Analysis On The Movie Crash

The movie “Crash” - from director and producer Paul Haggis - pictures one day in the lives of various characters in Los Angeles, all of them from different social and racial backgrounds but nevertheless connected and intertwined throughout the story. The movie’s story is being told in a mostly chronological way, except that it puts one scene to the very beginning of the film and then cuts back to the day prior, indicated by the visual text “yesterday”. In this first sequence, detectives Graham Waters and his partner Ria have been rearended when they arrive at a crime scene, leading to a fight between Hispanic Ria and the accident responsible, furious Chinese Kim Lee, involving race-related insults towards each other. Breaking through the

Communication is important in our lives as it enables us to interact with one another, and allows us to form and build upon relationships with other people. However, when communication is not effective or colored by personal biases, it may lead to conflict. In the movie Crash, the characters are faced with a number of social issues, born from their inability to communicate with one another as well as their perceived notions of racial and cultural biases. Through the interactions between the characters this film allows us to understand how interpersonal communication affects individuals be it with strangers, friends, or family.

Scapegoats are a recurring theme throughout stories and literature in all different cultures. The concept of scapegoats first appears in the Book of Leviticus, where a goat is left in a desert far away from society taking the sins of the community with it. In more recent works, a scapegoat is someone who has been blamed for wrongdoings or mistakes. In society and in literature, people in power scapegoat those with less power as a way to blame problems on one specific person or group. Usually, the person being blamed is not at fault for what they’re being accused of, however, the person or group scapegoating has chosen them because they are an easy target. The use of scapegoats has been around since the beginning of humanity and although it

Sometimes people get blamed for wrongdoings that they did not participate in. This was shown in Salem, Massachusetts, during the salem witch trials in the play The Crucible. The play was based in 1692, when a community of Puritans started accusing each other of of being witches and wizards. Innocent people that did not practice witchcraft were getting hanged and accused of being witches. Scapegoats have also been used in modern day with McCarthyism, which was a campaign against communist. Many people were blacklisted and lost their jobs even though many of these people did not belong to the communist party. This took place in 1950-1954 carried out by Senator Joseph McCarthy. Using scapegoats blames innocent people for wrongdoings, and accuses people of wrong doings.

Requiem for Detroit? is a historical documentary, released in 2010 and directed by Julien Temple, about the decline and collapse of Detroit, one of America’s largest cities. It chronicles Detroit’s journey through its success in the automobile industry all the way through its urban decay and industrial collapse to the present day. As the film draws a close, Temple also suggests some ways forward for Detroit. He presents possibilities and clearly shows which he thinks is most likely through his use of interviews with subjects and visual representations of these offered opinions. The intended reading that Temple offers viewers is a complex one, with many anti-consumerist and anti-corporate ideas and leanings. Despite the ‘doom-laden’ feel of much of the text, Temple paints optimism for the potential for a progressive and productive future for Detroit. Throughout the documentary he clearly expresses this intended reading through effective use of motifs, shown by visual and sound techniques, music and interviews with both privileged and non-privileged characters.

A scapegoat, by definition is,”A person who is blamed for the wrongdoings, mistakes, or faults of others, especially for reasons of expediency” (Oxford dictionary). The Crucible is easily one of the greatest examples of a scapegoat. The town was completely prepared to blame witches for the girls actions. The Columbine shooting blamed Marilyn Manson, a man known for his outlandish dress and style. On April 20th, 1999, two students murdered 12 teachers and students in cold blood. These two seniors, Eric Harris and Dylan Klebold, committed suicide before incredulous government officials were able to ask them why.

The archetype of a scapegoat is represented by Pearl Prynne in Nathaniel Hawthorne’s The Scarlet Letter. In the novel, the townspeople view Pearl as a personification of Hester Prynne 's sin, and they do not treat her fairly because they only see her as the result of a horrible crime. And although Hester doesn’t see Pearl in this light for the most part, there is a time in which her view on her daughter changes. The village blames Pearl because they need to find someone to blame it on, which illustrates the role of a scapegoat in a novel. A scapegoat is an innocent character in which a problem is blamed on. In this case, the puritans put responsibility on Pearl because they can not blame Hester anymore. She is

A person who is blamed for the wrongdoings, mistakes, or faults of others, especially for reasons of expediency: this is the definition of scapegoat. It is also how one might describe the role of Iva Toguri Aquino in the hunt for the Tokyo Rose. Betrayed by not one but two countries she called home, Iva Toguri Aquino was the seventh person in the history of the United States to be tried and convicted of treason. D’Aquino v. United States is the case involving a young American born and raised woman of Japanese heritage, who was taken advantage of by the U.S. and Japanese government and a mythical siren blamed for the discouragement of U.S. Troops during World War II.

This paper explores the 2004 Lions Gate film Crash and the microaggressions that occur to and between the characters in the movie. The film follows the interweaving lives of several characters living in Los Angeles as they deal with racism, discrimination, relationships, and loss. Throughout the film, the characters also begin to come to terms with their own biases and prejudices. The author of this paper includes the three major types of microaggressions displayed in the film: microassault, microinsult, and microinvalidation, describes how they occurred, and the effect these microaggressions had on the victims. Possible counseling implications for each microaggression for both the perpetrator and the victim are discussed. Throughout this paper, the author’s personal feelings and thoughts related to the microaggressions, and possible implications (oppression and discrimination) of the microaggressions both intentional and unintentional are explored.

Most people are born with good hearts, but as they grow up they learn prejudices. “Crash” is a movie that brings out bigotry and racial stereotypes. The movie is set in Los Angeles, a city with a cultural mix of every nationality. The story begins when several people are involved in a multi-car accident. Several stories interweave during two days in Los Angeles involving a collection of inter-related characters, a police detective with a drugged out mother and a mischief younger brother, two car thieves who are constantly theorizing on society and race, the white district attorney and his wife, a racist cop and his younger partner, a successful Hollywood director and his wife, a Persian immigrant father, a Hispanic locksmith and his young

A scapegoat can be anything, a person, an object, or even a group of people. The idea of scapegoating has been prevalent in history for a very long time an example being Germany with the Nazis and using the Jews as their scapegoat for blaming the problems of society on. Scapegoats show a lot about a community and reveal a lot about how willing a group of people is to deal with there issues like in the short story the city of Omelas, this is also apparent in the lottery and the article “Muslims: The Modern day Jews?”

In this paper, I will highlighting the signs of conflict within the movie Crash. The beginning of the movie begins with two cars crashing into each other. The storyline is structured around a group of characters who all come from backgrounds and their paths cross. These characters all have goals they want to reach and sometimes in pursuit of their goals they conflict with one another.

Paul Haggis's film Crash (2004) explores the social and racial tensions that are prevalent in contemporary Los Angeles. Crash is comprised of a series of vignettes in which people lead parallel lives that briefly intersect throughout the film and converge through various car crashes in Los Angeles. Crash features an all-star cast, which includes Sandra Bullock, Brendan Fraser, Matt Dillon, Ryan Philippe, Than die Newton, Terence Howard, Chris 'Ludacris' Bridges, and Larenz Tate. Through various vignettes and scenarios, Crash explores sociological issues of race and ethnicity, gender, and stereotyping.

In the movie Crash, the director Paul Haggis interweaves multiple connected stories about race, class, family, and gender in Los Angeles, California after the 9/11 event. All the characters are shown to have life changing experiences with their conflicts of stereotypes, prejudice, and racism within a span of 36 hours. This movie has won three Oscars and was deemed “expertly written” and “Best Picture Oscar-winner … sprawling and ambitious, episodic and contrived” by Cynthia Fuchs, a professional movie critic. So, how did this movie become so well-known and popular in the U.S., even though there are already so many movies with similar themes?

“Every group feels strong, once it has found a scapegoat” (Mignon McLaughlin, 1913). A scapegoat is someone who is blamed for all the faults and corruptions that others have committed. In history, there are lots of scapegoat examples, the most popular being; Jesus Christ and the Jews in the Second World War. In the short story “The Lottery”, Shirley Jackson used persecution and tradition to demonstrate how scapegoating justified unfair killing. Both of these aspects relate to the World War that preceded only a couple years before the story was written. The persecution was blind and done once a year as a tradition that everyone expected to happen.