Ap Rocky's Last Time Analysis

The decade of hip-hop is what some may call it. Tupac, Naz, Biggie Smalls, as well as other artists, were major contributions. Not only for the people who are trying to find their footing, but Buck as well. Throughout the book various lyrics were embedded in order to create a better understanding for its readers. In addition, this book is based upon a 90s lifestyle within Philadelphia, which included drugs, gang activity, crime, hip-hop, and havoc. Malo was directly in the center of everything, the girls, the fights, the guns. His experiences shed light towards what it’s like to as an African American individual living in or near the hood. Not everyone realizes what people go through while living there, but now it gives some readers an image of what goes on. Though times have changed, not all previous feelings

In this song, Chance the Rapper states he wants to be an independent musician. He is sick and tired of today’s music industry treating music as a way to make money. Nowadays, almost all of the musicians are signed by record labels and forced to make music for the money purpose. However, Chance The Rapper wants to be a true artist and has entire freedom to follow his heart to make music just like his predecessors did decades ago. He respects to the old generation artists and the freedom of music creation, so he decides to be an independent musician and make this song to tell people that he won’t join any record label.

“The Message” by Grandmaster Flash and the Furious Five was recorded in 1981 and released by SugarHill Records on July 1, 1982.

Oscar Romero was a El Salvadoran Christian leader (archbishop of San Salvador) who was dedicated to standing up for human rights and speaking out against the repression and persecution of the El Salvadoran people. He was motivated by both personal and spiritual reasons, such as the death of his friend and fellow priest, Father Grande, who was murdered by soldiers under orders of a corrupt government, fuelled his desire to stop the corrupt endeavours of political leaders. He took the mistreatment of people of the church, both with the torture and killings of priests and followers alike, as a spiritual transgression and spoke out openly numerous times throughout his time as archbishop. Despite the amount of overwhelming negative directed towards

A wrestler with no arms. A runner with no legs. A woman deep in poverty. What do these people have in common? They all had to overcome major challenges in order to reach success. The articles “The Contender” by Derek Burnett, “Paralympic Star Makes History on NBA Stage” by E. Lancaster, and “Life in the Red” by Benedict Carey show how Kyle Maynard, Blake Leeper, and Lakeisha Tuggle went through obstacles to achieve their dreams. After reading these articles about a confident Kyle Maynard, an inspirational Blake Leeper, and a resourceful Lakeisha Tuggle, one could make the choice to never give up on success, to have a positive outlook on things, and to cut out the unnecessary things in life. In turn, these strategies can help one accomplish their dreams, and to overcome obstacles so that one day the may become the person they hoped to be.

Breaking through in the heart of the Bronx, Hip Hop was designed to empower and teach the youth, while providing them an outlet for creative expression. Developed on five essential pillars, all working towards: giving African Americans knowledge that they didn’t have access to, inspiring them to read and acquire true knowledge of self, and to understand the role that self has in America in relation to the actual worth of self. Since the inception of Hip Hop, the genre has evolved through the times while transcending new depths aligned with its original pillars.

Thesis Statement: With hard work and dedication to his art, he walked down the path of success by staying positive, and thus has become one of the most influential music artists of modern day hip hop culture. Despite being tangled with legal troubles throughout his career, our guest speaker has conquered every bump in his path and continues to use the negatives for motivation. Not only is he a wonderful example of perseverance, our guest today is living, breathing proof that if you put your mind to it anything can be achieved.

Kendrick Lamar’s third studio album, “To Pimp a Butterfly,” sheds light on the struggle of achieving rich and fame and the trials that come with. Rolling Stone and Billboard praised the album awarding it the best album of 2015. The album depicts the difficulties of fame by putting the trials and tribulations on display; the inability for those to adjust to their new lifestyle and the potential temptations that creep in. “To Pimp a Butterfly” has been both a divisive and uniting factor in its emergence in popular culture.

When it comes to the film industry, entertainment is the tool used to acquire what is desired, money. The main goal for filmmakers when they create a film is to attain money in addition to the money spent to make the movie. Therefore, in some films that they like to base off of true accounts, it is somewhat necessary to dramatize or embellish the story to really tug at the heartstrings of the films audience. They achieve this goal by the use of dramatic music, ambient lighting, and a small amount of tweaked diction. The Fighter is an excellent example of this dramatization in action because throughout the film the characters are faced with a multitude of decisions that must be made. The choices they make require the characters to choose

My Beautiful Dark Twisted Fantasy boasted an amazing maximalist approach that boarded on a hip hop opera symphony with lyrics that were memorable and verses that can rank as the best hip hop verses of all time. It was an album filled with legendary moments that music fans will remember for ages, and moments Kanye fan boys will yell at his concerts. This reaction by hip hop fans for My Beautiful Dark Twisted Fantasy was immediate. For Yeezus, it was different. Yeezus’ minimalistic approach threw fans and critics off due to the very left field and experimental approach he took for this album, both sonically and thematically. In spite of this, Yeezus still manages to hold up it’s quality, value, and impact in comparison to his preceding albums while becoming one of the most important hip hop albums of all time.

In the days following Lil B’s lecture at MIT, I found myself trying to make sense some longstanding unresolved feeling I’ve had regarding the illustrious Based God. Lil B is a polarizing artist, I used to identify with the Task Force’s cultish fanboy worship of him during the Blue Flame era. As time went on, I drifted, but was never able to connect with those who crusaded against him as some sort of antichrist of #realhiphop. For the former, Lil B appears infallible; a recording artist who can do no wrong and whose work can’t be measured by any sort of normalized standards of judgment. For more conservative hip-hop fans, Lil B’s unpolished and seemingly haphazard approach to creating music makes him a pariah that should be ostracized from the rap game.

Even though critics are very quick to point out the vehement and intense lyrics of some Hip-Hop artists, they are ultimately missing the point of their message. Similar to other different forms of music, Hip-Hop and rap cannot be understood unless it is studied and analyzed

From it's inception, rap indured a lot of hostility from listeners--many, but not all, White--who found the music too harsh, monotonous, and lacking in traditional melodic values. However, millions of others--often, though not always, young African-Americans from underprivileged inner city backgrounds--found and immediate connection with the style. Here was poetry of the

Hip-hop’s fascination with authenticity is unique to the genre and its function of its roots as the cultural expression of socially and economically marginalized African-Americans. A narrow subculture, hip-hop’s rise to prominence as evidence by the rise of international hip-hop stars, a high percentage of hip-hop CD sales, and the cooption of all things “hip-hop” by large companies to target new consumer demographics, has jeopardized the genre’s “realness.” Listen to Kanye West’s “Ni**gas in Paris” produced in 2011 and then listen to Maceo’s “Nextel Chirp” produced in 2005, both tracks sound very similar, so what is authentic and what is not?

“Rap is poetry” (xii). To any avid fan of the genre, it is a statement that seems obvious. The words could easily be the musings of a listener first introduced to the art form, not the focal point of an entire work of contemporary criticism. Yet in Book of Rhymes: The Poetics of Hip Hop, Adam Bradley’s primary focus is this very point, the recognition of traditional poetic elements within rap music. With the global cultural and economic phenomenon that hip hop has become, it is easy to forget that the style of music is barely thirty years old, that scholarly criticism of it has existed for only half of that time. When viewed within this relatively new arena of scholarship, the importance of Bradley’s text is