Analysis Of Three Sisters, The Time Span Of The Play

The technical aspects of the production such as scenery, properties and costumes also played a keynote in the productions success. The scenery was fabulous it truly made the play. It was very realistic and extremely vibrant. Almost the entire play was performed in one setting, except for the railcar and dance scenes. The house, the main setting, was magnificent with painstakingly placed detail in every corner. All elements in the house matched wonderfully, for example the furniture, the photos on the wall, the telephone and even the trash can. Little bits of detail were everywhere adding to the beautification of the set, for example the lace decorations on the chairs, the etched glass above the front door and even the Christmas tree.

The play that was chosen to be adapted to film was, “Gloria.” “Gloria”, is written by Branden Jacobs-Jenkins. The play was first performed in the theater on May 28, 2015 and has only remained on the stage.

The basis of Shakespeare’s plays appears to focus mainly around the dominant male character and his conflicts, which tend to deal with a woman. There are only three women in the play Othello; Desdemona, Emilia and Bianca. The way in which these women behave and present themselves strongly reflects the ideological expectations of women within Shakespeare’s imagined Venetian society as well as the Elizabethan society in which he lived. This patriarchal Venetian society presented in the play depicts women as possessions of men who should remain submissive and meek at all times. The women are expected to unselfishly and unreservedly devote their lives to serve their fathers until they are of age to do so, their husbands. All three women love

My group and I chose to perform Act 3 scene 3 from Twelfth Night, a relatively short scene involving Antonio and Sebastian. We chose the scene because it would require us to “gender-bend” because we would be playing men. The scene provides insight into Antonio’s dark past. When they walk into town, Sebastian is excited and thrilled to simply be alive, but Antonio does not want to be seen in the town. Antonio used to be a pirate at one point in his life, and it seems that he is on many a hit-list, especially Orsino’s. Earlier, Sebastian had gotten in a shipwreck, and Antonio saved him from the raging depths of the sea. Ultimately, they wash up in Illyria. Finally, it shows a different side of both characters that may not necessarily be shown in the rest of the play.

The cowhide seating and beige covering are made for resting and comfort. The comfortable triviality was both risible and consoling for the audience putting them at ease. The large sofa in the middle of the stage presents a centre focus for the piece where the most action and dialogue take place. The use of this prop alludes to the idea of the family and the bond that these brothers share with each other and their father. A scene that readily gives context and some history to the sofa was best seen at dinner time. All four of the family members squeezed onto the couch as they had done every Christmas time. By doing this, the family atmosphere was more firmly created, as well as endorsing different conversational tones and directing each actor’s words more inwards towards the other family

Love is a term used daily in one’s life. Many categorize love in many forms. These forms differ from one-another such as the difference between love for food and love for one’s spouse. However, in the play; “A Midsummer Night’s Dream”, love takes different forms than the ones experienced in reality. One can classify the different types of love used in this play into three different categories; true love, love produced by cupid’s flower, and the state of lust.

In Act One of Candide, there is four scenes, the first scene is entitled Westphalia, when the scene is first introduced the music has a happy sound, similar to that of circus music and as the introduction goes on the music goes from an allegro tempo to a peaceful and dream like piano sound and grave tempo. As the music continues to come in the lights continue to brighten on stage as well as if the music and lights are tied together. As the cast came out they performed the opening song during this song they harmonized really well. In Scene One the audience is introduced to the Baron and Baroness of Westphalia, Baron Thunder-ton-Tronck and Baroness; the Baron is a baritone, his voice is low but not low enough to be a bass; the Baroness is a

Gender roles have caused strain over decades to not only females, but recently males as well. There are many attributes that humans have associated with each gender, causing a divide between sexes not only with each other, but also separating the two into almost completely different species. Due to this categorizing which is placed on gender, there can be a declining value of a person or even a higher hand given to the one gender which is seen as more powerful to society.

The floors were swept. Curtains, a deep blue, hung straight and heavy over clean windows and the walls were neatly, uniformly painted with a warm brown. Cabinet doors were closed over their contents, the bed towards the back of the room was made, and the blanket pulled over the top was smooth and brightly colored, if a bit faded and worn. Even the herbs and candles scattered across the wooden table were done so in a systematic way, everything lining up according to some sort of order that wouldn’t be obvious to any outside observer.

In addition to scenery, the props strategically placed around the housed illustrated the family’s cares and values. Throughout the room, the audience could see many picture frames. However, the two that were predominately displayed were a picture of Christ hanging over the front door, and a picture of Lena’s deceased husband that stayed on a table in the living room. These props emphasized importance the Younger’s placed on family and religion, which came up many times throughout the production. The entire family lived under one roof, looking after one another and making ends meet, together as a whole. In addition, the plot centered around a life-insurance check from the death of Lena’s husband. This kept the element of religion present since he was deceased and in the eyes of Lena, watching over the family. Both the design of the apartment and the detail of the props within it gave the audience a greater understanding of the deep-rooted values and conflicts of the family.

himself just to suit his outlook on the situation. For example, the play he twists Olivia's words around to make it seem like she likes his yellow cross-gartered tights when in reality she dislikes them. Sir Toby just considers himself and no one else, not even his companions. He ignores Maria's notification about drinking into the night, and he continues to push Sir Andrew and Olivia to court. Even though he believes that Sir Andrew doesn't have a chance. Olivia considers the all-inclusive community around her, yet she furthermore assumes that no man is meriting her brilliance. She assumes that she is "all that," and that no one can organize her. For Shakespeare to incorporate this sort of just a single was most likely to demonstrate that Malvolio who thinks excessively of himself isn't right about Olivia cherishing him.

In “The Story of an Hour” and Othello, women are a key part in the developing plot in both stories and the idea of authors from both respective stories portray women as dependent on men and creates a negative image for women but was never looked down upon in those times. In “The Story of an Hour”, Choppin focuses on the roles of women had to hold in marriages in the time period the story takes place and suggesting the feeling of feeling ‘free’ after the narrator’s husband is found dead. In the play Othello, Shakespeare drives the conflict of the play using all three women of the play, which creates the depiction of the women being deceitful, ‘whores’ and ‘streetwalkers’, and having one role in society without any opportunities to advance their roles. Both stories are insightful of the set expectations societies across the world still idiotically depict women of needing to fulfill, which creates a giant disadvantage compared to men in today’s generation.

The women in Shakespear's play: Twelfth Night, are all depicted as having power, comedic and being very emotional.

What literary criticism lens is most effective in creating meaning and entertainment throughout Shakespeare’s A Midsummer Night’s Dream? The play, A Midsummer Night’s Dream, has several characters involved in a love triangle. Many scenes in the story involves power being used or taken away and use of money. Throughout the play, readers and viewers experiences Hermia’s power is being taken away by her father, Eugues,which is her kindred, not letting her marry the man she truly loves,Lysander. Later throughout the story, Robin, character from the story contains a enthrall love juice that has power and makes another character from the story, Titania, fall in love with a donkey.The marxist literary criticism lens is the most effective in creating meaning and entertaining readers and viewers in Shakespeare’s A Midsummer Night’s Dream.

The supernatural world is rather distinct to that of the human world entrenched in societal standards and boundaries. Shakespeare’s play, ‘A Midsummer Night’s Dream’, explores this concept, particularly through the use of Puck. In agreement to Harold Bloom’s statement, the following essay will analyse how Puck is significant because, by being so disparate, he is able to show the limitations of the human. This will be done through, first, exploring a definition of the human in relation to the supernatural. Subsequently, the essay will use a Freudian lense to analyse the morality of Puck and, lastly, the essay will focus on Puck’s physical characteristics as well as his ability to span across boundaries in the play and the metatheatrical realm.