February is Black History Month, when the country remembers and celebrates the contributions of its African-American citizens. Blacks have been a part of Florida history for the longest of time. Florida has been shape by historians such as, Zora Neale Hurston, Mary McLeod Bethune, and Joseph W. Hatchett these historians have paved the way for black’s folks toady. To kick it off, Zora Neale Hurston, her best known work is a novel which captures the culture of a working-class black community. Zora was considered by many people to be the pre-eminent (excellent) black female writer in the country. ‘’Her work was everywhere, in major magazines and on bookshelves. She consulted on screenplays for Hollywood. She was also one of the brightest lights of the Harlem Renaissance in the 1930s. An occasional collaborator with Langston Hughes and a rival of Richard Wright’’. Although she was born in Alabama she’s still a big figure for Floridians. Hurston's star faded and she died poor and unknown in 1960. …show more content…
‘’ After her marriage and move to Florida, Bethune became determined to start a school for girls. Bethune moved from Palatka to Daytona because it had more economic opportunity; it had become a popular tourist destination and businesses were thriving. In October 1904, she rented a small house for $11.00 per month. She made benches and desks from discarded crates, and acquired other items through charity.’’ She was born in North Carolina but she also plays an important role in Florida history. By the information that I present above you can tell that Mary McLeod Bethune was a determined
Zora Neal Hurston was criticized by other African American writers for her use of dialect and folk speech. Richard Wright was one of her harshest critics and likened Hurston’s technique “to that of a minstrel show designed to appease a white audience” (www.pbs.org).Given the time frame, the Harlem Renaissance, it is understandable that Zora Neale Hurston may be criticized. The Harlem Renaissance was a cultural movement which redefined how America, and the world, viewed African Americans, so her folk speech could be seen as perpetuating main stream society’s view of African Americans as ignorant and incapable of speaking in complete sentences. However, others, such as philosopher and critic Alain Locke, praised her. He considered Hurston’s “gift for poetic phrase and rare dialect, a welcome replacement for so much faulty local color fiction about Negroes” (www.pbs.org).
It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than
Zora Neale Hurston is unequivocally open about her race and identity in “How It Feels to Be Colored Me.” As Hurston shares her life story, the reader is exposed to Hurston’s self-realization journey about how she “became colored.” Hurston utilizes her autobiographical short story as a vehicle to describe the “very day she became colored.” Race is particularly vital in Zora Neale Hurston’s essay, “How it Feels to Be Colored Me” as she deals with the social construct of race, racism, and sustaining one’s cultural identity.
Human life is not an open book. No one can predict every page, but instead, the thriller novel is written as it happens because characters in every story are dominated by their complex traits. For example, who can truly say that one who is laughing is purely happy or actually concealing sorrow? Contradictions exist everywhere in life and literature attempts to grasp and portray them in human characters to create complex traits. Being a black woman forced to undergo three marriages in a stubborn, male-dominated, and oblivious American society right after the civil war, Janie Crawford is a complex character full of confidence and self-reliance, but also with a weakness and desire of finding true love which forces her to become submissive. Zora
Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and
Black History Month is an accomplishment that we should be proud of in the Black community. Carter G. Woodson chose the month of February for some important reasons. For instance, Black History Month marks the birthdays of two men who influenced the black population, Frederick Douglass and Abraham Lincoln according to Woodson. In addition, the Fifteenth Amendment was passed on February 3, 1870, which granted blacks the right to vote. There were a lot of significant reasons for allowing Black History Week to begin in February. However, I seriously doubt if Woodson would have accepted the extension of this week in the shortest month of the year. Woodson chose a week in February, because it had symbolic significance. Black History Week began in 1926. However, it is now 1999 and in seventy-three years Black Americans allowed our contributions to American society to be extended from Negro History Week to Black History
Zora Neale Hurston was so proud to be from the black community that she mentioned it in her writings; she even changed it to her birthplace. Eatonville, Florida, had a massive impact on Zora’s life. It shaped her life and writing style. Hurston explains: "Anyway, the force from somewhere in Space which commands you to write in the first place, gives you no choice. You take up the pen when you are told, and write what is commanded. There is no agony like bearing an untold story inside you."
Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature
The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.
Zora Neale Hurston was born on January 7, 1891 in Alabama. She is known to be one of the most influential novelist of the twentieth century in African America literature. Hurston is described to be a very opinionated woman that stood for what she believed in; which reflected in some of her works. In addition to her many titles such as, being an anthropologist and short story writer, she was closely related and heavily focused on the Harlem Renaissance. Zora Neale Hurston and her political opinions placed her at odds with important figures during that time which I wholeheartedly believe played a part in the undeniable attraction that most people have towards her works. Being that Hurston was such a unique writer, to understand the ethics and themes of her and how she contributed to African American literature comes with an understanding of the background and childhood she had.
Hurston prides herself on who she is because of her background. Her identity of being a black woman in a world
Zora Neale Hurston was a phenomenal woman. At the height of her success she was known as the “Queen of the Harlem Renaissance.” She came to overcome obstacles that were placed in front of her. Hurston rose from poverty to fame and lost it all at the time of her death. Zora had an unusual life; she was a child that was forced to grow up to fast. But despite Zora Neale Hurston’s unsettled life, she managed to surmount every obstacle to become one of the most profound authors of the century.
Zora Neale Hurston was an African-American folklorist, novelist and anthropologist. She was born in 1891 and lived in the first all-black town in the United States, Eatonville, Florida. Her 1937 novel, Their Eyes Were Watching God and played a vital role in the literacy movement the Harlem Renaissance is what she is best known for. Zora Neale Hurston depicts racism in her writings and has contributed greatly to African-American literature. Her work became more popular posthumously.
“The Harlem Renaissance was a time where the Afro-American came of age; he became self-assertive and racially conscious… he proclaimed himself to be a man and deserving respect. Those Afro-Americans who were part of that time period saw themselves as principals in that moment of transformation from old to new” (Huggins 3). African Americans migrated to the North in great numbers to seek better lives than in the South as the northern economy was booming and industrial jobs were numerous. This movement brought new ideas and talents that shifted the culture forever. Black writers, such as Langston Hughes, used their work to claim a place for themselves and to demand self-respect in society. Poems that Langston Hughes wrote captured the essence of the complexity of a life that mixes joy and frustration of black American life through the incorporation of jazz and blues in order to examine the paradox of being black in mostly white America, the land of the not quite free.
Although Zora Neale Hurston and Jamaica Kincaid lived in different times, thematically their writing had similar themes. If they had been contemporaries, they most certainly would have discussed their common experiences as black women who faced financial challenges and the racial divide that they experienced in their daily lives. Without a doubt, their writing was personally cathartic. Although in Kincaid’s writing, she addresses her issues with her mother head on, I have no doubt that Hurston’s stories were also influenced by her early family life.