Artemis : The Myth Of Myths

Throughout many different sources, Artemis/Diana is considered to be a strong goddess who presides over the “crucial aspects of life.”1 This involves, watching over women’s transitions and transformations, and the activities of men; war and hunting. This paper will discuss the methods and results of different sources which present this information to readers in different ways.

To begin the comparison of the two myths, one must look at both the similarities and the differences. To write the myth both poets need help from the Gods, however, the Gods just appear to Hesiod, thus making the Gods in control and the Gods are asked to help by Ovid, thus putting

There is a universal ideology that suggests that each gender plays their specific, individualized roles in society: men acting as independent, powerful alpha males, and women being their dutiful submissives. Contemporary narratives depict women as such whereas mythology is rich with goddesses and other female figures who are brave and powerful warriors equal to men. So if mythology can be overflowed with stories about female leaders, how come contemporary narratives have derived from that viewpoint? Sirens in Greek Mythology are a perfect example of the derivation to the new idea of women in society: weak. By examining the myth of Sirens through a feminist critical lens, the question of whether society is “concerned with the ways in which literature and other cultural productions reinforce or undermine the economic, political, social, and psychological oppression”(Brizee Web) will be answered. The mythological legend of the Sirens highlights the superiority of these figures who could destroy by temptation through their melodic voices; modern interpretations of sirens- as in Disney’s The Little Mermaid (1989)- reduce the feminine power of the siren to a contemporary stereotype of the powerless, dependent, subservient woman.

Gender inequality has been a controversial topic for numerous religions and cultures throughout history. Women were commonly regarded as the subservient gender, an idea that was no different in Ancient Greece. Throughout Greek mythology, women were considered inferior and troublesome symbols, while men were known for courage, leadership, and strength. While there is no argument of the flagrant sexism that is illustrated in Greek mythology, it can also be claimed that women were given a situated position of freedom, necessity, and power as well. Many popular Greek plays and myths contain several complexes and well described female characters. These goddesses themselves, partook the role of victim, heroine, and villain as it illustrated the diversity of characters in which women were portrayed and seen in both Ancient Greek society and mythology, allowing us to question “Were the women of Ancient Greek mythology equally represented as free and superior?” The creation of the Greek mythological universe, the creation of multi-gendered goddesses or deities, and the free and superior personalities accredited to women in Ancient Greek mythology to answer the question that women were fairly represented as powerful in Ancient Greek mythology.

Greek society is highly stratified, one where the distinctions between Nobles, peasants, and slaves are explicit. While many people consider women oppressed in the ancient hierarchy, this notion is somewhat contradicted in the Odyssey, where many women act as powerful figures. Penelope separates herself from the suitors that plague her palace, who are relentless in their pursuit for her hand in marriage. Circe has the capability to seduce an entire unit of Odysseus’ men and turn them into pigs. Athena benevolently guides Telemachus over the many obstacles he faces on his quest to seek out his father. Helen defects from Sparta, rallying all of Troy for her cause. Clytemnestra deceitfully plans Agamemnon's death for her new love interest, Aegisthus. Women in the Odyssey show that through seduction, trickery, and wisdom, women of Ancient Greece are able to obtain significant power.

For this informative report I will attempt to point out the roles women and how they are viewed in ancient Greece. I will then show how these views are present in Homer’s "The Odyssey." How are women, goddess or mortal, conveyed in "The Odyssey?"

Nanette Salomon, a very well known feminist writer, wrote the article, “Judging Artemisia: A Baroque Woman in Modern Art History.” The article opens up with a discussion about the 2001-2 exhibition of Orazio and Artemisia Gentileschi: Father and Daughter Painters in Baroque Italy. The author explains that three things are unusual here: the fact that two famous artists were presented at the same time, that they were related as father and daughter, and the fact that the woman was better known than the man. Her intent in this article is to look at the effects of this trope (figure of speech) in the past and in the present.

     The first things we will look at to show women’s roles reflected in Classical mythology

Artemis: Goddess of the Moon and the Hunt Artemis, who is Goddess of the Moon and the Hunt. She spends most of her time in the woods, surrounded by animals. Her Roman myth name is Diana, who also spend much of her time in the woods. Artemis has special powers, some of which include: being armed with arrows, able to inflict plague, and to heal. She is in charge of getting revenge on women, while her brother is in charge of doing the same with men.

The title of Sarah B. Pomeroy's book on women in antiquity is a summary of the main categories of females in the literary imagination and the societies of ancient Greece and Rome, over a period of fifteen hundred years. Beginning with goddesses, Pomery retells some Greek myths, outlining the social functions of female Olympians – the goddesses are archetypical images of human females, as envisioned by males. Desirable characteristics among a number of females rather than their concentration in one being are appropriate to a patriarchal society. Demosthenes states in the fourth century B.C. this ideal among mortal men, "We have mistresses for our enjoyment, concubines to serve our person and wives for the bearing of legitimate children (Pomery 1995)." Pomery’s goal in writing this book was to detail and outline the true significance of women in all other their roles in antiquity.

Goddess, Whores, Wives and Slaves: Classical Women of Antiquity, written by Sarah B. Pomery, focuses on the main categories of women in the literature and society of ancient Greece and Roman over a time period of fifteen hundred years. Pomery focuses on these roles and how they are significant in the development and structure of these great ancient civilizations. Her goal in writing this book was to expand upon her first book, entitled Goddesses as she discusses in the Preface of this book. She wanted to include the significance of all women’s roles beyond just that of Olympian women because the first thesis was so well received.

Artemis: Goddess of Moon and Hunt Also known as Diana in Roman mythology, Artemis is the Goddess of the moon and hunt in Greek mythology (3). In the myths, she spent most of her time outdoors in the mountains of Arcadia. She is associated with the harvest, the moon, and winter solstice. She is protector of the children. She can heal, but she can also inflict death and plagues (4).

Greek mythology contains a variety of heroes of different shapes, sizes, and personalities; many of which happen to be men. Artemis, a Goddess found within the mythology and religion, is the daughter of the renowned ruler of Gods, *Zeus, and his lover * Leto, as well as the twin sister of the Sun God, *Apollo. While she, like the rest of the Gods, has her flaws, the complex woman stands out among others with her bold personality and independence. Artemis is worshipped as the Goddess of the Moon, the Hunt, Nature, Chastity, and Protector of Childbirth.

Women in ancient Greece had very few rights in comparison to male citizens. Women were unable to vote, own property, or inherit wealth. A woman’s place was in the home and her purpose in life was to rear children. Considering this limited role in society, we see a diverse cast of female characters in Greek mythology. We are presented with women that are powerful and warlike, or sexualized, submissive and emotionally unstable. In many myths, we encounter subversive behavior from women, suggesting, perhaps, the possibility of female empowerment. While produced in an ostensibly misogynistic and oppressive society, these myths consider the possibility for a collapse of male power and the patriarchal system. In Homer’s epic poem The Odyssey,

The stories that as a whole make up the body of ancient Greek mythology have treatedthe complex subject of women in various ways. Although women are generally considered to beweak and subordinate to their husbands, there exist some examples of strong, even heroic womenin certain myths. Such “extraordinary” women include Deianeira, Phaedra, Medea, Penelope,and Clytemnestra, among others. This discussion of women will focus on the latter two,comparing and contrasting them and addressing the ways in which the former is often considereda “good” wife and the latter a “bad” wife. The comparison of Penelope and Clytemnestra willultimately show that, in certain ways, the line between “good” and “bad” wife is rather blurryand the distinction between husband-killing monster and devoted, faithful wife is not as clear-cutas one might expect.The major works in which Penelope and Clytemnestra appear are Homer’s Odyssey andAeschylus’ Oresteia, particularly the Agamemnon. One of the first things to notice about theseworks is that they were both written by men, for men. Given the ancient Greek context, this is arather obvious observation, but it deserves to be pointed out because it should be expected thatmen would have a biased view of women. Hesiod’s Theogony and Works and Days describe thecreation of Pandora, the first of “the race of women”, as a gift and punishment from the gods.While she is made to “look like a goddess immortal, / having the lovely, desirable shape of a