In "Cinderella" by Charles Perrault, the story depicts an imaginative fairytale through the hardships of a mistreated daughter and the magic of a fairy; in essence, Cinderella demonstrates that focusing on materialism is more important and more effective other than working up the path to majesty. Cinderella is a character who is often mistreated by her stepmother and god sisters. Bearing unsuitable personalities, they treat her harshly, leaving all of the chores to her. However, she admits that her tattered clothes are not worthy of a formal event, and continues to be belittled by her stepsisters. Portrayed with low self-esteem and insecurity, she does not respond harshly to their cruel insults. As a result, the main character relies on …show more content…
However, her true beauty lies within her skin, as Perrault’s interprets Cinderella as “a hundred times more handsome than her sisters”. He aims to focus more on female recognition and self-fulfillment, rather than provide a base for all readers to understand fully (Hühn). At an elementary level, this may not influence children to an extent, but other stories that reproduce this same structure of plot elements could possibly influence children in the future. For instance, she was not the hero of the story. The Prince isn’t the hero until he discovers her lost possession, a glass slipper, and searched for the person that fits. As told by Perrault, “he had done nothing but look at her all the time, and that most certainly he was very much in love with the beautiful owner of the glass slipper.” This enforces the fact that her beauty prevails over her actual personality but not behavior, and the appearance and mannerisms surely impressed the Prince. The Prince stereotypes the role of women being in need of a destined lover. He is the one that identifies Cinderella as the one in the dress, though excluding behavior, her appearance dazzles him for two nights at the ball. Most importantly, he’s not the hero of the fairytale, but readers can interpret the fairy godmother as the savior of Cinderella’s demise. The role of magic comes in part with the acceptance of achieving the imagery of an elegant woman, impressing the Prince who gains interest in her. The
Disney’s Cinderella demonstrates that, whatever the intention of its makers, modern day fairy tales function in our society as hidden instructions for morals and behaviors that we give children. On the surface, it seems to be a simple story about a young woman whose wishes come true. However, the story also reflects cultural expectations of women’s behaviors and goals and defines expectations of “goodness” for women. Power belongs to men in “Cinderella”, and it is depicted as a female ambition and goal. The storyline describes the rise of the submissive haracter to becoming a Princess; she is portrayed as a passive character who waits for the Prince to come for her. While waiting for her Prince Charming she also bears the mistreatment from her stepmother and stepsisters. While masculine power is taken for granted in the figure of the Prince, becoming his wife is the only way women have to share this power. The
This is a battle not of beauty, but of material. The prince does not recognize the face of Cinderella, only the gown she is wearing, making this fight for marriage one based on the clothing on the girls’ backs (288). While Cinderella comes home from the ball, her mother is hard at work making sure she is not seen for who she really is. Panttaja claims, “...it is quite possible that we are meant to see the mother's influence also at work in the rather mysterious way that Cinderella manages to avoid too-early detection” (287). This symbolizes how hard Cinderella's mother is working and how little it matters that Cinderella is pious and
The Disney version of the story, Cinderella, illustrates a different moral than that of the original story. This story believes an ideal child should do what they are told and follow directions and in the end they will reap the rewards. In this story, Cinderella’s mother dies and her father remarries to a woman who has two daughters. While the daughters are pampered, Cinderella must work to keep the house from falling into disrepair. She befriends the animals and they help her to get ready to go to the ball by finishing her chores and making her a dress. When the evil stepsisters discover the dress they become furious because the mice used trimming from their clothing when making the dress. In revenge, the stepsisters rip the dress, leaving Cinderella out of options and out of hope. Just as Cinderella is about to give up, her fairy godmother appears and with a wave of magic creates a dress and turns a pumpkin and the mice into a horse and carriage. The only problem is that everything will turn back to what it was beforehand at midnight. Cinderella and the Prince fall in love at the ball but she must quickly leave because the
A lot of the fairy tale stories that we have seen as young adults and even as adults are original folk tale stories that have been modified and rewritten to accommodate our new cultures. Cinderella happens to be one of these stories that have been changed over the years. There are many different versions of Cinderella, an African Cinderella, a Hungarian Cinderella and even a Chinese version. All of the Cinderella’s are similar in plot, but the author dictates the story’s theme based on the people whom he is writing for which completely changes the story’s tone, mood and other elements. While Perrault's version stresses the values and materialistic worries of his middle-class audience, Grimm’s' focus is on the harsh realities of life
The Grimm Brothers version of Cinderella is a written down oral story that people passed down from generation to generation, meant to teach a lesson about piety and good behavior. Before the Grimm Brothers ever wrote it down, the story had been told several times by memory. It is thus not surprising that the descriptions of certain events in the story, such as the way Cinderella went to the Ball, are lacking in details. It is obvious that these parts of the story are unimportant to the overall message of the story. Instead, it focuses on the piety of Cinderella and the wickedness of the step-sisters. Through the events of the story, it becomes obvious that the goodness of Cinderella is justly rewarded, and that
When I started analyzing Cinderella I noticed some gender roles/stereotypes that are brought to light. One of them being how women are the ones who stay home and perform household chores. They are “housewives” who depend on a man. The father is briefly in the beginning and afterwards we do not hear of him, initiating that he is off working, or on a business trip while the mom and daughters are home. We also see through Cinderella (who is forced to do all the chores) how their are consequences if she (or women) don’t complete or do the chores that are expected of them (like not being able to go to a ball in Cinderella's case). Another theme that is consistent in Cinderella as it is in other princess stories is the value of being beautiful. We see this when the fairy godmother shows up and makes Cinderella beautiful. She transforms her house clothes into a gown and so forth showing us that beauty is in the way you look or your appearance. If we pursue this theme further we see that the prince falls in love with Cinderella based on how she looks (love at first
In some instances, Cinderella’s behaviour in Perrault’s tale display characteristics that are alike to a modern western woman, today. On the first night of the Ball, the fairy godmother struggles to find something turn into a coachman. Then Cinderella suggests to transform the “...rate in the rat trap...into a coachman” (Perrault). This act reveals that Cinderella is capable of solving problems individually (Robbins, 107); a quality of a modern western woman. In addition, Cinderella demonstrates intelligence when the step sisters talk to Cinderella after returning from the first night of the Ball (Robbins, 107). Cinderella pretends to be sleepy by “...rubbing her eyes and stretching...” (Perrault) when the step sisters visit Cinderella’s room, after returning from the first night of the ball. By pretending to be sleepy, the step sisters assume that Cinderella did not attend the Ball. The step sisters tell Cinderella that a “finest princess” (Perrault) came to the Ball, however, when Cinderella inquires about the unknown princess name, the step sisters state that they did not know. Also, the step sisters tell Cinderella that the prince “would give all the world to know who...” (Perrault) is the unknown princess. This way Cinderella slyly and confidently interrogates the step
Cinderella is innocent just as the child, and this allows the child to not feel guilt about his jealous judgements towards siblings. Cinderella’s story helps the child realize how terrible things could be for them and to appreciate how lucky they are instead of looking at the negative side of their life.
Cinderella’s story is undoubtedly the most popular fairy tale all over the world. Her fairy tale is one of the best read and emotion filled story that we all enjoyed as young and adults. In Elizabeth Pantajja’s analysis, Cinderella’s story still continues to evoke emotions but not as a love story but a contradiction of what we some of us believe. Pantajja chose Cinderella’s story to enlighten the readers that being good and piety are not the reason for Cinderella’s envious fairy tale. The author’s criticism and forthright analysis through her use of pathos, ethos, and logos made the readers doubt Cinderella’s character and question the real reason behind her marrying the prince. Pantajja claims that
The story of Cinderella has become a classic fairy tale, known around the world, and past down from generation to generation. Yet, over the years, the story has been rewritten to better relate to different cultures. While some things never change, authors still manage to convey different messages by making the story their own. This can be clearly seen when the Grimm brothers version of Cinderella is compared to Charles Perrault’s version of Cinderella. While the core of the story does not change, the moral, tone, and “magical” aspects of the two stories are clearly shaped by the different cultures in which they were written in.
The men in “Cinderella” also value women for their beauty. The prince has a ball for all the maidens in the land to find his future wife, which “amounts to a beauty contest” (Lieberman 386) for a new trophy wife. While some argue that Cinderella’s rebellion of going against her stepmother’s instructions of staying home shows that the story has feminist qualities, the prince weakens her achievement when he chooses her only because of her beauty as “girls win the prize if they are the fairest of them all” (Lieberman 385). Her need for independence is transformed into the prince’s need for a pretty wife, making her again an object in her family. Once integrated into the prince’s family, Cinderella goes from the maid of her family to the smiling porcelain doll next to the prince as the “first job of a fairy tale princess is to be beautiful” (Röhrich 110). This gives the impression that the only way
Cinderella, by the Brothers Grimm, described the life of a maiden named Cinderella. Born to a loving family, Cinderella’s life had drastically changed when her ailing mother had perished from her disease. After the death of Cinderella’s mother, her father had married another woman, who had two daughters. Unfortunately, Cinderella’s step-mother and step-sisters were cruel to Cinderella, forcing her to wear rags and perform chores. Instead of voicing the abuse, Cinderella submissively endured the appalling treatment and had her value reduced to a servant. As years progressed, the king organized an extravagant ball for three days, designed to attract the prince to the maidens in the ball. Even though Cinderella desperately wanted to attend the ball, because of the cruelty of her step-sisters, Cinderella remained meek and was warned she would be severely punished if she didn’t sort the lentils. Rather than performing the task and arguing for her freedom, Cinderella wept and was helped by the pigeons. As the ball continued, the step-sisters were discontent with the completion of their tasks, so they resumed to mistreat Cinderella by requesting her to complete further preposterous tasks. However, the pigeons would resume assisting Cinderella, even advising her to shake the tree on her mother’s grave for the appropriate attire to attend the ball. Thanks to the pigeons and the tree, Cinderella attended the ball and established herself as the candidate of the prince’s affection,
Cinderella is a fairytale for children that displayed love, loss and miracles; however, when it is further analyzed, it has a deeper meaning. Cinderella is a story about a young girl who became a servant in her own home after her father remarried a malicious woman with two spoiled daughters. She was humiliated and abused yet she remained gentle and kind. She received help from her fairy godmother to go to the prince’s ball after her stepmother rejected her proposal. Cinderella and the Prince fell madly in love but she had to leave at twelve o’clock and forgot to tell him her name but she left her glass slipper behind. He sent his servants to find her and Cinderella was the only maiden in the kingdom to fit into the shoes. She
With the power the step-mother has obtained, she utilizes it in order to oppress Cinderella as she is forced to become a maid within her own place of dwelling. For this reason, it causes Cinderella to become apart of an inferior level. Cinderella continues to stay passive and an inactive contributor within her life. Not resorting to the chance of rebelling or escaping the unfortunate situation. But even so, some may insist upon her attempting to break free as a form of escaping, yet she does not use it for instead she choses to wait in order to be saved. In view of that, Cinderella is presented as a goodhearted, but submissive character in need of rescuing. Above all, both the step-mother and Cinderella are seen as stereotypical characters. In fact the step-mother is showcased to hold great power, thus being a vision of dark evil ways. Much less, Cinderella and her character is not endowed with any power whatsoever, thus being looked upon as a good hearts and beautiful person inside and out. Accordingly this represents the message of female characters and power relationships between them. Being that those with power are seen as evil, while on the other hand those who have no power are meant to be good. Therefore a happy ending is give to those powerless, instead of female individuals with
Charles Perrault’s Cinderella or The Little Glass Slipper was published in 1697. It is considered to be one the most prevalent reinterpretations of the classic story. Perrault’s version was “addressed largely to an adult and highly sophisticated audience” (Cullen 57). For this reason, Perrault seldom emphasizes the details of Cinderella’s mistreatment and instead shifts the stories’ focus on the moral and materialistic concerns related to his audience in order to “to please [his] aristocratic audience” (Tatar 189). Accordingly, Perrault portrayed Cinderella to be dependent, self-sacrificing, and “exhibits