Essay about Analysis of The Hunger Artist by Kafka

     I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.

In Kafka’s “The Metamorphosis”, the character Gregor transforms from a man into a bug, specifically a cockroach. Although Gregor physically changes, he does not change as a person. Gregor merely accepts his new condition as a bug and his family’s continuous abuse and hostility. Gregor’s acceptance of his new bug form is representative of his passive personality before and after his transformation. Gregor’s passivity, in response to the hostile world around him, causes his eventual downfall. Therefore, Kafka uses the character Gregor to exemplify how a passive attitude can cause one’s demise.

In the metamorphosis by Franz Kafka, there are significant actions and transformations which make the story sad, and strange with a happy ending. Explanations that are dramatic events that intensify the excitement of all these actions. Reality and reflection play an important role in this story because the events that happened could be applied and assimilated with modern society.

The Hunger Artist's primary interest was in the recognition from the crowd, an achievement never completely fulfilled because of the crowds inability to understand the passion he had in his work.

In his novel The Metamorphosis, Franz Kafka describes his own life through the life of his protagonist Gregor Samsa.  Careful study of Franz Kafka's life shows that Kafka's family, workplace, and reaction to the adversity in his family and workplace are just like those of Gregor.  So we might ask why Gregor was transformed into a bug since Kafka obviously never turned into a bug.  The absurd image illustrates how Gregor lacks self-respect and feels like he's a bug in the eyes of his family and society.  Franz Kafka was unhappy and never found his place in life, either.  Therefore, he might have felt just like Gregor, like a bug.  Furthermore the novel describes Kafka's expectations of his own future and he was partially

Hunger is a creation of God in the human life system. In His design of man, God made man with several components that form the various body systems according to biologists (Hockenbury and Sandra 63). It is a common occurrence to find people saying that they are hungry; their stomachs are empty and so forth. When the stomach is feeling this empty, the person wishes to have something to eat.

In today's society, people are looking for fame in any way that they can, just to gain wealth, audience, spectators, and reputation. They believe that being a famous person is the best and important thing to have in life. Whitney Houston and The Hunger Artist played a lot with their physical and mental health, and failed their whole life for fame and fortune. The Hunger Artist is similar to entertainers when they take strong drugs to help them feel calm, and have fame and wealth.

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

“The Hunger Artist” by Franz Kafka, is about a man who self mutilated by starvation in attempt to be recognized, honored, and accepted while gaining fame. As noted on The National Center for Biotechnology Information, https://www.ncbi.nlm.nih.gov/ self mutilation by starvation was a common form of suicide in concentration camps for prisoners who wished to remove themselves from the severely harsh environment. The irony of “The Hunger Artist” is that Kafka wrote the story in the year of 1922. However, the Holocaust did not begun until the year of 1933 and ended in 1945. Decades later, the message from “The Hunger Artist” is continuously being retold with the existence of vanity and peer pressure included.

Described by James Naremore, “acting in theater or movies is an art devoted to the systematic ostentatious depiction of character” (Casper, 70). The film Hunger is a prime example of fantastic performance and this depiction of character, specifically by actor Michael Fassbender in his role as Bobby Sands. In his directorial debut, Steve McQueen mixes brutal historical context along with drama to create a lasting, haunting effect in Hunger. Using the diary of Bobby Sands to better relay the events of the 1981 hunger strike held by the inmates of Maze Prison in Northern Ireland, the story depicts the fight for the liberty of political belief. The hunger strike, led by activist Bobby Sands, was a culmination of “the Troubles,” in which inmates retaliated

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

In Franz Kafka’s short story, “A Hunger Artist”, Kafka introduces an eccentric man known as the Hunger Artist. The Hunger Artist has committed his entire life to the art of fasting, allowing himself to be caged and displayed to the public as if he were a painting (Kafka 198). Despite all the emotional turmoil he endures, he takes a great amount of pride in fasting and believes that he can fast for extremely elongated periods (Kafka 200). Unfortunately, his pride not only causes internal conflicts but also tragically leads to his unfortunate demise (Kafka 205). Through the setting and the character development of the Hunger Artist, Kafka illuminates the dangers of self-pride and depicts pride as harmful and detrimental to one’s existence.

Throughout literary history, certain authors are so unique and fresh in their approach to the written word that they come to embody a genre. Franz Kafka is one such author; “Die Verwandlung” or “The Metamorphosis” is one of his works that helped coin the term “Kafkaesque.” Through this novella, Kafka addresses the timeless theme of people exploit-ing others as a means to an end. He demonstrates this point through showing that a family’s unhealthy dependence on the main character results in that character’s dependence on the family.

In the opening lines of German author Franz Kafkas’ short story narrative “The Metamorphosis”, the protagonist Gregor Samsa a disgruntled traveling salesman who lives with and supports his parents and little sister, awakens from a night of unpleasant dreams to find that he has been metamorphosed into a cockroach he calls a “monstrous vermin” (Kafka, page 89). This particularly strange opening sets the stage for in my opinion, a very strange and very vague play. I say this because throughout the whole story we never find out much less are given any clue of how or why he managed to be metamorphosed into this insect. Not to mention what the moral of the story is or the fact that this whole book reads like one big