Analyzing Pastis's History

As the child continues to accomplish a variety of different accomplishments in the mainstream society, the people already familiar with the child from the county will perceive him entirely different than others who lack knowledge of him. The child’s “uncle will still call [him] Roy Boy” and the “corn may grow so high if you stood in the field you’d disappear, the fact aiming your eyes down the road”. This demonstrates the difficulty of altering the perception of certain people who are already familiarized with the child. These people are unable to abandon their initial perception of the boy due to their strong, ineradicable association with him; rather, they will find it more awkward and uncomfortable seeing a completely different suave gentleman due to his significant change. Regardless of how many achievements the child has accomplished, he will never be able to erase his past as a little boy in the county. Even if the boy never comes back to visit his county again, the past will linger with him for the rest of his life due to his inability to change his innate characteristics that shape him as a person today. It is because of the boy’s past that he is able to adapt and continuously achieving numerous different

Cisneros’s style can be characterised and depends on word choices and sentence structure, the constant use of parallelism, rhythmic, and using monologue and deliberate repetition of emotions to for filled the story. In this story, the enormous conflict arises when the innocent girl’s dream has been crashed by poverty and

Gavin portrays the theme of enslavement, firstly, through the use of similes and animalistic imagery; this is evident when the boys were ‘crouching like caged animals’. In the simile, ‘like caged animals’, the comparison between human boys and animals trapped in a zoo indicates dehumanisation, thus portraying the children as feral primitives. This implies that, like slaves, Anoup and other adults perceived the boys as savage, untamable animals who deserve to be treated accordingly. Since children are deemed to be universal symbols of innocence, the writer’s intention when describing the boys as ‘caged animals’ may have been to show how their innocence has been corrupted by child labour. In turn, this evokes intense pity from the reader, who may regard children facing such harsh conditions to be abhorrent. Therefore, the theme of enslavement is portrayed through the writer's use of animalistic imagery, showing how the boys’ suffering has reduced them to the lowest status, like animals and slaves.

Animals by Simon Rich is an outstanding short story which takes a unique perspective on the everyday life in a classroom. The story is written from the point of view of a hamster who spends his tortured life entrapped in a cage. From the first point in this story, it is clear that the purpose of the writing is not to understand the hamster, but rather to analyze the different actions of the people, and to discover that how they act towards the hamsters reflects on their character. It is curious to view the everyday interactions of people through a different set of eyes, that is done by humanizing the narrator’s perspective. Based on the actions of the many people and the treatment of the class pet, the author suggests that human nature is very much a product of the financial circumstances a person is subjected to.

The author also effectively supports his thesis through pathos. To evoke strong emotion in his readers, Jones appeals to the audience’s feeling of vulnerability in their youth. Recognizing that during adolescence most people feel powerless, he tells engaging stories of his own and his son’s rise to power through comic books to give the audience something to connect to. As these stories are told, readers reminisce about those days, and feel joy in knowing that there was a happy ending. The feelings created make the audience look positively at the essay and relate to it.

In his autobiographical narrative A Summer Life, Gary Soto vividly recreates the guilt felt by a six- year-old boy who steals an apple pie. Through Soto’s reminiscent he has taken us on a journey of his guilt, paranoia, and redemption through the usage of tone, allusions, and imagery.

Initially, Rios illustrates a young boy perplexed by a new-found maturity. As the maturation from childhood to adolescence begins, he is facing unfamiliar feelings about the opposite sex. An example of this is

The poet Oodgeroo Noonuccal, draws the realistic image of the confronting realities of alienation and displacement of Indigenous Australians. It is because of such experiences that has empowered Noonuccal to express and advocate learning from experiences by positioning the audience to view the horrors that occurred, creating a platform for her poetry. Through the emphasis of identity, it allows the audience to deeply connect with the past, determining and illustrating a profound link between the ancient past and contemporary present. Oodgeroo’s deep connectivity with art and poetry highlights the importance of learning from experiences, for not only the Aboriginal culture but, for all cultures, and that colonisation does not destroy self-identity. Through the poems The Past and China…Woman, it has allowed the individual to promote change, encouraging the survival of cultures through learning from past experiences

The story is seen through the innocent eyes of a 13 year old boy called Charlie Bucktin. The first person central point of view helps us to understand Charlie, to identify with him and his attitudes and values and for reader positioning. Silvey uses language

“It was characteristic of Boy throughout his life that he was always the quintessence of something that somebody else had recognized and defined” (Davies 113). He believes that he is in control of every situation, but inside he cannot control his guilt that is still buried deep inside himself. Contrary to Dunstan who feels responsible for problems, Boy runs away from his problems by keeping himself busy. The death of Leola, his wife, clearly shows Boy’s fear of facing problems, for his does not show up for her funeral, “Boy was in England, arranging something or other connected with his Ministry, and duty and the difficulty of transatlantic flights in wartime kept him there”(Davies 194). Boy still yearns for fulfillment even though he achieves greatness in terms of his financial success and his outward appearance. He says, “I feel rotten. I’ve done just about everything I’ve ever planned to do and everybody thinks I’m a success… But sometimes I wish I could get into a car and drive away from the whole damned thing.” (Davies). Boy knows that deep inside he is very unsuccessful. As he gets older, he is supposed to be wiser, but his commitment to achieving the external greatness has stopped him from being fully satisfied. There is an immense difference in the lives of Boy and Dunstan. Boy’s focus on his external being causes him live an unfulfilled life, like a ‘boy’ who cannot see that there is

The characteristic of slow work repeats in the two types of stories told by Fr. Boyle. The one that grabs the readers’ attention more describes the lives of people in detail and with resolution. Whether the youth he met ends up going to a jail or finds a job and a home in Homeboy Industries, we know to an extent what their stories are. We can understand and imagine the lives of the youth from childhood, the problems they faced, the way they went about handling them, and what Fr. Boyle thought and did during those times. The other type consists of brief mentions of the people Fr. Boyle ran into. He can only tell us what happened and what he hoped at the time, but we are left without fuller stories of the people. These unsatisfying accounts, however, are proof of the author’s intention for writing this book. We are not supposed to read about the lives and, really, the challenging situations of the youth and attempt to find solutions. Especially as a stereotypical student studying at Georgetown University, I tend to think I need to fix the problem and make the world a better place. But the purpose of the book is really to teach me to have compassion. So, the readers can notice from the two types of stories Fr. Boyle

In the short story “Living Like Weasels” authored by Annie Dillard, the role of a small, furry, brown-colored rodent’s life develops an extreme significance as the story progresses. According to Dillard, the life that a weasel lives is care free and passionate. Weasels are very tenacious creatures and what they have their eye set on something they want, they go and get it. Also, when Dillard says “The weasel lives in necessity and we live in choice” in “Living Like Weasels,” the words can be deeply felt by the reader; we are able to not only feel Dillard’s passion for this underlying opinion of hers, but readers can also develop their own view on what she is saying and find evidence to prove their thoughts (121). The way that everyday

The narrator’s diction on the page can be described as vain due to the fact he doesn’t need an introduction when the narrator says it is “not really necessary” (4). The narrator’s diction reveals that he has a methodical, stone cold personality that puts the narrator in a more superior position then the human race. Achieving

Collectively, these literary images go to describe a young ethnic man, probably of Latin descent, who lives with his mother in a poverty stricken area. The careful recitation of instruction given to the younger man seems to demonstrate an intricate knowledge the narrators has accrued from both predecessors and experience. Singularly, this part of the story is very powerful in that it shows a young man having to hide who he is and where he comes from in an effort to seem appealing to women, and speaks volumes about the deception that both genders go through all in name of the chase.

Secondly, the narrator mentions an ironic statement with regard to his nature. He indicates that he is a timid and humane person. As a matter of fact, his parents made jokes concerning him with regard to his