Toni Morrison and Anna Deveare Smith: Illuminating Racial Issues in America The social construction of race and the correlating stigma and stereotypes associated with different races has consistently played a large role in our society. Since our country’s founding, race has been deeply engrained into our culture—the most prominent example being slavery—and has created layers upon layers of underlying societal issues. The race issue in America has been illuminated in recent years, both intellectually and physically. Artists have explored the repercussions of race as a societal function and the implications of our country’s racial history through literature and artwork, and specific events such as racial crimes have sparked attention in the media through physically showing the issues race and its history create. An example of examining race in America on an intellectual level can be seen in Toni Morrison’s essay Playing in the Dark, which discusses the role race plays specifically in literature and how that role reflects and influences society. Anna Deveare Smith examines race on a physical level in her play Twilight: Los Angeles through taking the concrete example of the event involving Rodney King and reproducing her interviews with local community members. Through this reproduction, Deveare Smith expands this concrete example of injustice in the name of race to how society is impacted as a whole by race. The ideas set forth in Playing in the Dark are mirrored in Twilight
Movies and entertainment outlets speak volumes about the current state of a nation’s culture. Cinematic creations in the United States allow small voices to be heard and controversial issues to be addressed. However, a repetitive and monumental issue continues to be addressed, yet continues to persist in our 21st century culture, racial inequalities. Since the inception of the United States, black men and women alike have been disenfranchised at the hands of the “white man” in America. Instead of continuing the conversation today, the issue is continually silenced referencing the successes and achievements of the Civil Rights Movement in the 20th century. Nonetheless, an unfortunate reality looms upon this great land; racially based systems and structures continue to exist in 2015 the in United States. This paper synthesizes three films focused on racial inequalities in different time periods. Separate but Equal (1991), Selma (2015), and Crash (2005) illustrate how influential the Civil War amendments are, while serving as an uncanny reminder of how the racial prejudices during the 20th century continue to exist in our great nation today. Needless to say our nation has made great strides, but still has a long way to go.
Toni Morrison, the infamous novelist, took the stand as a concerned citizen of the United States when she wrote a public letter to presidential candidate Senator Barack Obama. At the time, the country was divided with contrasting opinions on George W. Bush, which seemed to block the focus of the candidates’ elections. Morrison mentioned this issue as one of her reasons for writing the endorsement, when she wrote, “One reason is it may help gather other supporters; another is that this one one of those singular moments that nations ignore at their peril.” Morrison addressed her personal thoughts on the two presidential candidates, and gave reasoning as for why she chose Barack Obama rather than Hillary Clinton. Overall, Morrison created a very concerned tone regarding the United States and its political future, using phrases such as “multiple crisis facing us” and “peril” to describe the issues that faced the country. Furthermore, when describing Obama’s political future, the tone was much more optimistic and light. Morrison used phrases such as
In 1983, Toni Morrison published the only short story she would ever create. The controversial story conveys an important idea of what race is and if it really matter in the scheme of life. This story takes place during the time period of the Civil Rights Movement. The idea of civil rights was encouraged by the government but not enforced by the states, leaving many black Americans suffering every day. In Morrison’s short story Recitatif, Morrison manipulates the story’s diction to describe the two women’s races interchangeably resulting in the confusion of the reader. Because Morrison never establishes the “black character” or the “white character”, the reader is left guessing the race of the two main characters throughout the whole
Wilson stated that ''The truth is that often where there are esthetic criteria of excellence, there are also sociological criteria that have traditionally excluded blacks.'' He then continued on to say ''... raise the standards and remove the sociological consideration of race as privilege, and we will meet you at the crossroads, in equal numbers, prepared to do the work of extending and developing the common ground of the American theater.'' Through these powerful words Wilson is saying that in order to reflect American culture in the theater, the history of African American’s must be reflected. There have always been systems in place that have excluded African Americans and white Americans will never understand the way that sense of oppression felt. White Americans will never understand how it feels to be enslaved, be powerless in protecting your family, and being sold off as property, as Eliza Harris from Uncle Tom’s Cabin, and millions of other slaves felt. Photographing the “American Negro” by Shawn Michelle Smith presented the idea that white Americans have tried to take away the histories of other races in America. People have always turned against embracing the histories of the African Americans because they were seen as alien to their owners. Their different skin tone separated them from the white Americans who thought of them as uncivilized before they were brought to work for them. Ultimately Wilson calls for Black Theaters to prevent the culture of the
2. One of the texts most focused on educating readers about race and the challenges it presents to American culture is Ida B. Wells’ “Lynch Law in All its Phases.” As discussed in previous reading responses, Wells’ speech is made up primarily of evidence due to the limitations placed on women of colors’ speech but even more so due to her “deep-seated conviction that the country at large does not know the extent to which lynch law prevails in parts of the Republic” (189). In this way, Wells endeavours to educate the US both about lynching and about the repercussions of allowing lynch law to prevail. That is, Wells forces audiences to acknowledge the fact that lynching, and thus white supremacy and racism, actively threaten the moral pillars that the United States is built on.
In her novel Beloved, Toni Morrison spins an intricate web between names and numbers for the reader to unravel. The deep connection that lies between names and numbers is a direct correspondence to the identity and worth of black people during slavery. Beloved begins with the identity of the house which is characterized by a number. The house is given a temperament as if it is a living, breathing entity and yet it still referred to as a number. The significance of this is symbolic to the plight of the black slaves. Regarded as little above the common animal, slaves were defined by their selling price, essentially they were reduced to a number. Viewed as nonbeings they nevertheless feel and suffer their place in the south. The character Beloved is similar in this regard as well. All that defines her is an age and a name that remains unfluctuating through time. In an insufferable and cruel world, names and numbers play a critical role in understanding the identity of black existence in the South. To uncover the implications and nuances that names and numbers play will be instrumental to delving into the lives of black slaves. Beloved contains a vast amount of names and numbers and the connections between them deepen the novel and provide mammoth insight into understanding and interpreting Morrison’s work and purpose for juxtaposing such elaborate bonds between names and numbers.
Wellesley college graduates should try their best to forge a productive future for themselves while being mindful of the past, said Toni Morrison.
Popular media allow for the general public to be able to properly digest the matters of racial prejudice that are prevalent in our society. There are various ways that racial prejudices are exposed through actions and the structures in society that stems from the perceptions that race is this biological hierarchical supremacy. Additionally, these race classifications that are made by those in power has structured society in a way that puts some in advantage and many at a disadvantage that has continued into modern society. These are disadvantages are revealed through such things as microagressions and socioeconomic structures that favored and continues to favor the “dominant” classes. These matters can be best expressed through personal experiences relating to experienced prejudice, such as Lorraine Hansberry conveying artistically her experience with racial housing issues in Chicago. In her play, The Raisin in the Sun, Hansberry reveals through the Younger family, such issues as community acceptance, lost dreams, and racial discrimination on an economic level. Bruce Norris’s play, Clybourne Park, considers these issues as well as he expands on Hansberry’s world in his personal adaptation of The Raisin in the Sun’s primary plot point. Through experiences shared in the Younger’s future home, Norris explores privilege, systematic racism, white flight, community, and gentrification. Through reference and analysis of Raisin in the Sun and then of Clybourne Park, followed by
At the climax of her book Beloved, Toni Morrison uses strong imagery to examine the mind of a woman who is thinking of killing her own children. She writes,
It doesn’t take long to figure out that race and ethnicity issues continue to affect America - a quick glance at the news will show the latest riot, hate crime, or police brutality incident. This centuries old struggle has given rise to a number of literary works on the topic, many of which take a different approach to the issue. W.E.B. Du Bois, for instance, published the work The Souls of Black Folk in 1903, arguing for blacks’ right to equality in a horrifically segregated society. In these essays, Du Bois coined the term “double-consciousness,” wherein those with black skin must view the world both from their own perspective, and from the perspective of the predominately white society. The short story Recitatif by Toni Morrison explores this concept through the removal of the characters’ races, and the film Do the Right Thing, directed by Spike Lee, tells a story to demonstrate it. While the former shows double-consciousness through the usage of ambiguity, the latter almost directly references the concept. Taken together, these two sources argue a multi-faceted version double-consciousness, wherein society alienates the characters in ways that go beyond just the color of one’s skin.
Toni Morrison’s Pulitzer Prize winning book Beloved, is a historical novel that serves as a memorial for those who died during the perils of slavery. The novel serves as a voice that speaks for the silenced reality of slavery for both men and women. Morrison in this novel gives a voice to those who were denied one, in particular African American women. It is a novel that rediscovers the African American experience. The novel undermines the conventional idea of a story’s time scheme. Instead, Morrison combines the past and the present together. The book is set up as a circling of memories of the past, which continuously reoccur in the book. The past is embedded in the present, and the present has no
For many centuries racism has being an ongoing problem and occurrence in many societies, especially in America. Many different measures have been taken to try and diminish the racism that clearly infests this beloved country, but none have ever truly worked. Although these measures have never effectively worked to erase racism out of our society as a whole, some have opened people's’ eyes in creative ways to understand that it is no joke. One measure that has somewhat worked is through media and the arts such as cinema, literature, and paintings. An example of cinema is Jordan Peele’s movie, “Get Out” that portrays racism through a sense of horror that captivates a viewer's mind to see and understand the underlying theme of it all. “Get Out” is about a young African-American man named Chris who falls for a young Caucasian woman named Rose. Together they are going up to meet Rose’s family who put on an act to make it seem like they are somewhat normal, but in reality lure young African-Americans into their home every year to auction them off to a group of older white people so they can use their bodies for pseudo-immortality. Peele’s horrific movie “Get Out” opens a viewer's eyes and mind to the different concepts of racism and how brutal and unjust it is to people of color.
If ignorance is bliss, then why is it human nature to uncover the truth? In Toni Morrison’s Beloved, the character Denver uses knowledge to feed her craving in hopes that it will fill the void her mother unsuccessfully tried to satisfy with the blood of the past and too little milk. To understand these truths one must accept that Beloved is a physical representation of the past, Sethe embodies the present, and Denver exemplifies the future. Throughout the novel these three characters interact on a superficial level, but each action has a deeper underlying influence on the other. This is why Denver’s assumed motive of using the attachment she forged with Beloved to develop a closer relationship with Sethe is cursory. When in fact it was for
Toni Morrison's Sula is a novel that has a theme about the nature of evil. The story follows the lives of two black female friends who present differing views on evil. On one hand, we have society's conventional view of evil represented by the character of Nel and also seen in the Bottom's disapproval of Sula. The other view of evil is seen through the character of Sula and through her actions, which conflict with traditional society. The friendship of Sula and Nel is how the author conveys her message about evil in the relationship. In the relationship the two different conceptions of evil mix and create an essentially neutral mixture. By looking at Nel's and Sula's friendship and the two different views of evil that they
In Toni Morrison’s novel, she expresses the lives of different races during the introduction of slavery in the New World in the late 17th century. When looking into this novel as I read it, I had looked into how each character was portrayed within the text. While Morrison could have told her fiction through the eyes of a single protagonist in the first person, she utilizes various protagonists through the omnipresent third person perspective, and switches between the two among chapters. Florens, Sorrow, and Lina are characters with different backgrounds and views, and based on an interview about how she wrote her novel, Morrison explained that she wanted to “separate race from slavery.” (Norris) When I looked into what she had said, I pondered