Analysis of Emily Dickinson’s I dwell in Possibility (No. 657) and The Soul selects her own Society (No. 303)
303
The Soul selects her own Society
Then shuts the Door
To her divine Majority
Present no more
Unmoved she notes the Chariots pausing
At her low Gate
Unmoved an Emperor kneeling
Upon her Mat
I’ve known her from an ample nation
Choose One
Then close the Valves of her attention
Like Stone
657
I dwell in Possibility
A fairer House than Prose
More numerous of Windows
Superior for Doors
Of Chambers as the Cedars
Impregnable of Eye
And for an Everlasting Roof
The Gambrels of the Sky
Of Visitors the fairest
For Occupation This
The spreading wide my narrow Hands
To gather Paradise
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The idea of a regal Emperor - and you may picture the Emperor in his flowing, ornate robes - actually kneeling before a common woman - is an image that sets the tone of superiority. The reader can ‘see’ the "ample nation" begging for her attention and ‘see’ her point at one then turn away from the rest. "Like Stone" is a concrete image of the poet herself shutting out all that she does not desire.
Yet another analysis’ of the images in "The Soul selects her own Society" are that they create a theme analogous to God and the universe. The "Soul" as the human being sees herself as god-like, she creates a universe of her own choosing by creating a defined space with her carefully chosen words - "Door", "Gate" - which keep the external world out. Whereas God has created ‘Heaven’ for His personal space, the poet’s haven is not grand, but simple - "low Gate", "her Mat". The poet is the ‘common man’ who becomes superior through linguistic word play. The suggestion of superiority as stated above infer that the soul has given herself ‘heavenly’ qualities. Each word has been carefully chosen by Dickinson to convey her message.
The search for the exact word is lauded in Dickinson’s poem "I dwell in Possibility". In this poem she speculates on the craft of poetry. The poet loves words and delights in the vast number of words that she has to choose from. She sees poetry as having infinite "Possibility", whereas prose is more
by inserting herself in the story, by identifying its spiritualities with her sensualities. (66). In Eden, Dickinson found a place where the body and soul are not separate, opposing entities;
Emily Dickinson was an exceptional writer through the mid-late 1800’s. She never published any of her writings and it wasn’t until after her death that they were even discovered. The complexity of understanding her poems is made prevalent because of the fact that she, the author, cannot expound on what her writing meant. This causes others to have to speculate and decide for themselves the meaning of any of her poems. There are several ways that people can interpret Emily Dickinson’s poems; readers often give their opinion on which of her poems present human understanding as something boundless and unlimited or something small and limited, and people always speculate Dickinson’s view of the individual self.
Emily Dickinson chose not to conform to the madness of society and shut out many of the people that she felt wanted to change her. She wrote a poem called “The Soul Selects Her Own Society,” in this poem she writes about how the soul shuts certain people out and confides in only one person. Emily Dickinson writes “Then- close the Valves of her attention- Like Stone-,”
She, growing up in a religious family, determined that religion was not the pathway for her and she would instead be the only influence on her life (Emily, no pag.). To the rest of New England, God was loving, caring, and a Father; however, her poetry reveals that to her, He was a mystical figure in the sky who oscillated back and forth from loving to harsh. Dickinson’s poetry often mocks the Bible, God, prayer, and church attendance. Her poetry’s is commonly irreverent, calling the Bible “an antique Volume – Written by faded Men At the suggestion of Holy Spectres - ” (F1577). Dickinson repeatedly mocks God calling Him “Burglar! Banker!” and sarcastically “Father!” (F39). In a short, three-lined poem, Dickinson jeers at the traditional, Christian phrase “In the name of the Father, and of the Son, and of the Holy Ghost—Amen.” Dickinson instead worships nature “In the name of the Bee – And of the Butterfly – And of the Breeze – Amen!” (F23). Although subtle, it reveals that she knows enough about religious ways to parody it in a satirical fashion. Dickinson again belittles the effectiveness and importance of prayer. “Of Course – I prayed – And did God Care? He cared as much as on the Air A Bird – had stamped her foot – And cried ‘Give Me’ - ” (F581). To “remain true to herself,” Dickinson belittled the importance of faithful church attendance ( Emily, no pag.). “Some keep the Sabbath going to
When Emily Dickinson wrote these poems she created abstract concepts with concrete images. When Dickinson created “The Soul Selects Her Own Society” she used many literary techniques, but her use of metaphors is very significant, that paint a picture for the reader and causes them to reach inside themselves to find the answer. Dickinson uses the metaphor “ Then—closes the Valves of her attention—”, she is using this metaphor to tell the reader that when the soul
Emily Dickinson is one of the most important American poets of the 1800s. Dickinson, who was known to be quite the recluse, lived and died in the town of Amherst, Massachusetts, spending the majority of her days alone in her room writing poetry. What few friends she did have would testify that Dickinson was a rather introverted and melancholy person, which shows in a number of her poems where regular themes include death and mortality. One such poem that exemplifies her “dark side” is, “Because I Could Not Stop for Death”. In this piece, Dickinson tells the story of a soul’s transition into the afterlife showing that time and death have outright power over our lives and can make what was once significant become meaningless.
The last two lines of the poem are a timid reflection on what might happen “Had I the Art to stun myself/ With Bolts—of Melody!” (23-24). The idea that creation is a power that can get loose and injure even the creator illuminates why in this poem the artist positions herself firmly as a mere spectator. In these first two poems, we meet a Dickinson who is not entirely familiar to us—even though we are accustomed to her strong desire for privacy, these poems can be startling in the way they reveal the intensity of Dickinson’s fears. She is, after all, shrinking from what is dearest to her—nature, one of her favorite subjects, becomes a harsh judge, and poetry, her favored medium of communication, can suddenly render the reader “impotent” and the writer “stun[ned]” (19, 23). The extremity of her positions in shrinking from the small and beautiful things she loves creates the sense that this is just the beginning of a journey by leaving so much room for change.
Emily Dickinson’s “The Soul Selects her Own Society” presents herself as absolute and her rights as unchallengeable. The poem puts forward the idea of “friendship or love” which means choosing a significant person and excluding other people. Dickinson reveals that she was shutting people from her life, but because it had been so long, they are no longer interested in taking part of her life. Dickinson’s actions imply that the ability to create and construct a world for oneself, such as choosing your own actions, provides an example of a god-like achievement. Overall, Dickson asserts the importance of “the Self” theme which is shown my just speaking and writing as a ratification of the will to explore and express “the Self” to others.
The Belle of Amherst, The Woman in White, or The Most Paradoxical of Poets…who can say which pseudonym is most becoming of the late great Emily Dickinson. By virtue of the multitudinous biographical literary works, moreover the wondrous intimacy of Dickinson’s poetry, one could surmise that as readers we comprehend her entirely: yet the most prevalent experience borne from reading Emily’s work, especially if her poems are read successively, is that we come away feeling as though we know nothing at all. Like no author before her and very few after her, Emily Dickinson divulges her hearts hidden secrets while recording what is inexorably one of the most conscientious explorations of the human consciousness ever attempted. Dickinson is known posthumously for her unusual use of form and syntax, but it was her pervasive themes of immortality, death, and madness in her poems that would canonize her as an indelible American character.
Emily Dickinson is one of the most famous authors in American History, and a good amount of that can be attributed to her uniqueness in writing. In Emily Dickinson's poem 'Because I could not stop for Death,' she characterizes her overarching theme of Death differently than it is usually described through the poetic devices of irony, imagery, symbolism, and word choice.
Emily Dickinson’s “The Soul selects her own Society-” is a poem that deals with love and heartbreak. The first line of the poem clearly sums up the meaning that the “soul” chooses which people to let into their life. The opening line represents the overall message of the poem and the rest of the poem elaborates on this line. Emily Dickinson’s “The Soul selects her own Society” is filled with dark and powerful images that represent the isolation that the soul wants to achieve.
Poetry has the ability to expand minds and put its reader in touch with the world around them. Emily Dickinson attempts to convey the power of poetry in her poem I Dwell in Possibility. She pours her passionate feelings about poetry into this poem and drives her point home with a comparison to prose. Using language, structure, and symbolism, Emily Dickinson’s I Dwell in Possibility effectively articulates how poetry can broaden horizons and provide an escape from the mundane.
Emily Dickinson’s reclusive life was arguably a result of her proposed bi-polar disorder. This life and disorder unduly influenced the themes of her poetry. She chose not to associate herself with society and volumes of her poems, published posthumously, examine this idea as well as the themes of nature and death. The clearest examples of these themes are presented in the following analysis of just of few of her
Emily Dickinson a modern romantic writer, whose poems considered imaginative and natural, but also dark as she uses death as the main theme many times in her writings. She made the death look natural and painless since she wanted the reader to look for what after death and not be stuck in that single moment. In her poems imagination play a big role as it sets the ground for everything to unfold in a magical way. The speakers in Dickinson’s poetry, are sharp-sighted observers who see the inescapable limitations of their societies as well as their imagined and imaginable escapes. To make the abstract tangible, to define meaning without confining it, to inhabit a house that never became a prison, Dickinson created in her writing a distinctively elliptical language for expressing what was possible but not yet realized. She turned increasingly to this style that came to define her writing. The poems are rich in aphorism and dense
The meaning and impact of Dickinson’s work hinges on her employment of a single personification which extends throughout “The Soul Selects Her Own Society”. The personification begins on the first line with “The Soul selects her own Society —”. A soul, on its own, is not something that can select anything, or even have a society. Since it is immaterial, it certainly cannot “shut the Door —” as is stated in line two. This personification continues with lines such as, “she notes the Chariots —”, “Upon her Mat —”, and “close the Valves of her attention —”. The personification of “The Soul” immediately makes the poem feel more intimate. The word “soul” infers a deeper, more authentic, and closely guarded part of oneself. By personifying a soul, having it perform actions and make decisions, it is communicated that the events of this poem are neither an intellectual nor surface level matter. The decision to select those with whom you will be close with, and subsequently shut others out, is one which is based highly on feeling, emotion, and deep personal desires. Dickinson’s decision to write “The Soul Selects Her Own Society” in the context of a soul rather than the whole person allows the reader to pick up on the intended intimacy and depth the poem intends.