The 1960’s was a decade filled with revolution across America, in the forms of both counterculture and pop culture. The second wave of feminism ran rampant, powered by Betty Friedan’s The Feminine Mystique. The role of the housewife began to be placed under the microscope and women started to wonder aloud whether they were truly happen being second-rate to their husbands. The television sitcoms of the 1960’s displayed this change in thinking, one sitcom specifically being I Dream of Jeannie. The plot of I Dream of Jeannie centered on an astronaut named Major Tony Nelson and his incidental discovery of a genie in a bottle. This genie, named Jeannie, saves Nelson from the island he is stranded on and she stows away in his luggage to follow …show more content…
Women serving men out of love seems a step better than women serving men because of cultural norms, but that still didn’t jibe with feminists. Larry Hagman, the actor who played Tony Nelson, maintains the show’s innocence in promoting any feminist ideas. In a quote on the show’s website, Larry Hagman believes that "back in those days we didn't have underlying messages. We weren't trying to suggest anything. All we were trying to do was be funny" (Concept, 2009). Regardless, I Dream of Jeannie’s portrayal of the subservient housewife, no matter how funny or abnormal Jeannie’s role was, showed the capability of women to be of equal strength and intelligence as men. Not only was Jeannie’s servitude an issue with feminists, but Jeannie’s attire also raised some eyebrows. Dressed in the pink, seductive outfit of a harem, Jeannie bent censorship barriers when the concept originally had her navel exposed outside of her outfit. It was ultimately decided that her navel wouldn’t be shown, but the argument brought much publicity to the cause for more exposure on television. Because of her attire and the content of the show, I Dream of Jeannie can be seen as one of the first sitcoms to break away from the wholesome family mold made famous by television series like Leave It to Beaver, The Andy Griffith Show and Lassie. The housewives of those shows wouldn’t dare wear the costume made famous by Jeannie.
Women of the 1950’s through the 1960’s are ridden with male oppression and self-esteem issues. The book Revolutionary Road by Richard Yates and an episode of Mad Men titled The Shoot have a lot in common. The differences and similarities between the leading women in both of these stories from the 1950’s show that times are different today. The women of the 1950’s had a dream for the future and their dream has finally become a reality for American women. From Mad Men, Betty Draper’s dream of becoming a model and in Revolutionary Road, April Wheeler’s dream of traveling the world are actual realities for women today. Their dreams show similarities, differences and the “American Dream” that every woman has.
In her essay “The Importance of Work,” from The Feminine Mystique published in 1963, Betty Friedan confronts American women’s search for identity. Throughout the novel, Betty Friedan broke new ground by seeking the idea of women discovering personal fulfillment away from their original roles. She ponders on the idea of the Feminine Mystique as the cause for the majority of women during that time period to feel confined by their occupations around the house, restricting them from discovering who they are as women. Friedan’s novel is well known for creating a different kind of feminism and rousing various women across the nation.
In the story the author used foreshadowing. The foreshadowing came in when Carolee heard the dogs barking. This foreshadowed that something was found or the dogs found someone so
The old feminine mystique, before the wars end was a woman would have “strength in her hands, pride in her carriage and nobility in the lift of her chin.” This change was caused because the old Rosie figure changed. Her attitude and fashion sense changed to accommodate the more ideal woman for a man of the time period. Not only did this figure change, but the figures of TV shows changed as well. In the shows like ‘Father Knows Best’ and ‘The Adventures of Ozzie and Harriet’, ‘Our Miss Brooks‘, ‘I Love Lucy‘, and ‘The Honeymooners’ the women being portrayed are stay at home moms that support the family or women that are independent but need and want a man in their lives. All these women at first reflected the ideal woman, but after a while it became the majority because when people saw it influenced their decisions greatly. In the end of the time period however, and in the later shows like ‘I Love Lucy‘, and ‘The Honeymooners’, the women roles started to show more dominant traits. This idea helped to change the feminine mystique again, changing for the good.
In this satirical article, Brady expresses the difference between the roles of women and men in the 1970’s by stating men’s point of view on women and women’s roles in society. Throughout her article, Brady emphasizes the roles of women. For example, women could now “work and...takes care of the children when they are sick”. Comparing the 1880’s to the 1970’s, there has been a big improvement. Many women had jobs outside their home, but still were responsible for most housework and childcare while their husband’s only responsibility in a marriage was to go to work and earn money to support the family. Society’s expectations allowed women to work outside the home to support college education for husbands; however,women had to know how to balance their time between their children and their jobs, making sure that their husbands “cannot miss classes at school.” During the 1970’s, women were still oppressed in many ways and had to follow society's expectations in order to live up to the men’s view of women’s roles in society. Even though society’s expectations of women had improved since The Awakening, most of women’s roles had stayed the same. In the article, Brady specifies how once a husband is “through with school and has a job, [he expects the] wife to quit working and remain at home so that [she] can more fully and completely take
In the 1960’s, women had been placed in stereotypical roles for years. But women were tired of these roles and were done with being complacent. They felt like something was missing in their lives, and they desired something more. The typical American
It is not a secret that Lucille Ball was one of the first significant female actresses of her time, but the importance of that role is one that is often overlooked. Not only did Lucille Ball defy traditional domestic roles off-screen, but the character Lucy on I Love Lucy, was also untraditional in terms of the 1950s mindset. While Ball is merely looked at as a hilarious television star, the importance of her humorous personality is also valuable. In the 1950’s, the airing period of I Love Lucy, a woman's traditional place in the world was not one of humor and comedy. A woman's role at that time was cooking and cleaning and caring for her husband and children, along with maintaining a beautiful physical appearance. An example of such perfection for the time is the character June Cleaver, from Leave it to Beaver. June was the epitome of a perfect woman for that time. Perfect hair and outfit, always cooking decadently, faultlessly cleaned house, all topped off with curlers in her hair and a smile. In the 1950s and 1960s, a perfect woman would be a domestic, dutiful wife and mother who lacked economic independence, sexuality, voice, or presence of her own, and her identity was crafted by a patriarchal society. While Lucille Ball’s character in I love Lucy lacked
Betty Friedan believed that women should feel and be treated equal to men. Friedan fought for women to embody their power and worth. She was an activist for the women’s rights movement and a founder of the National Organization for Women (NOW). Her book, The Feminine Mystique, connected with her readers by illustrating the standards that women were put under for decades. In the 60’s, women were viewed as nothing but maids and child-bearers. Many women were hesitant to take a stand for this taboo subject; their own rights. Friedan took initiative when everyone else was afraid to. Betty Friedan’s contribution clearly advanced the progression of women’s equality. She accomplished this by writing her famous book, giving a debatable speech, and founding the National Organization for Women.
Sustaining the ambitions of not only themselves but the alumni and town of Odessa, Texas is a lot to ask from a young adult. That’s exactly what Permian football provides to the people of Odessa, where the post economic boom of the oil business has left the town in a racially tense, economic crisis. The lights on Permian High School’s football field are the only sanctuary for the west Texas town. Socially and racially divided, Odessa’s mass dependence on high school football constructs glorified expectations for the football team to temporarily disguise the disappointments that come with living in a town tagged as the “murder capital” of
out he’s not there and was taken by an ambulance a few hours earlier. They weren’t able to get
In the book The Feminine Mystique, Betty Friedan brings attention to what she calls the feminine mystique, or “the problem that has no name”. Through the use of anecdotal narratives, her own personal experiences as a journalist, editor, mother, and the interviews of many women from different backgrounds in order to unveil the truth about the women of the 1950’s. The problem which sparked the second wave of feminism in the United States is one that focuses on the inequality between men and women and the undervaluing of women in both the social and private spheres. The women of the time gave up pursuing their passions, such as getting an education or careers in science or business in order to fit the image of the stereotypical stay-at-home mom whose main goal in life is to raise her children while providing a safe and comforting home for her husband. The Feminine Mystique, as she called it, was the idea of widespread unhappiness of women, despite the preconceived notion that women were happiest when they have a family. Throughout her work, she dives into many of the problems associated with the feminine mystique and builds a powerful concept of what would eventually be labeled feminism.
The 1950’s had a male dominant tone. Although wives were seen as the people who “ran the house” the husbands were going to work early in the morning and not coming home until night. A perfect example of what marriage supposedly looked like was the popular TV show “I Love Lucy” starting in 1951. Within months the show had millions of viewers becoming a
The project I chose was project 3a.: Social Psychology on TV and the purpose of it was to evaluate a clip of a TV show and demonstrate how it illustrates social psychological concepts. I took an episode of a TV show named “The Big Bang Theory”, season 6 episode 4, and then evaluated a 4-minute clip in which the protagonist, Sheldon, is showing 2 social psychological concepts: prototypes and priming. I originally expected the outcome to be those concepts because I believed the actions in which Sheldon were participating in was in correlation to what the concepts are and because “The Big Bang Theory” is a show in which intellectual individuals interact with each other meaning for some interesting and awkward situations.
What do Betty from "Pleasantville," June from "Leave it to Beaver," and Donna Reed from "The Donna Reed Show" all have in common? They all represent the image of the perfect housewife in the 1950s. They represent women who gladly cooked, cleaned, dressed in pearls and wore high heals while waiting for their all-knowing husbands to come home. They represent women who can only find fulfillment in male domination and nurturing maternal love. Tillie Olsen, as a single mother with four children (204), provides readers with another view of women. Through the representation of the narrator in I Stand Here Ironing, Olsen contradicts the image of the 50s ideal woman, a happy housewife and a perfect mother.
Betty Friedan wrote that "the only way for a woman, as for a man, to find herself, to know herself as a person, is by creative work of her own." The message here is that women need more than just a husband, children, and a home to feel fulfilled; women need independence and creative outlets, unrestrained by the pressures of society. Throughout much of history, women have struggled with the limited roles society imposed on them. The belief that women were intellectually inferior, physically weaker, and overemotional has reinforced stereotypes throughout history. In the 1960s, however, women challenged their roles as "the happy little homemakers." Their story is the story of the Women's Liberation