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Arnold Friend Identity

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Essay #1
The article "Where Are You Going, Where Have You Been?" by Joyce Carol Oates who notes that it is for Bob Dylan, a musician whose music plays a significant role in the context. The text centers on a young American teenage girl, Connie who is rebellion and has a distant relationship with her family that resulted from her mother constant comparing her with her sister. A man comes with a mystery, Arnold Friend who shifts Connie from reality to fantasy and pushes her spiritually to obey him. An important motif from the text, the music, reveals the true identity of Connie and becomes a weapon used to dictate her along with Arnold Friend's voice, and Bob Dylan's song has all contributes to the central theme of the story, domination.
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Connie and Arnold Friend have their conversation started on Bobby King whose music Connie was playing in her room. Then, Arnold Friend asks Connie for a car ride which Connie refuses, and his voice is described "He spoke in a simple lilting voice, exactly as if he were reciting the words to a song" (Oates 3). The voice in here refers to Arnold Friend, and the song is the music. It is stating that Connie loves Arnold's voice as it is some type of music that she wants to hear more. Oates at the end illustrates Arnold's words as incantation which again shows how Connie compares music with Arnold Friend's voice and worships it. Arnold Friend utilizes his voice to mentally conquering Connie to follow his orders like preventing her from making phone calls, persuading her to open the door and coming out. All of these shows Arnold Friend's domination on Connie and gradually taking a total control of …show more content…

One of Bob Dylan's songs that released in 1965, "It's All Over Now, Baby Blue" reflects some events in the text that proves Arnold Friend's language threaten to Connie. One event is Arnold Friend's constant requesting Connie to have a car ride with him which appear in the song as the repetition of "And it's all over now, Baby Blue" (Dylan 1). Both repeat over and over which proves Bob Dylan's song is related to the story and reveals Arnold Friend's temptation of getting Connie out of her house. It is all over foreshadows Connie's ending that she abandons everything and leaves with Arnold Friend to an unknown land. The baby blue reflects what Arnold Friend calls Connie as a sweet blue-eyed girl even though she is brown eyes. The construction of music and manipulation has established between the text and the song which explains why Oates writes it is for Bob Dylan. Another one from the song is "The vagabond who's rapping at your door" (Dylan 1). The vagabond indicates Arnold Friend who didn't tell where he comes from and how does he know everything about Connie. Arnold Friend threatens Connie that if she calls the police, he will break in the screen door which is what the song says, rapping at your door and 'your' applies to Connie. These reveal Arnold Friend's violence and power that he has and applies on Connie to make her follow his domination. As the song

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