Essay #1
The article "Where Are You Going, Where Have You Been?" by Joyce Carol Oates who notes that it is for Bob Dylan, a musician whose music plays a significant role in the context. The text centers on a young American teenage girl, Connie who is rebellion and has a distant relationship with her family that resulted from her mother constant comparing her with her sister. A man comes with a mystery, Arnold Friend who shifts Connie from reality to fantasy and pushes her spiritually to obey him. An important motif from the text, the music, reveals the true identity of Connie and becomes a weapon used to dictate her along with Arnold Friend's voice, and Bob Dylan's song has all contributes to the central theme of the story, domination.
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Connie and Arnold Friend have their conversation started on Bobby King whose music Connie was playing in her room. Then, Arnold Friend asks Connie for a car ride which Connie refuses, and his voice is described "He spoke in a simple lilting voice, exactly as if he were reciting the words to a song" (Oates 3). The voice in here refers to Arnold Friend, and the song is the music. It is stating that Connie loves Arnold's voice as it is some type of music that she wants to hear more. Oates at the end illustrates Arnold's words as incantation which again shows how Connie compares music with Arnold Friend's voice and worships it. Arnold Friend utilizes his voice to mentally conquering Connie to follow his orders like preventing her from making phone calls, persuading her to open the door and coming out. All of these shows Arnold Friend's domination on Connie and gradually taking a total control of …show more content…
One of Bob Dylan's songs that released in 1965, "It's All Over Now, Baby Blue" reflects some events in the text that proves Arnold Friend's language threaten to Connie. One event is Arnold Friend's constant requesting Connie to have a car ride with him which appear in the song as the repetition of "And it's all over now, Baby Blue" (Dylan 1). Both repeat over and over which proves Bob Dylan's song is related to the story and reveals Arnold Friend's temptation of getting Connie out of her house. It is all over foreshadows Connie's ending that she abandons everything and leaves with Arnold Friend to an unknown land. The baby blue reflects what Arnold Friend calls Connie as a sweet blue-eyed girl even though she is brown eyes. The construction of music and manipulation has established between the text and the song which explains why Oates writes it is for Bob Dylan. Another one from the song is "The vagabond who's rapping at your door" (Dylan 1). The vagabond indicates Arnold Friend who didn't tell where he comes from and how does he know everything about Connie. Arnold Friend threatens Connie that if she calls the police, he will break in the screen door which is what the song says, rapping at your door and 'your' applies to Connie. These reveal Arnold Friend's violence and power that he has and applies on Connie to make her follow his domination. As the song
In 1966, Joyce Carol Oates published her short story “Where Are You Going, Where Have You Been?”. Oates was inspired to write this story after reading about a serial killer that was referred to as “The Pied Piper of Tucson”. Oates was disturbed by the number of teenagers that this killer was able to persuade to help him and keep his secrets (Oates 1). Oates uses irony, imagery, and symbolism to support her theme of evil in this short story.
Through plot, Oates demonstrates how Arnold Friend can be seen as a symbolic Satan. Plot starts when Arnold makes sure to tell Connie he is interested in her as he says,“Gonna get you baby” (Oates 1). Connie is in a drive-in restaurant for an older crowd when Arnold sees her for the first time. Once Connie leaves the drive-in dinner with a boy named Eddie, Arnold decides to make a move on Connie. Arnold uses foreshadowing to let her know he will meet her again. Just as Arnold says he is going to get Connie, he shows up in her driveway, creating a creepy situation. That Sunday afternoon, Connie is alone in her house while her parents and sister are on a picnic at one of their neighbor’s house, Arnold decides to use this opportunity to make his
else is doing at that very instant. Arnold Friend does this very thing. When Connie tells him that
She tries to relate to sex through popular music that romanticizes relationships and life. The short reveals how it affects Connie when she is listening to a popular radio station, “…bathed in a glow of slow-pulsed joy that seemed to rise mysteriously out of the music itself and lay languidly about the airless little room” (Oates 424). Additionally, Connie felt her date with Eddie was similar to “the way it was in movies and promised in songs”(Oates 424). She felt she was living the dream and was beginning to relate to this sexualized, romantic media. In Marie Mitchell and Olesen Urbanski’s literary review of the story, they state “the recurring music then, while ostensibly innocuous realistic detail, is in fact, the vehicle of Connie's seduction and because of its intangibility, not immediately recognizable as such” (1). However, Arnold Friend was quick to remind her of her young age and innocence at the end of the story.
In the story “Where Are You Going, Where Have You Been” Connie, the main character, is already struggling with many things in life and sneaks her way to date guys. There was also conflicting between her and her mother due to her mother favoring her sister, June and describing her as someone who is a good example of what she wants Connie to be. Her father is never at home due to work and when he is home, the girls do not relate to him. Arnold Friend is described as a dangerous figure with his pale complexion and his slick black hair looking like trouble by not presenting himself in a pleasing way to Connie, by not walking properly. This was an indication on how he was not in the right state of mind and how Arnold shouldn’t be near Connie. There was one scene in the story where Arnold Friend shows up, uninvited, notifying Connie that he is not a friend, but has come to take her away from her home to possibly kidnap her. "Connie felt a wave of dizziness, rise in her at this sight and she stared at him as if waiting for something to change the shock of the moment, make it alright again”. Connie feels safe in the house and does not come out until Arnold convinces and demands her that she come out. Things took an unpleasant twist when Arnold tells Connie not use the phone or he will break his promise of not coming in the house
Besides Arnold Friend physical appearance, which makes the reader assume that his character is not a human being, Oates gives him supernatural powers that a normal person could not have. One example of this is the power that he has over Connie; he knows everything that involves her: “ 'Just for a ride, Connie sweetheart.' Arnold Friend says. 'I never said that my name was Connie, she said.' And he replies: 'But I know what it is. I know your name and all about you, a lots of things, Arnold Friend said' ”(584-585). The security of Arnold Friend words gives to reader the impression that he has been watching her closely and all the time without her knowing it or noticing it. This confirms the reader’s hypothesis that Friend's is Satan. Moreover, when Connie tries to hide from him in her house, Arnold manipulates her into leaving the house simply by telling her what to do, like a puppeteer and his puppet: “You won’t want your family to get hurt. Now get up all by yourself. Now turn this way. That’s right. Come over here to me. Now come out through the kitchen to me honey and let’s see a smile, try it, you are brave sweet little girl”(591). Oates makes the reader infer that Satan’s only way to make her comes out is by using his demon powers, because the devil cannot get into your house unless you have invited him in. Therefore, he uses his
In conclusion, the search for independence caused the world to change in the late 1960’s and early 1970’s. With many things going on with drugs, alcohol, and sex, it is easy to see why Joyce Carol Oates chose this theme for Where Are You Going, Where Have You Been? Connie fell in to the trap of the sexual desires that she wanted for herself, only with it ending badly. Her maturation along with sexual radicalism and capitalism sexually repressed the masses in the interests of its life negating and exploitative goals. With all of this
As in “where are you going, where have you been?” the theme they are trying to rule is evil and temptation lead to all things. As Oates is trying to show that hell through the character Arnold Friend, who is the devil, and Connie will be the low self a stem girl who will fall into committing a sin. As the story plays out Arnold Friend is the devil which as he is trying to take Connie and bring her under his wing and kill her. As the story, plays out they give clues that Arnold Friend is indeed the devil by a quote “Connie looked away from Friend’s smile to the car, which was painted so bright it almost hurt her eyes to look at it. It said the name, Arnold Friend”. He refers to her as a friend which is him putting on a show. Though what Carol
Arnold Friend's façade gives the reader the feeling that something is wrong, as if Oates were trying to persuade Connie away from her impending doom. When Arnold first pulls into Connie's driveway, the reader is alarmed. Connie notices that he is actually much older than he appears and the reader knows that
Arnold Friend is an ironic name for this character because he isn’t Connie’s friend, she doesn’t even know him. And if you say the name out loud, it sounds like “are no friend” He proves that he can’t be a friend in the first place, he left his so-called friend in the car and talked to him like he meant nothing to him.
The short story “Where are you going, Where have you been” by Joyce Carol Oates was published in 1966. The story was purposely written for Bob Dylan, who’s song “It’s all over now, Baby Blue” had a great influence on the story. story Oates gives us many descriptions of the characters to give the reader a better understanding of what the character is feeling, thinking, and shows their personalities through their actions. The story also includes many signs and a great deal of symbolism. In this analysis, I will explore is Arnold friend representing an evil entity or is he simply genuinely trying to be Connie’s friend. A character by the name of Arnold Friend could potentially be a symbol of a demonic force, or even the devil.
A short story titled "Where Are You Going, Where Have You Been?" tells a tale of an adolescent girl who suffers consequences of growing up in the unsupportive environment and the society preoccupied by the media. It is considered to be the most famous work of Joyce Carol Oates, an American writer, the winner of many significant literary awards and a two- time candidate for the Nobel Prize in Literature. The story was first published in the fall of 1966. It is dedicated "to Bob Dylan", as though, after having heard Dylan's song "It's all over now, Baby Blue" Oates got inspiration for the story. She was also influenced by the article about Charles Schmid, a twenty-
The interaction between Connie and Friend start when Friend shows up to Connie’s house uninvited. The author Oates states “After a while she heard a car coming up the drive. She sat up at once, startled, because it couldn't be her father so soon. . . It was a car she didn't know,” (qtd. Oates. pg.2) Connie’s first reaction was to evaluate how good she looked instead of finding out whether Friend was somebody she knew or not. When they finally come face to face, she was met with flirtatious small talk from Friend, who exclaimed “Don’tcha like my car? New paint job,… You're cute” (qtd. Oates. pg.3) Connie is in awe of his faded pants and his huge black dark boots and actually considers getting in the car as he requested. The awe of the mysterious however, rapidly shifted as he makes demands and threats due to Connie’s refusal to get in the car with him. Alarmed, Connie tries to put a call. Arnold request that she come out of the house and if she doesn't comply to his demands she and her family are going to “get it”. Slowly, Connie begins to realize that there's something off about Arnold Friend. He looks to be wearing a wig, and he's
There are some stories that capture the reader’s attention and which keep us riveted from the beginning to the ultimate line of the tale. ‘’Where Are You Going, Where Have You Been?’’, a short story written by Joyce Carol Oates in 1966, is one of those. Inspired by the mythic song of the phenomenal singer Bob Dylan entitled ‘’It’s all over Now, Baby Blue,’’ the author describes the main character as a 15-year-old girl named ‘’ Connie’’, who is obsessed by her beauty and does not get along with her family. The heroine of the story ‘’Connie,’’ engages in an adolescent rebellion against her entourage by acting to appear older. This increases her vulnerability through the story and at the end
The pied Piper inspired stories and even songs that shows psychological abuse at work. In The short story “Where Are You Going, Where Have You Been” by Joyce Carol Oates Discuss the psychological deception of Arnold Friend on a young teenager, Connie. The story is loosely based on The Pied Piper of Tucson, where Friend a charming man attacks a girl psychologically which causes her to have great fear for her self and those close to her. The Pied Piper also inspired the song “It’s All Over Now, Baby Blue” by Bob Dylan. The songs dark theme relates to the dark ways of the Pied