Anne Sexton's Retelling of Cinderella
Michelangelo, perhaps the most gifted sculptor and painter of all times, once said that "geniuses stand on the shoulders of other geniuses." As Michelangelo built upon the brilliance of his predecessors, Anne Sexton does the same with her poem "Cinderella". Fairy tales originated as oral traditions and were passed along and sculpted by thousands of story tellers. Each raconteur changes elements in the story to fit their individual needs. Sexton reinvents "Cinderella" as a poem and integrates the story with her own opinion and
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A few years into union, Anne had two children, Linda and Joy, and was hospitalized for postpartum depression after the birth of both children (McCartan 2). Her depression was severe, and Sexton was suicidal for most of her adult life. On October 4, 1974, shortly after the release of Transformations, Anne could no longer stand the pressures of her existence and committed suicide (McCartan 35).
This biographical information is essential to understanding Sexton's influences in writing "Cinderella" because the poem was written out of personal turmoil. The majority of Sexton's poetry is confessional style, but through her interpretation of "Cinderella", Sexton gives herself a more discrete outlet for her passions (Ostriker 255). Her biographer Diane Middlebrook notes that this poem was "a way to place her struggles in legend rather than personal history'(37)." There are two notable examples of this in "Cinderella." First, the father and step-mother are reminiscent of Sexton's own parents. In the poem the father is distant and the step mother is the cause of all of Cinderella's hardships. Anne's mother and father both struggled with alcoholism, a struggle which, according to her biographers, influenced Sexton's substance abuses later in life. Secondly, Sexton describes the way she sees herself through the stepsisters. She describes them as, "pretty enough / but with hearts like blackjacks
Cinderella’s story is undoubtedly the most popular fairy tale all over the world. Her fairy tale is one of the best read and emotion filled story that we all enjoyed as young and adults. In Elizabeth Pantajja’s analysis, Cinderella’s story still continues to evoke emotions but not as a love story but a contradiction of what we some of us believe. Pantajja chose Cinderella’s story to enlighten the readers that being good and piety are not the reason for Cinderella’s envious fairy tale. The author’s criticism and forthright analysis through her use of pathos, ethos, and logos made the readers doubt Cinderella’s character and question the real reason behind her marrying the prince. Pantajja claims that
Cinderella is a childhood fairytale that we all love and remember. It is a tragedy that turns into love and happily ever after in the end. In contrast to this popular story, Anne Sexton's version of Cinderella is a dark and twisted version of the classic fairy tale. It takes on a whole new perspective and is fairly different from the childhood fairytale that most of society knows. The poem takes less of a focus on the happy ever after in Cinderella and makes it into vivid bloody and violent images. She retreats more toward the pain and neglect. The poem is not based off the Disney version of Cinderella, but rather original dark version by Brothers Grimm. Sexton uses a very sarcastic and
Sexton’s take on the story Cinderella is not based off of the well renowned Disney version, but rather
Fairy tales have always been focused towards children ever since Walt Disney took over the industry of remaking these stories. He took out all of the gore and some of the violence to make it more acceptable for children. With Anne Sexton's version of Cinderella, she brings back the gore and violence to its full capacity just like with the original Brothers Grimm story. Sexton's poetic version of Cinderella gives a humorous and eye-opened twist to this classic fairy tale. What brings all of these stories together is the way they all socialize women to make them naive. With this in mind, fairy tales do humiliate and objectify women to get them to accept violence within society.
The two stories of “Cinderella” are “Tam and Cam”; and “The twelve Months: A Slav legend adapted by Alexander Chodzko. These stories have similar ways in portraying the hard working Cinderella including her suffering, but they are different in Cinderella’s motive of rescue one tale use violence if necessary; the other just more of a genuine resourceful approach. This means this character isn’t relying on a prince charming to be her rescue, so this makes the concept different from the other because “Tam and Cam” Cinderella lives forever happy with her lover, while “The twelve Months: A Slav legend adapted lives by herself and then a farmer she likes shows up. These tales went for a more sophisticated setting, each displaying the peasant overcoming the struggle; in which she is set free from all of her hurting. Throughout each story Cinderella is taking and caring she always seemed to get the short end of the stick. But, when the odds back fired on the step-sisters and step-mother the karma was naturally set upon to benefit Cinderella in her favor “Tam and Cam” or set in motion by her as payback to get even with her rival characters of a family in “The twelve Months: A Slav legend adapted lives.
Each of the examples that Sexton gives, such as the “nursemaid, / some luscious sweet from Denmark// who captures the oldest son’s heart. / From diapers to Dior.” (6-10) are stories of false success. Although all of the people go from poor to rich, just as Cinderella goes from unwanted to hopelessly loved, they are still the same person. They have not achieved anything, just as Cinderella has not, and Sexton implies that these stories are ones that we, as readers, all know, and ones that do not exist.
In "Cinderella" by Charles Perrault, the story depicts an imaginative fairytale through the hardships of a mistreated daughter and the magic of a fairy; in essence, Cinderella demonstrates that focusing on materialism is more important and more effective other than working up the path to majesty. Cinderella is a character who is often mistreated by her stepmother and god sisters. Bearing unsuitable personalities, they treat her harshly, leaving all of the chores to her. However, she admits that her tattered clothes are not worthy of a formal event, and continues to be belittled by her stepsisters. Portrayed with low self-esteem and insecurity, she does not respond harshly to their cruel insults. As a result, the main character relies on
Many poets, authors, artists, etc. do not commonly express the idea of same gender relationships, especially those with familial ties. It completely changes the way readers think about the original story, seeing as every time they may go back to it, they will always think of Anne Sexton’s disturbing version. These ideas do not typically appear in stories, and definitely do not show up in fairy tales meant for children. Anne Sexton presenting them in such a way re-structures the traditional elements of poetry by essentially mocking the idea of everyone having a happy
Each person in the world has heard of Cinderella, no matter what kind of version it may be. Cinderella is the one fairy tale story that has been popular and will always be the one tale that has to be told to children. Words and story lines might be twist and turn, but in the end the knowledge of the story will be learned in similar ways. As we all know when one story is told another is created, when one is at its best then another is at its worse. One version will always be better than another, but no matter what version it might be the story will be told.
Fairytales have influenced and started many different fantasies that are passed down throughout the generations. However, Anne Sexton uses the more gruesome version of the Grimm’s fairytale Cinderella, to voice and tie together her concerns and feelings of the world today. Sexton starts out the poem with, “You always read about it”, line 1. This is stating that everyone has heard about what is going on or even dealing or dealt with in today’s world and society.
Anne Sexton was a junior-college dropout who, inspired by emotional distress, became a poet. She won the Pulitzer Prize as well as three honorary doctorates. Her poems usually dealt with intensely personal, often feminist, subject matter due to her tortured relationships with gender roles and the place of women in society. The movies, women’s magazines and even some women’s schools supported the notion that decent women took naturally to homemaking and mothering (Schulman). Like others of her generation, Sexton was frustrated by this fixed feminine role society was encouraging. Her poem “Cinderella” is an example of her views, and it also introduces a new topic of how out of touch with reality fairy tales often are. In “Cinderella”, Anne Sexton uses tone and symbolism to portray her attitude towards traditional gender roles and the unrealistic life of fairy tales.
“What goes around comes around, that’s what people say. So all the pain you caused me will come back to you someday” (Unknown.) The theme of “what goes around comes around” is exemplified in both the Grimm version and the Disney version of Cinderella, however the Grimm version definitely exemplifies the theme more effectively than the Disney version does.
Through literary devices such as simile, repetition and symbolism, Anne Sexton delivers the message that there is no way to live "happily ever after." Using four short stories as a lead in, Sexton makes powerful arguments about society by creating the symbol of the dove and alluding to the story of Cinderella. For Sexton there is no Cinderella, there is no prince charming, and there is no happy ending. However, through "Cinderella," she argues that the "happy ever after" ending remains an illusion society chases.
Despite gender, living conditions or cultural backgrounds most people grow up reading or hearing stories of heroism and damsel in distress scenarios. Anne Sexton turns stereotypes on their head in her satirical poems of classic fairy tales, including Snow White and The Seven Dwarves and Cinderella. Snow White and the Seven Dwarves tells the tale of a young princess with hair as black as coal and skin as pale as snow, whose life is thrown into turmoil at the hands of her overbearing stepmother. Cinderella tells the story of a young girl who she spends her life is yearning for the prince’s ball, and similar to Snow White, Cinderella’s stepmother is influencing her life, however she is a positive character throughout the story. This sheds light on the stepmother in Snow White’s piece as despite the fact that Snow White’s stepmother clearly does inherently evil things, a re-reading demands a re-examination of why. It is throughout these tales’ where stepmothers are only trying to protect their children from the world around them, however in Snow White an outside motive, the beauty provided by the mirror and the pride manifested by poison, creates a barrier between the queen and her stepdaughter, thus giving her the title “Evil”.
The author explains early on the initial absence of Cinderella’s mother proposes a sign of disempowerment. This in term changes the events of the story and leaves Cinderella bewildered with her stepmother and stepsister. Cinderella has the advantage that her mother is now a form of power through symbolism and is now a magical figure. The author explains that there are similarities between Cinderella and her mother and the stepdaughters and their mother because each child is trying to perform to impress ones maternal figure. This creates tension between Cinderella and the stepdaughters through competition for the ball to attend with a prince. The author explains firmly that “Cinderella is also a competitor, she plots and schemes, and she wins.