Archetype In Sir Gawain And The Green Knight

After the Green Knight humiliates King Arthur and his knights by challenging them, Gawain stepped up to the challenge in their place, asking the King “Uncle, let me stand in your stead and strike the blow” (Thompson, 11). Here, Sir Gawain is following vow two of the Knights Code of Chivalry “to serve the liege lord in valor and in faith" by committing to the challenge himself, he is protecting the king and serving him. Coincidentally, by accepting the challenge, he is also following vow ten of the Knights Code of Chivalry “to guard the honor of fellow knights.” As an effect of, Sir Gawain’s noble act, he stops the embarrassment caused by the Green Knight’s challenge, preserving his fellow knights’

​In the beginning of Sir Gawain and the Green Knight, Gawain is introduced as a courtly knight with a sense of perfection. The author does this to compare it to his failures, which are later displayed through Gawain’s acts at Morgan le Fay’s castle. Gawain is portrayed to be a chivalrous knight with honor and courage. Gawain is presented with a challenge: accept the game to cut off the Green Knight’s head, and in a test of courage and honor, set out to allow the Green Knight to return the favor to him in a year and a day. This initially shows the knightly characteristics of Gawain which presents him as noble and honorable, which allows the author to shock the audience when Gawain falls under pressure to actions that contradict the chivalrous code. The first of these actions taken by Gawain in opposition to his morals is the temptation

Archetypes are universal symbols used in literature to represent fundamental human motifs. In the medieval romance Sir Gawain and the Green Knight, the hero must undergo archetypal situations to succeed in his quest to redeem the honor of Camelot. Gawain embodies the transcendent hero as he further goes into “The Zone of Magnified Power” (Campbell 71) then faces conflict resulting from the threat placed on the society. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

An archetype, which can also refer to as a universal symbol, can not only limit it to theme, setting, and symbol but can also refer to as a character. A type of archetype can not only represent one character, it can represent many different types of characters. Depending on the story that the author wants to try and portray. In the medieval romance, Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles. This story possesses many different types of characters that can all have more than one archetype. Having characters that more than one archetype in this story helps build Sir Gawain’s character and helps guide him through his initial quest and trails that he encounters to face in order to face the Green Knight. There are several different characters in the story of Sir Gawain and the Green Knight that aid in the troubles that Sir Gawain faces throughout the story.

A number of several different archetypes in Sir Gawain and the Green Knight are what makes the hero’s journey so successful in many ways. The journey sends the Hero in search of some truth that will help save his kingdom. Sir Gawain goes on a journey to find the Green Knight as per his request. This journey ultimately leads to the knowledge that he seems truly chivalrous. As Sir Gawain approaches the castle, the men of the castle were begging him to cross the bridge. The bridge

In Sir Gawain and the Green Knight, many archetypes can be found, like in most works of literature. This literary work included situational and symbolic archetypes as well as character archetypes and color archetypes. Each archetype in the poem aided in Sir Gawain’s development as a character. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

    Sir Gawain and the Green Knight is a tale that takes place in the medieval period. During this time period, knights were considered very common and were expected to follow one main code of law, chivalry. This code mainly stated that a knight must be loyal to his king, honest, modest, and brave. Chivalry is practiced in Sir Gawain and the Green Knight in the form of tests that are given to Gawain to reveal his true character, and what is valued most to him. Throughout these tests, Sir Gawain proves that he values his honor over his life and will not fall to temptations displayed to him.

Archetypes can be found in most literary work, especially in Sir Gawain and the Green Knight. In Sir Gawain and the Green Knight most characters or objects served to aid in the development of the hero by being either a situational, character, color, or a symbol archetype. The poem begins with a challenge being presented to the knights of the Round Table by the Green Knight. While seeing that no one else will accept the challenge, putting Camelot’s honor at stake, Gawain accepts and then realizes that in a year they must meet again and the Green Knight will return the blow that Gawain gave to him. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

With every corner we turn in today’s culture, we become more and more aware of the archetypes that surround us. Archetypes are the works of a typical character, situation, setting, or symbol that can be found in fantasy and reality. An example would be the renowned medieval story Sir Gawain and the Green Knight by Pearl Poet. The author permeates the story with situational, symbolic, and character archetypes that illustrate the profound life of Sir Gawain. Sir Gawain was apprehensive of his journey at first, but as time passes, he began to make choices that unveils to the audience the true flawed knight that he was.

Gawain’s first portrayal of being a true knight comes when the Green Knight makes his appearance in Camelot. The Green Knight first speaks to King Arthur and proposes that they play a “game.” Arthur will strike the Green Knight with his axe, and in return the Green Knight will return the strike in a year and a day. King Arthur agrees to this game and its terms, but as he steps up to accept the challenge, Gawain comes forward and offers to participate in the “game” in place of King Arthur. Sir Gawain says to King Arthur, “I implore with prayer plain that this match should now be mine” (341-342). Gawain goes on to strike the Green Knight, cutting off his head. However, the strike does not kill the Green Knight; he picks up his head from the ground and repeats to Sir Gawain that he will return the blow in a year and a day. In this moment, Gawain’s bravery is clearly showcased. First, he takes a challenge in place of his king, which he did not have to do.

Sir Gawain is reluctant to accept the Green Knight’s challenge. He fears for his life. In the end he only accepts the challenge to protect King Arthur’s life and honor. He knows it is his duty to protect King Arthur, but only volunteers to do so at the last second. Sir Gawain also breaks his oath to the Lord of the castle he is staying in. He broke their vow to trade whatever they had earned during the day when he keeps a sash the Lady of the castle gives him because he believes it will protect him during his battle with the Green Knight.

From Sir Gawain and the Green Knight, the hero of the story, Sir Gawain, represents a lot of the characteristics of a chivalric knight/hero, among them: modesty for himself, honesty to everyone around, as well as commitment and courage to complete his agreement made. He also engages in the activities that define heroes: starting out with a journey and completing challenges along the way, all trying to prove his worthiness to not only himself, but to King Arthur and his people back home. The most chivalric thing about Sir Gawain was probably when he knew he had the option to let King Arthur chop off the Green Knight’s head, but instead, he volunteered himself to do what he thought was the smartest thing. He also had the choice to stay in his home when he should have been out and going to find the Green Knight, but he owned what he had done and completed his journey all the way to what he was thinking was his death. His only downfall was when he lied about his magical girdle, which was given to him by a lady, but did not return to the host after they had made a deal. The Green Knight

Even in the middle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a “Call to adventure” (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

That heroic character is frequently placed on a pedestal. From old folk tales to modern pop-culture, a hero is often seen as being generally respected and admired for his heroism. Throughout the course of his quest, Gawain must face temptation and the less-than-heroic qualities within himself-and he does not necessarily overcome them all.

A number of archetypal situations occur in Sir Gawain and the Green Knight that serve to promote Gawain’s moral development. At first he hesitates to go to take the place of the king, but he does it anyways and he keeps putting it off when it comes to the days before the reunion with him and the Green Knight. Morgan, Arthur's sister, plays the trickster, “know where justice lay, the old trickster revealed himself, made known his prank” (Campbell 42) and the devil figure because she was unsuccessful in destroying Camelot by sending the Green Knight there to frighten Guinevere to death. When first introduced she is to be the opposite of Lady Bertilak, Lady portrayed beautifully and Morgan as the ugliness in her presence. He did not know of her being the one that is ruining his home community until the Green Knight told him that it she put him up to this. “First I menaced you with a feigned one, and hurt you not for the covenant that we made in the first night, and which you didst hold truly. All the gain didst you give me as a true man should. The other feint I proffered you for the morrow: my fair wife kissed you, and you didst give me her kisses--for both those days I gave you two blows without scathe--true man, true return. But the third time you didst fail, and therefore had you that blow. For 'tis my weed you wear, that same woven girdle, my own wife wrought it, that do I know truthfully. Now know I well your kisses, and your conversation, and the wooing of my wife, for