Proposal for A Narcissistic study of The Picture of Dorian Grey

The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.

In The Picture of Dorian Gray, Oscar Wilde is able to show how possessions can change a man so drastically. Over the course of the book the readers examine how many items such as the painting, the yellow book and much more, shape and alter Dorian from being outgoing, likable, and overall good to secluded, manipulative and most of all deceitful. Dorian gray has many motives for being deceitful that help develop the characters, and change the way they interact with each other.

Narcissism is defined as the love of ones self. Sigmund Freud was the first to use the word to characterize certain character traits. He got the word from the Greek mythological legend Narcissus who saw his reflection in water and fell in love with himself. Freud suggests that all of us have a bit of self love, but when self love goes extreme it can be a problem and is considered a pathological problem. Nora from “The Doll House,” only exuded narcissistic behavior because she was treated like a doll. She was spoiled and only thought that that was how she was supposed to behave in order to get what she wanted or to please the men in her

Much of the criticism regarding The Picture of Dorian Gray by Oscar Wilde has dealt with Dorian Gray’s relation to his own portrait (Raby 392). While some may argue that the portrait represents a reflection of Dorian Gray’s character, this is only a superficial analysis of the novel and Dorian’s character. While Dorian Gray’s true character never changes, it is his own perception of his character (his conscience) that is reflected in the changing face of his portrait. In essence Dorian’s picture becomes a mirror through which the "true Dorian" judges his own metamorphasis as the superficial "Lord Henry Dorian" attempts to embrace Lord Henry’s teachings. Dorian’s

In one person, it is rare to find a combination of victim mentality behaviours, obsession, avoidance coping, and narcissism. As it is defined by the Mayo Clinic:

Narcissistic personality disorder is having behavior and or a fantasy of grandiosity; having a lack of empathy and a need to be admired by others around you. Iago’s character in Othello, has very little concern for those around him including his own wife. He is also willing

Narcissistic Personality is defined as a mental disorder in which people have an inflated sense of their importance, a deep need for admiration and sense of their importance. In the year 2017, the media (Slate Magazine, New York Times and Huffington Post) used their website to claim that President Trump was suffering from narcissistic personality. As a result, more than 30,000 mental health professionals, psychiatrists, and psychologists and

Erotomania is the delusion where a schizophrenic finds themselves enamoured of someone else for no

This is one of the very rare kinds of personality disorders that can be traced within the contemporary society. Indeed Philip W. Long (2011) pegs the prevalence to 1% of the total population. He further notes that the disorder is more prevalent in males than in females.

Throughout the novel The Picture of Dorian Gray, Oscar Wilde tells a tale about a young man named Dorian whose entire life changes after he meets Basil Hallward, who paints a portrait of Gray that ultimately leads to Gray’s demise. At the same time, Dorian also meets Lord Henry, who eventually plays a bad influence over Dorian. The portrait shows the man Dorian has become

However, in Greek days an intimate relationship between such a pairing was not uncommon. This idea is furthered by the way Basil speaks. On many occasions, he speaks to Dorian. On one such occasion, he says “It is quite true, I have worshipped you with far more romance of feelings than a man should ever give to a friend, somehow I have never loved a woman… From the moment I met you, your personality had the most extraordinary influence over me” (Wilde, The Picture of Dorian Gray). The subtext in Dorian Gray played a part in Wilde's lasting significance. The story is one that can be read and reread a million times. Some people identify with the characters; others are fascinated with the grim transformation that Dorian Takes throughout the story. No matter one's initial cause for reading the story one fact that is undeniably true is The Picture of Dorian Gray is a story that can be analysed in a million different ways to get a million different answers. This ability to be interpreted a million different ways from Sunday in the beautiful thing that helped Wilde create an influence after his passing on November 30, 1900. It helped turn him into the legend he

In chapter 20 of The Picture of Dorian Gray by Oscar Wilde, Dorian reflects on his past crimes and wonders whether he will ever change and retrieve his innocence again. Throughout the final chapter of the novel, the elements of Gothic novel that Wilde explores conveys the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings highlight Dorian’s personal yearning of removing himself from his past.

In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.

     The Picture of Dorian Gray is a novel by Oscar Wilde. The genre of this novel can be classified as a comedy of manners or a gothic novel. The Picture of Dorian Gray was first published in 1890 in Lippincott’s Monthly Magazine. Another version with an additional six chapters was published in 1891. One of the major themes in the novel was the Supremacy of Beauty and Youth. A very attractive man has a portrait painted of himself, and after being warned of the mortality of his youth the man, Dorian, trades his soul to remain young while his portrait bears the markings of his age and evil deeds. Dorian becomes increasingly evil thoughout the novel, while constantly being encouraged by Lord

Dorian views his apperance as his most adored quality. Once Dorian realizes his own physically beauty, from Lord Henry, his activity is influenced by appearances and consequently, by vanity, from his desire for abiding youth at the start of the novel to his despairing strive to demolish the potrait at the end of the novel. Even Dorian's efforts at altriuism are compelled are inspired by a wish to ameliorate the appearance of his soul. Vanity and appearance torment Dorian throughout the novel, he appears to condemn his actions before he actually perpetrate's them. This is interesting to readers because it shows that vanity is Dorian's true sin. From this, we see that consequently, Dorian's plummet from finesse is because of his choice to accept vanity and new experiences, whether moral or immoral as a merit at the desire of Lord Henry. his manipulator. In the preface of "The Picture of Dorian Gray", Oscar Wilde states "it is the spectator, and not life, that art really mirrors." This particular feature was interesting and effective because Oscar Wilde provokes readers to explore the unavoidable aspect of vanity and appearance in our own relation to art. If people view ourselves in art and perceive art to be beautiful then we accompany in admiring our own