The journal “Beowulf and the Teaching of Leadership” by Tom Loughman and John Finley, explore the ideas and examples of leadership while simultaneously connecting Beowulf to that characteristic. The authors talk about Beowulf in an admirable way, connecting current stories and films to help the readers relate to their traits of a leader (pg. 161). Even though Beowulf can be seen as portraying more than a few vices, the authors go into the depths of Beowulf and his mannerisms to defend their argument (pg. 159-160). This journal even gives insight on the opposing side’s potential opinion of Beowulf to give the reader other opinions on the poem. Tom Loughman and John Finley gave a well-organized and intelligent view on Beowulf’s characteristics …show more content…
156-157). Their topic sentence in the section “Historical and Cultural Background” starts with, “Although the heroic epic Beowulf was composed in Old English, it deals not with the native Englishmen for whom the poem was written but with their Germanic ancestors of around the sixth century”(pg. 156.)
The authors provide background to explain why the kind of leaders were being portrayed during that time. They also explain how the people idolized these traits in stories because it was rare to see and read. Secondly, the writers give an alternative view that can be taken from reading the Beowulf poem. In “Potential Drawbacks of Charismatic Leadership” the writers start with, “In the corporate world, as in Beowulf, the over reliance on a charismatic leader unfortunately can result in a problem of succession because no future leaders have been groomed to take the place of the departed one”( pg. 160.) I respect the writer for including this view in their passage because it shows that the writers aren’t bias with their claims. They were able to read the poem Beowulf and take other beliefs into consideration while
Wheatley (2007) describes the old story of leadership as “a story of dominion and control, and all-encompassing materialism.” It can be explained by analogizing it to a machine; a lifeless object that does not have the capability to think, feel, or make decisions. It, the machine, functions quite like the old story of leadership by where there are
In the epic poem Beowulf, there is an obvious distinction between good and evil. The hero and his foes play roles that are commonly associated with Anglo-Saxon literature. The lines are clearly drawn and expressed in the poem. As the story moves, the reader cannot mistake the roles being played, based on the characterizations in the epic, one recognizes each character for their purpose and place.
The epic poem Beowulf contains contradictions about the heroic character of the protagonist Beowulf. Two certain passages in Beowulf, one at the beginning of the text and one near the end, offer evidence of inconsistencies within Beowulf 's character. We must ask one question of the poem 's protagonist: Is he really the hero he claims to be? Certain aspects of Beowulf 's integrity, mainly his lies about people 's perceptions of him, contradict the conventional classification of a hero.
The world as it is depicted in Beowulf is home to many aspects of society that are at odds with behaviors acceptable in modern culture, but perhaps shares a startling number of similarities as well. As part of the Anglo-Saxon society, the concept of loyalty is imbued into the seams of the civilization, and allegiance can be found split between lords and kin. Tales concerning themselves with eternal human problems are not few and far between in Beowulf—given that it is an epic poem—and antithesis governs the flow of the narrative. In the midst of the battles raging between evil and good, heroes and villains, mourning and glory, and victory and defeat, death is omnipresent, constantly looming and prompting men to drift towards their swords. This is a society in which chances for a clean slate—a tabula rasa—are minimal, and every action is chiseled in stone, forever etched into eternity. During a time period when very little is certain, the only guarantee of being remembered, of having your name go down stamped with your identity, is through heroism and action. Boasting is a means through which one can build a reputation for himself, planting his name into his opponents’ heads and setting a foundation for success. It remains a skill to be used prudently, though, as overstating and misrepresenting one’s abilities has the great potential to yield adverse repercussions.
In the fantasy world found within the story of Beowulf; Hrothgar, the wise king of the Danes, offers Beowulf some important lessons of leadership. Hrothgar, recognizing Beowulf’s nobility and strength, talks to him about how he should act to be a good ruler when he becomes king. The characteristics of good leadership that Hrothgar mentions still hold true today, through people like politicians, and business executives. Hrothgar’s sermon not only provides an insight into what leaders like these should do, it aims to bring to light what leaders should not do.
Some literary scholars maintain that Beowulf developed character flaws through the course of the long narrative poem, and that at the time of his death he was a victim of pride, avarice, selfishness and an inordinate craving for glory. The purpose of this essay is to show that he was a tremendous hero from beginning to end.
A great leader is able to recognize his limitations and how to overcome them. In the case of Beowulf, King Hrothgar foreshadows what is to come for Beowulf if he continues down the same path a previous king had gone. In his sermon, Hrothgar informs Beowulf of Heremod, a “pariah king who cut himself off from his own kind” (McArthur). Hrothgar says that God “allows the mind of a man of distinguished birth to follow its bent,” and because of this, cruel and greedy Heremod “forgets that it will ever end for him,” and “he ignores the shape of things to come” (McArthur). Warning Beowulf not to become like Heremod, Hrothgar advises him to “not give way to pride,” and that “for a brief while your strength is in bloom
The poem Beowulf presents the transformation of Beowulf from a brave warrior to an honorable King. The evolution of Beowulf shows how he fulfills his obligations to the warrior’s heroic code and then transcends into a King who loyally protects his Kingdom. Beowulf’s transformation is shown through a progression of three increasingly more difficult conflicts he must overcome- first with Grendel, then Grendel’s mother and finally against the mighty dragon. These three events are seen "as the three agons in the hero 's life"(Chickering 64). Through these adverse events Beowulf will change from brave young warrior to noble King. This paper will examine the manifestation of heroism in the poem
The old English epic poem Beowulf contains numerous timely and perhaps timeless lessons about leadership and motivation, trust and respect, loyalty and sacrifice that could inform modern assessments of leadership. The core messages of Beowulf show courage in adversity, be trustworthy and keep your word, display generosity to your supporters aspire to greatness, achieve wealth and honor, and teach by positive example-could fit very well in most management and organizational behavior courses in US colleges of business today. Beowulf shows great feats of bravery and strength, regardless of the fact that he is, in fact, mortal and can lose his life at any moment. He is strongly driven by his sense of loyalty, but he also has a desire for fame.
Beowulf is an epic poem that, above all, gives the reader an idea of a time long past; a time when the most important values were courage and integrity. The only factors that could bestow shower fame upon a person were heroic deeds and family lineage. Beowulf, as the paradigm of pagan heroes, exhibited his desire to amass fame and fortune; the only way to do so was to avenge the death of others. This theme of retribution that is ever present throughout the poem seems to color the identities of its characters.
The epic poem Beowulf, was written sometime in the eighth century by an unknown author. It was based on legend passed down over time. Prior to the time the poem was written, Anglo Saxons had converted from Germanic Paganism to Christianity. Some people argue that it was a Pagan poem rewritten by a person or persons educated in Christianity. “ has come down from heathen times and acquired its Christian character gradually and piecemeal from a succession of minstrels.” ( Hector Monro Chadwick as quoted by Brodeur 182), while others believed that Christianity and Paganism both belonged in the poem. “almost without exception so deeply ingrained in the very fabric of the poem that they cannot be explained away as the work of a reviser or
“No better king had ever lived, no prince so mild, no man so open to his people, so deserving of praise.” This is an ultimate description of the heroic events of Beowulf, an old Anglo-Saxon poem about a warrior who battles and destroys three horrifying monsters. Although written long ago, the emotions expressed within this work, emotions of bravery, valor, and ethics still speak to us centuries later. The anonymous author of the poem convinces us through the masterful use of various literary elements that emphasize its meaning and message. Conflict, imagery and setting are three literary elements that contribute to the effectiveness of the poem.
Set in a Pagan setting told by a Christian poet, the story of Beowulf derives from an Anglo-Saxon culture. In this poem, the audience is presented to characters such as Beowulf, Hrothgar, Grendel, Wiglaf, and many other lineage of men. Through the line-up of heritage, it is evident that the men presented in the story obtained self-identity based on their heritage.
Beowulf is an Old English poem written somewhere between the eighth century and the tenth century; the culture of Germanic times is depicted through varying concepts of masculinity that not only describes their capability as a warrior, but also their aptitude as a leader. Beowulf shows of a demon named Grendel attacking Heorot, and the king, Hrothgar, calls Beowulf, a warrior, for help with the slaying of Grendel. Characteristics and qualities of leadership are directly linked to the masculinity of the characters within Beowulf. The leaders in the prologue are demonstrated with the aspects of masculinity through their strength and brutality. In Beowulf, a man demonstrates his essential worth through evidence of masculinity as seen in Unferth’s cowardice, Beowulf’s heroism, and Wiglaf’s bravery.
Many readers of the poem Beowulf may find it difficult to distinguish the 'good' kings from the rest – indeed, almost every man who holds a throne in the epic is named at one point or another to be 'good'. By examining the ideals of the time period as identified by the 'heroic code', it becomes clearer that a truly 'good' king is one who generously distributes treasure and weaponry to deserving retainers to honour courage and strength displayed in battle and to encourage the defense of the kingdom (Intro). When Beowulf ascends the throne of the Geats, the heroic traits of courage and strength for which he was so highly praised as a warrior do not serve well in making him a good king. Indeed, by exhibiting the traits of a thane, that is, by