Annotated Bibliography of Research about Andy Warhol
Hereunder is a list of resources broken categorically into three sections: books, video footage and interviews. All of which I will be using in further development of my research paper on Andy Warhol (a.k.a. Andrew Warhola). Following each citation I have written a brief summary pertaining to that particular material and why I chose to use it for my research paper. Although he was not a painter and could not paint very well, according to his own understanding, ¹ Andy Warhol ² did in fact paint; and was unequivocally known for putting the “Pop” in Pop Art. ³
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Colacello, Robert. Holy Terror: Andy Warhol Close Up. New York: Harper Collins,x1990. The author of this book, Colacello, worked side-by-side Andy Warhol in “The Factory” for most all of Andy’s commercial art days. This was because Robert “Bob” Colacello was the famed editor of Interview Magazine a Warhol publication which, over the years, depicted tons of Andy’s Pop art takes as the cover image. This text speaks of many of the excesses which occurred at night clubs such as Studio 54 in New York; a very famous hotspot for meeting up with celebrity guests and party-goers. From this book I learned how Andy would constantly strive to surround himself with superstars of the time, people like
In Andy Warhol we see a sense of shame, but also acceptance and contentment by the light clasp of his hands, and the slight straining of his shoulders. His eyes are closed, which could either be out of fear of being seen, or a sense of peace at finally being seen. His lips are delicately pursed, which, again, shows that he could either be fighting the urge to cower and hide, or his own frustration with this desire, and his determination to continue. In addition to these many subtle expressions of emotion, we know that the actual man was known for his cool and confident attitude, which tells us just how much of a big deal his utter vulnerability truly is. Neel has stripped all outside masks, and has unearthed the frightened, old man beneath Warhol’s suave persona. Conversely, we see nothing but aloofness and an impassioned gaze within Schiele’s Self-Portrait with Chinese Lantern. Schiele has drawn himself looking at the viewer with his chin held up and his shoulders tilted back, an aura of complete confidence and self-importance all but oozing out of him. His face seems to ask, “Is that all that you’ve got?”. The placement of his arms belies his face though, for they’re tightly bound around his front, near his waist, showing that he may not be as self-assured as he
Warhol wanted to capture the moments of protesters being attacked by police force to draw the issue to the public’s attention. He wanted his art piece to preserve a portion of these black protesters lives; what exactly they went through to receive the equality they now have today.
There have been different art forms that have come and go over the course of time. Hence I will discuss, two significant movements like Post-impressionism and Pop art. Two important artists from these movements are, Vincent Van Gogh and Andy Warhol. There are many differences and very few similarities between these two movements and artists, although more differences. Van Gogh is one of the most captivating artists of post-impressionism. . Throughout his career Van Gogh has painted many works. One of those magnificent paintings is “Starry Night” by Vincent Van Gogh. In the other hand we will discuss one of the popular paintings “ Gold Marilyn” by Andy Warhol. Warhol is also the most famous of the Pop Artists and played a major role in making the art movement popular.
When we eat a slice of pizza we tend to wash it down with a bottle of Coke when we 're feeling sick we tend to have some Campbell 's chicken noodle soup when we think of rock 'n ' roll the name Elvis Presley comes to mind and for America 's sweetheart and movie actress there is none other than Marilyn Monroe. These for iconic objects and figures all have one thing in common they have stood the test of time and continue to be a part of American culture. Today I 'm going to talk about one man who took these ideas and started a new movement in the early 1960s it movement coined pop art where everyday recognizable images that have stood the test of time and continue to influence and be a part of American culture. This man goes by the name of Andy Warhol.
For the second art encounter I visited the Museum of Art at BYU and viewed the Andy Warhol and Pablo Picasso print exhibit.There were several other modernist artist on display in the exhibit, such as Lichtenstein and Kalloeitz, however Warhol and Picasso were the artist that are most talked about in this course. Both of these artist are considered to be modernist, however their works look very different. Andy Warhol’s iconic Marilyn Monroe print was on display showing the industrial, pop side of modernist art. Warhol’s art imitates the negative social norms of the time. His lowd use of neon color and choice of subject add to the growing popularity of veneration of celebrities. He also was one of the first artist to mass produce his art, adding
The sixties were a time of social and political change in America, and the art world was not left untouched. Early in the decade a new movement focused on popular culture and national icons began to develop. It was aptly named Pop art. "Many critics were alarmed by Pop, uncertain whether it was embracing or parodying popular culture and fearful that it threatened the survival of both modernist art and high culture..." (Stokstad 1101) Pop artists were not the first to make cultural statements with their work, however controversial art always draws criticism and attention. One of the most well known artists of the Pop movement was Andy Warhol, a young commerial illustrator from manhattan. Warhol's use of popular icons and brands as the focus
In Andy Warhol’s time he was seen as very commercial and not truly a defined artist. Warhol was very popular to average society but never quite Throughout his whole life he has had struggles with Sydenham’s chorea, terrible shyness, and lastly making artwork acceptable to other artists. And as we get farther from his time we see how much value and meaning there was in his work.
When considering the life and works of Andy Warhol, one thing is agreed upon for good or bad, he changed the visual construction of the world we live in. His window advertisements were the beginning of an era, where art would be seen in an array of forms away from the traditional paintings and sculptures of the old world. He made people see everyday material objects in a whole new light; through "Pop Art" he could transform mundane into extraordinary. He was a working man, a social climber, a builder, an acquirer of goods, and a known homosexual. These attributes all contributed to the interesting and complicated nature of his art.
Andy Warhol, with his revolutionary idea of pop art, is arguably one of the most influential artists of the 20th century. Warhol’s unique view of the world and how he developed his definition of art is what changed the world. The creativity that Andy Warhol displayed was due to him having such a strange sense for obscure and fashionable things. Even his appearance, which consisted of his classical silver wig, clearly shows that he is no ordinary person, but instead that he is a cool, classical person, who will never be out of style. His ability to influence countless celebrities, all within different forms of art, with his fame made him into an unbelievably important impresario. Andy Warhol had plenty of revolutionary pieces, including his Campbell's soup, and Marilyn's, but these pieces are hardly what made him such a special and unique person. Helping to influence and promote many new and upcoming people such as Jean Michel Basquiat, and the Velvet Underground, he created a foundation for modern art that has continued to
His work first appeared in 1949, contained in an issue of Glamour magazine. He illustrated for a story called “What is Success?” and took off from there, becoming an award-winning illustrator throughout the 1950’s. Warhol’s obsession with beauty bled into his career, and he was often basking in his status of fame.
When you go to an art show do you understand the symbolic interpretation of the pieces? Don’t feel bad, most people don’t. What’s so upsetting about that is that you really miss out on the experience. When I think about interpretation of art I think of Andy Warhol. Andy Warhol’s use of iconography changed not only the art world but the people who came into contact with his art. Once you understand his life and art, you will understand his art as a symbolic representation.
One of his jobs was to design the weather map for NBC’s morning news. In 1952 Warhol held his first exhibit, it was not a financial success, but it enhanced Warhol’s reputation as a commercial artist. But his spare time was now taken up with pop art, inspired by Jasper Johns and Robert Rauschenberg, two young pop artist, Warhol had come across in 1958. He began to paint, draw and print everyday objects such as, dollar bills, soup cans, postage stamps, comic strips, and soda bottles. According to Warhol, these were some of the consumer products “on which America is built.”
Mapplethorpe began shooting photographs of his close acquaintances and friends and later shifted his focus to the S&M underground culture. But portraiture is known to be the primary component of his work. Here we can see the famous artist Andy Warhol’s apathetic expression captured alluringly, as he leans against the edge of a white wall, with his head turned in a three quarter view facing the camera. He adorns his traditional white straight wig, with loose hairs protruding out in all directions. His black
According to Rauschenberg/Warhol" (2016), “Rauschenberg and Warhol were contemporaries, born three years apart, but Bob preceded Andy by a decade in the fine arts realm Andy made his living as a commercial artist during the ‘50s and, of course, Warhol predeceased Rauschenberg by 20 years. Still, neither quite escaped the other’s protean shadow. Both arrived in New York from the coarse world of outland America, one in which, as Virgil Thomson, who grew up in Kansas City, wrote, A young man can find violence if he wants it anywhere down the street."
Andy Warhol was considered to be The Pop Master during the Pop Art movement. He was a painter, printmaker, illustrator, filmmaker and sculptor; he was also the controversial lover of the popular, a mad fan of fame, glamor, and celebrities.