscar Wilde’s The picture of Dorian Grey’s novel is about a young man named Dorian Gray, the subject of a painting by artist Basil Hallward. Basil is impressed by Dorian's beauty and believes his beauty should not be wasted and it is responsible for a new mode in his art. Dorian meets Lord Henry Wotton, a friend of Basil's, and becomes enslaved by Lord Henry's world view. He shows him a new hedonism, and suggests the only things worth following in life are beauty and fulfillment of the senses. When he realizes that one day his beauty will fade, Dorian feels a desire to sell his soul to ensure the portrait that Basil has painted would age instead of him. Dorian's wish
In Wilde’s The Picture of Dorian Gray, the character Dorian did not start out as a monster, but was created, by Lord Henry, who is the monster in the novel. Dorian Gray is very attractive and the characters, Basil and Lord Henry, took great interest in him strictly for his beauty and innocence. The two men both have totally different hopes for what the young Dorian will become. Basil is so intrigued by his pureness that he offers to paint a portrait of him, but while being painted, it is Lord Henry that Dorian takes a strong interest in. During this time is when one can see Lord Henry's obsession with beauty because he stresses to Dorian that his good looks will not last forever, which made Dorian quite
To create a moral balance in the brain, one must have a good amount of self-regulation with the occasional act of self-indulgence. However, in “The Picture of Dorian Gray” by Oscar Wilde, both Dorian’s desires and virtues are out of balance and in conflict with themselves. Dorian’s obsession with maintaining his youth and beauty prevents him from seeing right from wrong, especially when it comes to his own morality. By committing illegal acts, having evil intentions while influencing both lovers and friends, as well as being manipulated by Lord Henry to perform immoral deeds, the audience is reminded to never truly judge a book by its cover.
Throughout the novel The Picture of Dorian Gray, Oscar Wilde tells a tale about a young man named Dorian whose entire life changes after he meets Basil Hallward, who paints a portrait of Gray that ultimately leads to Gray’s demise. At the same time, Dorian also meets Lord Henry, who eventually plays a bad influence over Dorian. The portrait shows the man Dorian has become
The book was, in part, a reflection of Oscar’s life. Filled with scandal, pain, love, and despair, it could be a mirror. What Wilde wrote was never just a story, but instead a reflection of his soul. It reflects what you think and feels, as was the case with Dorian Gray. The book has had a lasting influence for this reason and several more. The subtext is one of these. Everything Wilde Wrote had another story inside of it. Dorian Gray was no exception, and that is part of what makes it so influential and so very fascinating. It starts with the title. It was the first clue into the story behind the book. Wilde excelled in Greek and Roman studies, and it was no accident that the main character was to be named Dorian. The Dorians were a part of the Greek people long
The first sign of Dorian’s new development is when he first lays eyes on the portrait after hearing Lord Henry’s panegyric of youth. As Dorian gazes upon himself on the portrait, he comes to a shocking realisation. Wilde writes it as, “The sense of his own beauty came upon him like a revelation… Basil Hallward’s compliments had seemed to him to be merely the charming exaggerations of friendship… They had not influenced his nature. Then had come Lord Henry Wotton with his strange panegyric on youth, his terrible warning of its brevity. That had stirred him at the time, and now, as he stood gazing at the shadow of his own loveliness, the full reality of the description flashed across him… He would become dreadful, hideous, and uncouth. As he thought of it, a sharp pang of pain struck through him like a knife, and made each delicate fibre of his nature quiver” (Wilde 18-19). His beauty would not last forever, and he would become old and withered just like everyone else will. Dorian, who once didn’t care about his looks, had now become obsessed with the ideals and ideas fed to him from Henry. He makes his wish for the portrait to take on the burden of time and sin, instead of him. He says, “I know, now, that when one loses one’s good
In The Picture of Dorian Gray the main character Dorian gray was first an innocent man and role model to artist Basil Howard who represented humanity. Overtime influences, interactions, and beauty got the best of him. In The Picture of Dorian Gray Basil says “He has a simple and a beautiful nature. Your aunt was quite right in what she said of him. Don't spoil him. Don't try to influence him. Your influence would be bad” this shows how even at the very beginning Basil knew how Lord Henry would influence him in a negative way. As we read on we can see how lord Henry teaches him to only care about beauty which causes Dorian to believe beauty is the only thing that matters in life. Lord Henry was the main cause of the corruption of Dorian's soul. In the novel another quote Lord Henry says is Oh, she is better than good – she is beautiful,". This demonstrates how from the very get go he told Dorian that beauty is better than goodness. The poisonous book was another way Dorian was overtaken by the evil. In the novel it says “It was a poisonous book. The heavy odor of incense seemed to cling about its pages and to trouble the brain. The mere cadence of the sentences, the subtle monotony of their music, so full as it was of complex refrains and movements elaborately repeated, produced in the mind of the lad, as he passed from chapter to chapter, a form of reverie, a malady of dreaming, that made him unconscious of the falling day and creeping shadows.” This quote proves how the evil has already taken over him and now the book is taking over his soul. A clear piece of evidence that shows readers how the evil has really won in The Picture of Dorian Gray is the
He is infatuated with Dorian's beauty in the beginning. He appreciated Dorian's beauty but did not wish to possess it for himself. Basil exclaims, “When our eyes met, I felt that I was growing pale... I knew that I had come face to face with someone whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself.” His love for Dorian changed the way he perceived art. Basil eventually paints a portrait of Dorian to capture his beauty forever. Basil’s portrait marks a new phase in his career. Once he has painted Dorian, he fears that he has put too much of himself into the work. Basil reluctantly introduces Dorian to Lord Henry, who he fears will have a damaging influence on Dorian. He admits, “Yes, that is his name. I didn't intend to tell it to you.” Basil is later envious of the relationship between Lord Henry and Dorian. Lord Henry upsets Dorian with a speech about the transient nature of beauty and youth. Basil, wishing to protect and defect him, voices his objection to Lord Henry’s influence over Dorian. Dorian felt Basil had come to realize his true personality and that he would bring it to someones attention. Basil is murdered by Dorian. The murder of Basil marks the beginning of Dorian's end. He cannot overcome the realization that he killed his friend.