Archetypes In Sir Gawain And The Green Knight

​In the beginning of Sir Gawain and the Green Knight, Gawain is introduced as a courtly knight with a sense of perfection. The author does this to compare it to his failures, which are later displayed through Gawain’s acts at Morgan le Fay’s castle. Gawain is portrayed to be a chivalrous knight with honor and courage. Gawain is presented with a challenge: accept the game to cut off the Green Knight’s head, and in a test of courage and honor, set out to allow the Green Knight to return the favor to him in a year and a day. This initially shows the knightly characteristics of Gawain which presents him as noble and honorable, which allows the author to shock the audience when Gawain falls under pressure to actions that contradict the chivalrous code. The first of these actions taken by Gawain in opposition to his morals is the temptation

After beheading the Green Knight, Sir Gawain is depressed by dark thoughts of what lies ahead for him and all while everyone “danced and sang till the sun went down that day. But mind your mood, Gawain, keep blacker thoughts at bay, or loose this lethal game you’ve promised you will play” (485-490). Of course, one would have anxiety of waiting for a year to come. The time has come for Sir Gawain to go through the unknown world to find the Green Chapel. He encounters a serious of dangers in numerous

Archetypes are universal symbols used in literature to represent fundamental human motifs. In the medieval romance Sir Gawain and the Green Knight, the hero must undergo archetypal situations to succeed in his quest to redeem the honor of Camelot. Gawain embodies the transcendent hero as he further goes into “The Zone of Magnified Power” (Campbell 71) then faces conflict resulting from the threat placed on the society. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

An archetype, which can also refer to as a universal symbol, can not only limit it to theme, setting, and symbol but can also refer to as a character. A type of archetype can not only represent one character, it can represent many different types of characters. Depending on the story that the author wants to try and portray. In the medieval romance, Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles. This story possesses many different types of characters that can all have more than one archetype. Having characters that more than one archetype in this story helps build Sir Gawain’s character and helps guide him through his initial quest and trails that he encounters to face in order to face the Green Knight. There are several different characters in the story of Sir Gawain and the Green Knight that aid in the troubles that Sir Gawain faces throughout the story.

A number of several different archetypes in Sir Gawain and the Green Knight are what makes the hero’s journey so successful in many ways. The journey sends the Hero in search of some truth that will help save his kingdom. Sir Gawain goes on a journey to find the Green Knight as per his request. This journey ultimately leads to the knowledge that he seems truly chivalrous. As Sir Gawain approaches the castle, the men of the castle were begging him to cross the bridge. The bridge

In Sir Gawain and the Green Knight, many archetypes can be found, like in most works of literature. This literary work included situational and symbolic archetypes as well as character archetypes and color archetypes. Each archetype in the poem aided in Sir Gawain’s development as a character. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

In many works of literature, many archetypes (or symbols) are used to help the reader understand the story of a hero’s quest. In the Sir Gawain and The Green Knight, the hero has to go on a fatal journey to uphold the reputation of Camelot. While enduring that journey, Gawain has to conquer many trails. Gawain’s succession of trials leaves the hero, like Coleridge’s Ancient Mariner, a “sadder but wiser man.” With all the trials that Gawins intakes, many archetypal characters contribute to the theme of the story.

Medieval romances are dramatic theatrical narratives that usually include heroes, adventures, and of course the excitement of love. These stories have been around since the 12th century, first appearing in France and then later seen in England. They were some of the most popular texts of the era. Sir Gawain and the Green Knight is one of these stories introduced in the 13th century. In fact, it’s so old that nobody knows who even wrote the poem. Sir Gawain and the Green Knight is an exciting tale where Sir Gawain is tested as a knight by facing challenges and adventures. Sir Gawain and the Green Knight shows us the all the main traits and characteristics of a medieval romance, such as supernatural elements, mistaken identity, larger than life characters, and lastly a hero facing and passing tests of loyalty.

Archetypes can be found in most literary work, especially in Sir Gawain and the Green Knight. In Sir Gawain and the Green Knight most characters or objects served to aid in the development of the hero by being either a situational, character, color, or a symbol archetype. The poem begins with a challenge being presented to the knights of the Round Table by the Green Knight. While seeing that no one else will accept the challenge, putting Camelot’s honor at stake, Gawain accepts and then realizes that in a year they must meet again and the Green Knight will return the blow that Gawain gave to him. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

In Sir Gawain and the Green Knight, after Gawain ventures “into a forest fastness, fearsome and wild” (Norton, 311), he prays that he will be able to find “harborage” on Christmas Eve (Norton, 312). It is the middle of winter, and Gawain has been traveling in search of the Green Knight whose head he has cut off. After he prays and signs himself three times, Gawain finds a magical castle in the midst of a winter forest. He rides to the castle and is granted permission to enter by the lord. Gawain is attended to in a fashion befitting kings, and he meets the lord who tells his identity to all in the court. There are many significant implications and foreshadowings which occur during Gawain’s

With every corner we turn in today’s culture, we become more and more aware of the archetypes that surround us. Archetypes are the works of a typical character, situation, setting, or symbol that can be found in fantasy and reality. An example would be the renowned medieval story Sir Gawain and the Green Knight by Pearl Poet. The author permeates the story with situational, symbolic, and character archetypes that illustrate the profound life of Sir Gawain. Sir Gawain was apprehensive of his journey at first, but as time passes, he began to make choices that unveils to the audience the true flawed knight that he was.

Sir Gawain is reluctant to accept the Green Knight’s challenge. He fears for his life. In the end he only accepts the challenge to protect King Arthur’s life and honor. He knows it is his duty to protect King Arthur, but only volunteers to do so at the last second. Sir Gawain also breaks his oath to the Lord of the castle he is staying in. He broke their vow to trade whatever they had earned during the day when he keeps a sash the Lady of the castle gives him because he believes it will protect him during his battle with the Green Knight.

Even in the middle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a “Call to adventure” (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

The Green Knight agrees if Gawain will come to wherever he thinks the Green Knight will be. Of course, Gawain has no clue where he would find him, so the Green Knight says that he will tell him if Gawain can hit him square on the neck. Then Sir Gawain strikes him directly on his neck, and the Green Knights head rolls off. The Green Knight proceeds to pick up his head and leave, while bleeding terribly from the neck as if he were unharmed. Before he leaves, he tells Sir Gawain to come to the Green Chapel when they agreed. So then a year passes before Gawain comes across his second trial. It occurs while Gawain stays in the castle of a hospitable lord before he is to meet again with the Green Knight. During his stay, the lord and Sir Gawain agree to "exchange what each has won during the day" (Ponsor 128). For three days the lord brings back what he has hunted, and Gawain gives him the kisses he has received from the lady of the castle. However, he also received a magical green scarf from the lady on the third day, but fails to exchange it for it is a token of good luck. When Sir Gawain finally meets with the Green Knight, he prepares to be struck with a scythe, but the Green Knight ends up only giving him a minor scratch on the neck. This is because the knight was testing his honor, and he scratched him because he did not maintain his honor on that third day. He was supposed to hand over

He appears with no armor to shield him from feeling the world, in fact his green appearance, though brawny in description, does contain undertones of green passivity. He is neither depicted as spiritual blue, nor warm emotional yellow, rather the fusion of the two, devilish green. To live in a state of uncertainty is the antithesis of mid-evil chivalry. It is a knights’ duty to know his place in society and to whom he serves, not to think or feel therefore when Gawain asks the Green Knight for instructions to find his home, the Knight gives no formal address, rather an experiential response. He says “If I tell you true, when I have taken your knock… you shall hear straightaway of my house and home and my own name” (398-399). This statement forces Gawain to live in the reality and emotion of the moment rather then set out on his quest upon social consequences.