Linda's Speech In Death Of A Salesman By Arthur Miller

At one point in the play, Willy says, “Biff is a lazy bum”(16). Moments later in the same conversation with Linda, Willy adds, “There’s one thing about Biff, he’s not lazy”(16). Even when confronted by his boys, Willy is unable to deal with the truth, that his sons won’t amount to very much at all. He ignores reality very well, and instead of pointing out that Biff hasn’t established himself yet, Willy tells Biff, “You’re well liked, Biff….And I’m telling you, Biff, and babe you want…”(26). The boys are clearly aware of their status and the status of their father, and Happy is found putting Willy’s personality in a nutshell, “Well, let’s face it: he’s [Willy] no hot-shot selling man. Except that sometimes, you have to admit he’s a sweet personality”(66). Obviously, Willie’s failure to bring up his children effectively, and his delusional thinking including denial of reality helps fortify his depleting condition and confusion.

Biff Loman is portrayed as the root of Willy’s mental illness and instability. He is also the only member of his family who acknowledges his own failures in life. On the whole, Biff Loman stands out as the most intriguing and strong character in “Death of a Salesman. He is not a successful man and never will be, he is however able to admit this, even in a harsh society as the one of the 1960s America. Biff knows he is a “nothing” and tries to make his father see that he is “no good. I am a dime a dozen, Pop, and so are you.” He begs for Willy to communicate with him and accept him for who he is. Although Willy is forced by Biff to see some of his own failures, he never

In “Death of a Salesman” by Arthur Miller, in the Act I, the author emphasizes the relationship between Willy and Linda in different ways by showing the love of Linda towards Willy and how she admires him. And also, she always shows her patient when Willy gets angry easily. The relationship between Willy and Biff is different from the past. Willy’s relationship with Biff is complicated. Biff is everything for Willy and Biff believed that Willy is the greatest father in the world, but in the present Biff doesn’t think like that anymore.

The father-son conflict between Willy and Biff is complex. First of all, there is a strong personal attachment. He wants Biff to love him. He remembers the fondness shown for him by Biff as a boy, and he still craves this. At this point, however, relations are strained. Although Willy shies away from remembering so painful an episode, he knows in his heart that his affair with the Boston woman left the boy bitterly disillusioned. Feeling some sense of guilt, Willy fears that all of Biff’s later difficulties may have been really attempts to get revenge. In other words, Biff failed to spite Willy. Although outwardly resenting such alleged vindictiveness, Willy still wants to get back the old comradeship, even if he has to buy it dearly. For instance consider when he asked Ben, “Why can’t I give him something and not have him hate me?” and his final moment of joy and triumph occurs when he exclaims, “Isn’t that remarkable? Biff… he likes me!”

Willy’s biggest issue with his son is that he let him down by not being any more successful than him. He feels like Biff is failing on purpose just to make him look bad. Although, he has no decent job and is single; Biff has become disoriented about life. Earlier in the play Biff tells Happy, “I tell ya Hap, I don't know what the future is. I don't know - what I'm supposed to want” (Miller266). Biff once looked up to his father as a role model, but lost all faith in him once finding out that he was having an affair. Ever since he has rejected Willy’s commitment of being a husband and also a father. To add to his ruins are Willy’s ideas of how Biff should get ahead in life. Willy taught Biff that popularity was the right way to get to the top, rather than hard-work and dedication. Trying to live by his dad’s standards caused Biff to fail high school and become unable to put forth the effort to become

The eyes of the reader are opened wide after reading Thomas Foster’s How to Read Literature like a Professor and applying it to a text. There are many elements in Arthur Miller’s Death of a Salesman that go unrecognized by the normal reader. Using the tactics presented by Foster, one can realize that there is much meaning and symbolism in Death of a Salesman. The overall theme in Death of a Salesman is the American Dream and how many people of the time period were desperate to achieve it.

Willy’s clear-cut expectations of his son can be evidently seen even in the early stages Biff’s life, which end up creating a lot of tension between Willy and Biff when Biff doesn’t meet his father’s expectations. Even when Biff is an adult and still hasn’t become successful in his father’s eyes, Willy’s expectations persist, as in a heated argument between the two Willy tells grown-up Biff that “the door of [Biff’s] life is wide open!” (132). Even though Biff will clearly never become successful in his father’s eyes, Willy still forces his unreasonable expectations on Biff, creating hostility between the two. Although Biff initially attempts to fulfill his father’s definition of success by working as a shipping clerk, Biff realizes that he will never fulfill his father’s unrealistic expectations: “Pop, I’m nothing!

-Biff defends her from Willy but she defends Willy, then Biff says “Don’t go making excuses for him, he wiped the floor with you. He never had an ounce of respect for you (54-55)

Along with her motives, Linda attempts to keep any voice of reason away from Willy, showing that her selfish desire of her well-being is more important than his. In a discussion with her boys in Act I, Linda says, "I'm- I'm ashamed to. How can I mention it to him? Every day I go down and take away that little rubber pipe. But, when he comes home, I put it back where it was. How can I insult him like that?"(1184) Linda claims that acknowledging the truth about Willy's possible attempt to kill himself is an insult. But, in order to develop a solution to any preoblem, one must start with the truth. Linda merely wants to accommodate Willy's mental problems rather than get rid of them, causing him to stay in his troubled state of mind. In another conversation in Act II, Linda tries to push Biff away from speaking with his father:

The next instance where Linda serves as the family's destroyer is in Act 1. Linda justifies Biff's desultory life by saying, "He's finding himself, Willy" (1404). Willy replies, "Not finding yourself at the age of thirty-four is a disgrace!" (1404). Linda says, "Shh!" (1404). Willy says, "The trouble is he's lazy, goddammit!" (1404). Linda says, "Willy, please!" (1404). Willy says, "Biff is a lazy bum!" (1404). Linda knows that Willy is right about Biff being lazy. But Linda is trying to protect her son from the truth. Linda is making excuses about him being lazy, just as she made excuses about Willy trying to kill himself. Linda should have let Willy tell Biff the truth about him being lazy. Maybe if Biff had heard the truth earlier in life, he wouldn't be thirty-four years old finding himself.

Biff asks Happy to leave the city with him, but Happy says that he's going to stay in the city and beat the racket, and show that Willy did not die in vain. Charley, Happy and Biff leave, while Linda remains at the grave. She asks why Willy did what he did, and says that she has just made the last payment on the house today, and that they are free and clear.​

But in the beautiful, ironic complexity of her creation, she is also Willy's and their sons' destroyer. In her love Linda has accepted Willy's Greatness and his dream, but while in her admiration for Willy her love is powerful and moving, in her admiration for his dreams, it is lethal. She encourages Willy's dream, yet she will not let him leave her for the New Continent, the only realm where the dream can be fulfilled. She want to reconcile father and son, but she attempts this in the context of Willy's false values. She cannot allow her sons to achieve that selfhood that involves denial of these values" (Gordon p. 316). Linda is also caught up in Willy's lies and therefore does nothing but help fuel the fire in the inferno of their dreams and ambitions. She lets this whole masquerade continue right in front of her instead of doing something to stop their out of control lies.

Linda speaks these lines to Biff and, not only do they prove that she loves this man an enormous amount, but also that she would sacrifice not seeing her son again just to keep Willy happy. She is wiling to sacrifice her family for the man that she loves, who appears to not treat her as well as a husband could. Linda's last comment shows that she is not treated with a great deal of respect from Willy. Nevertheless, she puts his needs before her own because of the profound love she has for him. Her love for him drives her do whatever is necessary to keep him happy, and binds her to him no matter what the consequence.

Linda is the heart of the Loman family and devotes to her time to her family, especially to her marriage with Willy who is difficult to deal with. She loves Willy unconditionally and defends him at all costs. She easily chooses him rather than her sons, when it comes to arguments between then men of the house. Not to mention, she goes along with Willy in his delusional moments and fantasies of grandeur (“Death of a Salesman”). For instance, as Willy explains to Linda how he suddenly could not drive anymore, Linda states, “Maybe it was your steering again… Maybe it’s your glasses. You never went for your new glasses” (Miller, 13). Linda constantly finds excuses for Willy when she knows that he is suicidal and irrational because in order to protect him from the criticism of others. Furthermore, “…selflessly subordinating herself to serve to assist…” ("Death of a Salesman Themes") Willy’s needs. In comparison, the prostitutes are two young women whom Biff and Happy meet at Frank’s Chop House while waiting for their father. Miss Forsythe and Letta provide character and plot development when Happy showers compliments on Miss Forsythe such as, “You ought to be on a magazine cover” (101). At this point, the theme of deception and lies is emphasized. Happy lies to the women so that he lures her into entertaining him and his brother for the evening. As a result, the prostitutes go off with the men to assist to their sexual needs and

Throughout the entire play Willy talks to Linda in a way demeaning way. During Act 1 there is a conversation with Bernard and Willy that Linda enters saying that some mothers thing Biff is “too rough” with their daughters. Willy was very upset with this news and told everyone to shut up which made Linda hold back tears and Bernard leave. This guide “ Don’t ask him questions about his actions or question his judgment or integrity. Remember, he is the master of the house and as such will always be exercise his will with fairness and truthfulness. You have no right to question him.” The guide says the woman is wrong for questioning him. This is exactly what happens with Will and Linda which is why he gets so angry and she doesn’t say anything back.