Analyzing Peter Weiss 'Die Ermittlung'

An author’s form of word usage and manipulation provides stories their feeling, tone, and pace while simultaneously creating a reader’s suspension of belief. Elie Wiesel in his book Night tells us of the year he spent in concentration camps during the Holocaust. Like many people have said and proven true, a lot of things can happen in a year making it almost impossible to retell every experience down to a tee; with this information in mind Wiesel writes of the moments that stuck with him, and would possibly with readers.

The terrors of the Holocaust are unimaginably destructive as described in the book Night by Elie Wiesel. The story of his experience about the Holocaust is one nightmare of a story to hear, about a trek from one’s hometown to an unknown camp of suffering is a journey of pain that none shall forget. Hope and optimism vanished while denial and disbelief changed focus during Wiesel’s journey through Europe. A passionate relationship gradually formed between the father and the son as the story continued. The book Night genuinely demonstrates how the Holocaust can alter one's spirits and relations.

The Holocaust was a massacre of over six million Jews that occurred during the Nazi Regime that has been regarded as one of the most significant events in history. However, multiple forms of media such as literary works and films have incorporated this horrid event into a lesson about an aspect far more common and greater in today’s society, indifference. Indifference is literally “the lack of interest, concern, or sympathy towards someone or something” (Holocaust). Night, by Elie Wiesel, is an excellent example of a literary work that depicts the theme of indifference through the main character, Eliezer. Night is not only a nonfiction novel about the Holocaust, but is written by a Jewish boy who was in an actual concentration camp. In

Bunting, Eve, and Stephen Gammell. Terrible Things: an Allegory of the Holocaust. Jewish Publication Society, 1989.

The Holocaust, yet another unpleasant time in history tainted with the blood and suffering of man. Human beings tortured, executed and starved for hatred and radical ideas. Yet with many tragedies there are survivors, those who refused to die on another man’s command. These victims showed enormous willpower, they overcame human degradation and tragedies that not only pushed their beliefs in god, but their trust in fellow people. It was people like Elie Wiesel author of “Night”, Eva Galler,Sima Gleichgevicht-Wasser, and Solomon Radasky that survived, whose’ mental and physical capabilities were pushed to limits that are difficult to conceive. Each individual experiences were different, but their survival tales not so far-reaching to where the fundamental themes of fear, family, religion and self-preservation played a part in surviving. Although some of these themes weren’t always so useful for survival.

In the annals of history, the Holocaust registers as one of mankind’s most “unspeakable” offenses. And yet, over the past seventy years, survivors have strived nonetheless to transform torture into language—to verbalize the violence against man’s body and spirit that occurred at the hands of the Nazis.

When dealing with Non-Fiction and Memoir it is imperative to realize that no two authors will approach telling their story in the same manner. Elie Weisel and Charlotte Delbo, two survivors of Auschwitz, both chose to write their Memoir as testimonials of their experiences. Despite sharing a method of testimonial and similar experiences in their stories, the two finished pieces are nearly entirely different. This paper will focus on Elie Weisel’s method of reporting his experiences to the reader, as opposed to a brief discussion on Delbo who tends to reflect. The scene of focus in the comparison and contrast will be the arrival scene as the authors enter into Auschwitz. This is a universal scene that would have been similar for everyone that entered into the camp, so it is what I call a unique shared experience, as everyone’s experiences will of course vary. But, aside from being a common experience it is also a common primary reflective moment that both authors spend quite a bit of time discussing.

As the famous journalist Iris Chang once said, “As the Nobel Laureate warned years ago, to forget a holocaust is to kill twice.” After experiencing the tragedies that occurred during the Holocaust, Eliezer Wiesel narrated “Night”. Eliezer wrote “Night” in an attempt to prevent something similar to the Holocaust from happening again, by showing the audience what the consequences are that come from becoming a bystander. Elie illustrated numerous themes by narrating the state of turmoil he was in during the Holocaust. In Night, Eliezer provided insight into what he experienced in order to teach the unaware audience about three themes; identity, silence, and faith.

The aim of this book review is to analyze Night, the autobiographical account of Elie Wiesel’s horrifying experiences in the German concentration camps. Wiesel recounted a traumatic time in his life with the goal of never allowing people to forget the tragedy others had to suffer through. A key theme introduced in Night is that these devastating experiences shifted the victim 's view of life. By providing a summary, critique, and the credentials of the author Elie Wiesel, this overview of Night will reveal that the heartbreaking events of the Holocaust transformed the victims outlook, causing them to have a lack of empathy and faith.

The average person’s understanding of the Holocaust is the persecution and mass murder of Jews by the Nazi’s, most are unaware that the people behind the atrocities of the Holocaust came from all over Europe and a wide variety of backgrounds. Art Spiegelman’s Maus: a Survivor’s Tale, Christopher Browning’s Ordinary Men: Reserve Battalion 101 and the Final Solution, and Jan Gross’s Neighbors: The Destruction of the Jewish Community in Jedbwabne, Poland, all provides a different perspective on how ordinary people felt about their experiences in the Holocaust both perpetrators and victims.

Throughout the years curiosity regarding the holocaust has become more evident in the 21st century as people across the globe anxiously learn about the events that took place in Germany during World War II. The importance of this event is not only being taught to Americans and people of the Jewish religion, but it is also being taught in other parts of the world. The popularity of knowledge being obtained regarding the holocaust grows: books, documentaries, and poems. Poems, like that of William Heyen’s “The Trains”, are being introduced to the generations in the 21st century. Heyen pinpoints the curiosity of his audience to make them want to learn about the holocaust

Juxtaposition plays an essential role throughout the oration in evoking pathos, more specifically guilt and abhorrence. What Wiesel does to evoke this emotion is the contrast between the horrors of Nazi Germany,

By comparing, analyzing and questioning the validity of Maus I and II, Night, Night and Fog, nonfictional historical accounts and a poem, called Already Embraced by the Arm of Heavenly Solace, found in Europe in the Contemporary World, Schindler’s List and the Return to Auschwitz we may determine to what degree these sources serve to advance humanity’s understanding of the holocaust. The holocaust can be explained as the historical event in which the Nazi’s, who came to power in Germany in January 1933, and its collaborators murdered and persecuted approximately six million Jews. This came about because of the German belief that they were “racially superior” and the Jews were an alien threat to the German state. For humanity to advance in

“I only know that without this testimony, my life as a writer--or my life, period-- would not become what it is: that of a witness who believes he has a moral obligation to try to prevent the enemy from enjoying one last victory by allowing his crimes to be erased from human memory” (Wiesel, Night viii). As a result of the horrors that Elie Wiesel experienced during the Holocaust, he devoted his life to become meaningful. Wiesel’s decent disposition changes through atrociously inhumane conduct toward Jews during the Holocaust as he becomes a brute to solidify identity, levy fears, and boost morale.

The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea of victims, perpetrators, and bystanders. The two books are presented in a very interesting way; they are shown in comic form, which provides the ability for Spiegelman to incorporate numerous ideas and complexities to his work.