Seen throughout war novels, an anti-hero is a character that manifests characteristics that usually appear foolish, making the character an easy target of abuse and a child-like status. In the fictional novel, Slaughterhouse Five by Kurt Vonnegut, the protagonist, Billy Pilgrim is a classic anti-hero character. He lacks both valor and dignity, making it easy for his fellow soldiers to make fun of him and treat him like a child. In addition, Billy possesses a physical appearance that is foolish and childish, making it hard for him to gain respect from people of higher authority. He is meek, mild and unassuming. During his travels as a soldier in WWII, Billy is constantly treated as a lower individual and when enemy forces catch him, he …show more content…
The marching continues into Germany and the prisoners are taken to a railroad yard. The soldiers sorted by rank and placed in boxcars. Billy is separated from Weary and his train did not move for two days. Billy job in his boxcar was called a dumper, “human beings… were excreting into steel helmets which were passed to the people at the ventilators, who dumped them” (Vonnegut 70). Again, this shows that Billy does not have the dignity or grace to stand up for himself, he does as he is told. However, he is once again casted as a fool when he arrives at the POW camp. Instead of receiving a soldier overcoat like everyone else, Billy was given a woman’s coat with a fur collar. In addition, Billy learns that Roland Weary, his “only friend” has died and that Roland told Paul Lazzaro, another American soldier that it was Billy’s fault and that he should pay for …show more content…
However, he mostly travels to Tralfamadore, a planet far from earth. He was abducted by Tralfamadorians on the night before his daughter’s wedding and he is held captive in a zoo on the Tralfamadore. During his time on the planet, Billy meets many people that influence his ideas of death and free will. Billy travels back to Tralfamadore many times during the novel. It is during these visits Billy’s transformation begins to occur. In addition while staying at the camp, he flashes forward to giving a boy an eye examine and sharing his experiences on Tralfamdore with him. However, the mother of the boy quickly realizes Billy is insane and Billy’s daughter has to come pick him up to go home. This is the first time in the novel when someone else realizes Billy has become senile and crazy. The next day at the POW camp, Billy wakes up and realizes he is being transported to Dresden with the other American
Many argue that Billy is completely insane. Their position may include the fact that Billy never mentioned the planet Tralfamadore before he got into the plane crash. This is a great point because an event such a plane crash could very well leave
In order to illustrate the devastating affects of war, Kurt Vonnegut afflicted Billy Pilgrim with Post Traumatic Stress Disorder (PTSD), which caused him to become “unstuck in time” in the novel. Billy Pilgrim illustrates many symptoms of PTSD throughout the story. Vonnegut uses these Slaughterhouse Five negative examples to illustrate the horrible and devastating examples of war. The examples from the book are parallel to real life experiences of war veterans, including Vonnegut’s, and culminate in a very effective anti-war novel.
The Tralfamadorians, who explain this nature of time and existence to Billy, are shown as enlightened creatures while the humans back on earth are seen as backwards -- to such an extent that they believe in free will. Billy towards the end of his life becomes a preacher of these virtues of existence taught to him by his zookeepers on Tralfamadore, going around and speaking about his experiences and his acquired knowledge. This is ironic, because he is attempting to reverse the steady path of life, even time itself.
Moments in Billy's life change instantaneously, not giving Billy a clue to where he will end up next. In one moment, he is sitting in his home typing a letter to the local newspaper about his experience with the Tralfamadorians, and in the next he is a lost soldier of World War II running around behind German lines aimlessly without a coat or proper shoes. He then became a child being thrown into a pool by his father and afterwards a forty-one year old man visiting his mother in an old people's home. In the novel, changes in time are made through transitional statements such as, "Billy traveled in time, opened his eyes, found himself staring into the glass eyes of a jade green mechanical owl." p.56 In the movie there is no such thing and different moments in Billy's life happen instantaneously. Because scenes are continuous as times change, the movie better displays the author's attempt to capture in the notion of being "unstuck in time." On the other hand, the novel does help the audience follow these time changes better by setting it up for the next scene, offering a background of Billy's experiences before they begin through these transitional statements.
A reason for Billy being so unattached would be PTSD. PTSD leaves people feeling alone and depressed. He is having flashbacks of parts of his life and at the end of the book he is reliving his moments during the war.
There is no doubt that the popularity of the anti-hero as we know it has increased in recent times. With unlikely, yet popular moral gray protagonists like Jack Bauer, Dexter, and Gregory House leading some of the most popular TV shows and characters like James Bond, Lisbeth Salander, Tyler Durden (from Fight Club), and Jack Sparrow being some of the most memorable in movies, it is not surprising that there has been an increased interest to understand what causes this characters to be so popular (Peter Jonason in et al., 193). What is it that makes them as likeable, if not more, than a normal hero? How come we relate to characters that perform actions that, if done in real life, would cause us to see them in a whole different light?
More of the time travels Billy has take him to his time on the planet Tralfamadore. Billy says that the aliens abducted him on his daughter's wedding night and returned him a few milliseconds later, but actually spend many months on Tralfamadore because the Tralfamadorians can also see in the fourth dimension, time, which allowed them to keep Billy for what seemed like longer than what he was actually there. While on Tralfamadore, Billy learns to accept his life as it is dealt to him because nothing that happens to you damages you forever. Since time is relative, and your life is like a mountain range, your death ,birth, and all the events in between are nothing more than peaks in a range of mountains, irremovable and able to be visited numerous times.
Since the first time Billy claimed to have come unstuck in time while in the forest leaning against a tree, he has depended on an alternate reality in which he has created a new life for himself to avoid thoughts of the horrific events he witnessed while in Dresden. Although Billy claims that he was abducted by the Tralfamadorians, in reality, he was captured by the Germans. The reason that the Tralfamadorians exist is so that Billy can escape from the harsh reality of being a prisoner of war. Although separate in Billy’s conscience, the Nazis and the Tralfamadorians are interchangeable. Billy’s adventures on Tralfamadore all have significant and undeniable connections to his life:
Superman, Wonder Woman, Spiderman—what do all these characters have in common? They are all products of the human aspiration to be saved. The word hero is passed around too much these days. A hero is not a football player that scores the game-winning touchdown or the goaltender who saves his team from a loss. A hero is usually an ordinary person that did extraordinary things. A true hero is really never a hero at all; at least not in their own mind. However, there are various cases today in which we see the exact opposites of these characters, the anti-heroes. The anti-hero is one who cannot be classified as a hero, for that said character lacks natural heroic qualities. However, the anti-hero cannot be described as a villain either.
Billy resigns himself to the Tralfamadorian philosophy that he has no control over his life and creates a make believe escape through the novels of Kilgore Trout and time-traveling hallucinations
The anti-war message is upheld further with the ironies that Vonnegut provides in the book. One example is "when one of the soldiers, a POW, survives the fire-bombing, but dies afterward from the dry heaves because he has to bury dead bodies" (Vit). When Billy and one of his comrades join to other scouts the Vonnegut portrays as well trained, Vonnegut displays irony by killing the skillful scouts and allows the less competent Pilgrim and Roland to survive. Roland does eventually die because he is forced to walk around in wooden clogs that turn his feet to pudding. The greatest example of irony is seen in what Vonnegut claims to be the climax of the story. He explains the situation before the story even begins. He is referring to the:
At the time Billy is captured, he becomes “unstuck in time,” and he sees various moments of his life occur. Later, Billy experiences a nervous breakdown so the other prisoners give him a shot of morphine which sends him time-tripping once more. Afterwards, he and the other prisoners are sent to the city of Dresden which remains untouched y the war. Here, they work in an abandoned slaughterhouse which carries the name of “Slaughterhouse Five.” One of the nights of their stay, enemies of the Germans bomb the city to compose a firestorm which consequently incinerates roughly 130,000 people. Billy and his allies manage to survive in an airtight meat locker. When they depart the locker, they are introduced to the wreckage and destruction that is left of the
Once Billy becomes capable of time travel and comes into contact with the Tralfamadorians, he simply goes through the motions of life but avoids falling into a defeatist attitude. Under the tutelage of the Tralfamadorians, Billy fashions a brand new perspective towards society and enhances his natural persona, “When Billy accepts the Tralfamadorian philosophy, the passivity that he has displayed his entire life—from wanting to drift quietly at the bottom of the YMCA pool after his father throws him in, to begging Roland Weary to leave him behind—is justified. If the future cannot be changed anyway, why even try?” (Farrell 9). Though the interaction with the Tralfamadorians seems to allow Billy an outlet to construct his own ideals upon the universe, he nonetheless continues along the same path as before. Billy becomes an extremist towards passivity in life rather than utilizing the experience to impart a strong impression
Anti-heroes do not solely exist in the fictional world. There are people in the real world, everyday who fit the anti-hero description. They are… the Mob. In ancient times loyalty was purest form of respect. It was a way of life. One was loyal to his or her family, govern, king, and God. Hand in hand with loyalty, comes the right to revenge. The Mob is one of the few “societies” that has reserved that tradition. For example: when a family member is assassinated, it is not only the right, but also the duty of the surviving family to avenge that death. This loyalty to one’s own, coupled with the fierce determination to protect them, are incredibly heroic qualities. Organized crime families are oohed and ahhed by the press and pop culture, and have their own fans. While these people are not ideal role models, they possess heroic qualities worthy of aspiration.
In the novel Slaughterhouse-Five by Kurt Vonnegut, a fictional character named Bill Pilgrim is used to depict the various themes about life and war. Vonnegut went through some harsh times in Dresden, which ultimately led to him writing about the tragedies and emotional effects that come with war. By experiencing the war first handed, Vonnegut is able to make a connection and relate to the traumatic events that the soldiers go through. Through the use of Billy Pilgrim and the other characters, Vonnegut is able show the horrific affects the war can have on these men, not only during the war but after as well. From the very beginning Vonnegut portrays a strong sense of anti-war feelings, which he makes most apparent through Billy Pilgrim.