Aristotelian Appeals: Ethos: Convincing an audience of the credibility of the author or of a character. Pathos: To persuade an audience through appealing to their emotions. Logos: Convincing and audience through logic or reasoning. Rhetorical Fallacies: Emotional: Sentimental Appeals: Use of emotion to distract audience from the facts Red Herrings: Use of unrelated evidence to support a conclusion Scare Tactics: Frighten people into agreeing Bandwagon Appeals: Encourages audience to agree with a statement because everyone else does Slippery Slope: Suggesting one thing will cause another to happen Either/Or Choices: Give complex issues only two possible answers False Need: Create unnecessary desire Ethical: False Authority: Has audience agree with someone based off their authority even if they are not qualified Using Authority Instead of Evidence: When personal authority is offered as proof Guilt by Association: Character is called into question because of one’s associates Dogmatism: Writer’s belief becomes only acceptable one as discussion is shut down Moral Equivalence: Comparing minor and serious problems as the same Ad Hominem: Arguments attacking character and not reasoning Strawperson: Set up arguments that dismantle other refutable arguments Logical: Hasty Generalizations: Conclusions drawn from little evidence Faulty Casualty: Confuse chronology with cause of events Non Sequitor: A statement that logically has no relation to the
Humanity has become the most dominant species on Earth due to our high intelligence and communication skills but our communication can also be used to easily manipulate and convince. This manipulation is shown when, Mark Antony delivered a deeply passionate and articulate speech at Caesar’s funeral, altering the political dynamics of the Rome in William Shakespeare’s play Julius Caesar. Antony uses his words to influence the Roman people. He effectively uses rhetorical devices to prove his point and gain the support of the citizens. Antony also uses the rhetorical device of Pathos to invoke emotion in the crowd and Ethos to use Brutus’ and the conspirator’s reputation against them.
A kingdom cursed by the gods, doomed to die by famine and plague, in Sophocles’ play Oedipus the King, the people of Thebes and their king desperately cry out to the divine and beg for mercy and a way to end their agony. Finally, a glimmer of hope, a riddle that a prophet can solve, and the damned nation call to him for help. A directed scene of what plays out in Oedipus’ confrontation of the truth of his fate with Tiresias is covered in this document. The scene is set in its traditional form of ancient Greece but contains the contemporary English language of Robert Fagles’ translation so that modern audiences can more thoroughly understand and enjoy the content of the play while preserving the cultural charms of the time period. The background
Paul began his argument of Romans by proving that the Gentiles are sinners before God. Although God has revealed His truth to them, they have suppressed it, resulting in the darkness of their inner man and rebellion against God to the point of worshipping animals (1:18-23). As a result God gave them over to do the desires of their heart (1:24, 26): idolatry (1:25) and homosexuality (1:26-27). Seeing that they had no desire to retain God in their knowledge, God gave them over to a depraved mind to do every sort of evil (1:28-31).
In the play Oedipus Rex, the city of Thebes was reviled with a torment. His brother by marriage, Creon, revealed to him the best way to lift the reveal was to discover the enemy of the previous lord. Somebody had slaughtered Laius and now Oedipus is searching for the murder since he thinks about the city of Thebes. Creon says that Laius was killed in quite a while back. Creon likewise brings a visually impaired prophet by the name of Tiresias. Tiresias would not like to state anything to Oedipus since he needed to shield him from reality. Oedipus became furious and requested for Tiresias to disclose to him reality. Incited by the outrage of Oedipus, Tiresias starts to give insights of his insight. Alter straight begin saying that Tiresias was
Greece influenced roman societies and modern day societies politically as explained in documents 1, 2, 4, and 6. Greece was the first ancient civilization to have a democracy. The basic rule for roman society law system was displayed in the twelve tables. (Doc 2) Many western civilizations adapted this law system as well as other ideas from the roman 12 tables which influenced western societies immensely. The document explains a quote that we still use in modern society which is “every man is innocent until proven guilty.” Octavian Augustus states that after he dies “the foundations which I have laid for its future government will stand firm and stable” the Greeks invented an idea of a ruling senate which today is known as democracy. (Doc 4)
Compare and contrast the ways in which the passage below attempts top discredit Anthony with the ways this is done in the speech attributed to Octavian die ( in reading 1.1 of book 1. Chapter 1.)
The audience feels pity for Oedipus because of his final requests before he is exiled. Aristotle uses another key component in Oedipus Rex, he uses pity, especially from the audience. When Oedipus asks the new king Creon before he is exiled he asks four requests from him. Oedipus begs Creon to bury “the woman inside, bury her as you see fit” (Fagles.1584-5.246). The audience feels pity for Oedipus when he has to beg Creon to bury his wife/mother. Oedipus says “I command you-I beg you” to Creon, when Oedipus starts to talk to Creon here as if he is still king (Fagles.1583.246). Oedipus’s second request to king Creon is take care of his daughters. The audience feels pity for Oedipus because Creon has to permit Oedipus to see his daughters. Oedipus
The audience experiences a catharsis of pity and fear at the end of Oedipus the King. The audience experiences a catharsis by releasing their repressed feelings of pity and fear. Before Oedipus finally leaves, his discussion with his two daughters provides the audience with a catharsis as he states, "I weep for you...I weep when I think of the bitterness" (Sophocles lines 1598-1600). Oedipus directly tells his daughters of the repercussions of his actions. The audience experiences fear for the futures of Oedipus's daughters since having a distressing life is a feeling that is relatable. The audience realizes Oedipus's actions rob his daughters of a normal
Bill Cosby is a well-known celebrity for his works on “The Cosby Show”, “I Spy”, and his voice over works on “Fat Albert and the Cosby Kids” and “Little Bill”. For most of his career Cosby was known for his acting, comedy, father figure, and a friendly loveable personality. However, Cosby was recently accused of drugging and sexually assaulting over fifty women. When he was finally put on trial the judge declared a mistrial. But at the end of the day we have a man famous for his good father character revealed to be a serial rapist.
The play Julius Caesar, written by William Shakespeare, is about how Julius Caesar’s killers were persecuted at his funeral. The two main speakers, Mark Antony and Brutus, are both on two different sides of the situations, and Mark Antony delivers a more persuasive speech. Mark Antony uses the rhetorical technique of irony to persuade the citizens that Brutus was wrong for killing Caesar. He uses this technique throughout his speech. For example he uses this technique when he says to the to the crowd that Brutus was an honorable man and so where the other men.
I enjoyed reading your post this week, too. I agree with you. I wonder if the attic orators
Oedipus the King is an excellent example of Aristotle's theory of tragedy. The play has the perfect Aristotelian tragic plot consisting of paripeteia, anagnorisis and catastrophe; it has the perfect tragic character that suffers from happiness to misery due to hamartia (tragic flaw) and the play evokes pity and fear that produces the tragic effect, catharsis (a purging of emotion).
Plato and Aristotle, arguably the most important philosophers of their time, both made attempts to define justice. Being that Aristotle was a student of Plato, their ideas share many similarities. Both viewed justice as the harmonious interaction of people in a society. However, Plato defined his ideal of justice with more usage of metaphysics, invoking his Form of the Good, while Aristotle took a more practical approach, speaking in terms of money and balance. Although Aristotle's ideal of justice may seem superior, upon further inspection, Plato's ideal of justice is the stronger.
In "The Politics", Aristotle would have us believe that man by nature is a political animal. In other words, Aristotle seems to feel that the most natural thing for men to do is to come together in some form of political association. He then contends that this political association is essential to the pursuit of the good life. Finally he attempts to distinguish what forms of political association are most suitable to the pursuit of this good life. In formulating a critique of "The Politics", we shall first examine his claims as to what is natural to man and whether the criterion of the natural is sufficient to demonstrate virtue. We shall then examine what it is about political association that
Sophocles Oedipus the King is a tragic play which discusses the tragic discovery of Oedipus that he has killed his father and married his mother. The story of Oedipus was well-known to the Athenian's. Oedipus is the embodiment of the perfect Athenian. He is self-confident, intelligent, and strong willed. Ironically these are the very traits which bring about his tragic discovery. Oedipus gained the rule of Thebes by answering the riddle of Sphinx. Sophocles used the riddle of the sphinx as a metaphor for the 3 phases of Oedipus' life and to further characterized him as a tragic man. The Sphinx posed the following riddle to all who came to obtain the rule of Thebes: “What is it that walks on 4 feet and 2 feet and 3 feet and has only one voice, when it walks on most feet it is the weakest?” Oedipus correctly answered “Man” and became the king of Thebes. This riddle is a metaphor for the life of Oedipus. As a child man crawls on his hands and knees this is the four feet to which the Sphinx refers. Also, man is at his weakest as a small child. He depends solely on others for his nourishment and well-being. Oedipus was the child of Jocasta and King Laius who was taken to the mountain by a Shepard to be killed so the omen of the god Apollo that Laius' son would kill him and lay with Jocasta would not come true. Oedipus was the weakest of his life at this point.