Black Men Can’t Rock? Towards an Understanding of The Lack of Black Men in Rock Music

The Blues also became a hit in the 1920s after Mamie Smith recorded “Crazy Blues” and it grew into a huge part of the Jazz Industry. African Americans were given credit for the creation of the Blues industry of music as well. Bessie Smith was known as the “most famous of the 1920s Blues singers.”

How did Blues Influence Rock and Roll? When we think of rock and roll, we think electric guitars, amplified sounds. Blues music is one of the most influential characteristics that gave birth to rock and roll. Beginning in the Mississippi region with African slave work songs and expanding to areas of Chicago and Dallas, blues went on to inspire rock legends such as: the Beatles, the Rolling Stones, and Jimi Hendrix.

“When first entering in America, British folk music was distinguished by three-chord tunes, sparse instrumentation (with some fiddlers), mostly male performers, improvisation, the singers’ sporadic shouts (Scottish “yips”), Christian themes served up in hundreds of hymns, and a secular collection of songs that told stories, generally about love and lost love, using metaphor and symbol to tell those stories” (Allen 101). By the late nineteenth and early twentieth centuries, British music changed and became Americanized. Vocal harmonizing slowly evolved, and fiddlers were accompanied by those who played banjo, an African American opening. “Tambourines and “bones” (tapping out rhythms using pork rib bones) were a minstrel show contribution” (Allen 102). When African Americans were forced into slavery and brought to North America in the 1600s, they brought their own musical traditions and sounds. Slaves who were on the Mississippi River Valley delta soil developed what will later be introduced as blues music. On the plantations, slaves greatly changed British American hymn singing. They took non-religious British American songs and turned it into their own forms of music that followed their culture and taste of music. Blues emerged in the early twentieth century at the same time country music became settled from its folk roots. Blues music talked about the indifferences African American slaves were going through at that time. “The blues voiced human

Different from other forms of music, blues was only recorded by memory and passed down through generations through live performances. The blues began in the North Mississippi Delta post Civil War times. It was heavily influenced by African roots, field hollers, ballads, church music and rhythmic dance tunes called jump-ups. This eventually developed into music that was set up in a call-and- response way so that the singer would sing a line and he would then respond with his guitar.

Langston Hughes was one of the first black men to express the spirit of blues and jazz

In the 1920’s, blues was a very popular and dominating genre in the music industry. Generally, the blues was sung by African American women because according to the book entitled, “Blues Legacies and Black Feminism” by Angela Davis, “…The most widely heard individual purveyors of the blues—were women.” (Davis 4) The blues delivers certain emotions such as sadness, loneliness, love, sex, and feelings about the certain circumstances the artist may be going through at the time. Two women who dominate this style of music are Gertrude “Ma” Rainey and Bessie Smith. As stated by “Gay & Lesbian Biography”, “The careers of Rainey and Smith are closely interwoven.” Ma Rainey is a woman who is admired for both her amazing vocals and her ability to entertain. Bessie Smith is a woman who started off as a background dancer for her peer Ma Rainey, but then went on to emulate her by outdoing her success. Both women are very talented musicians who can not only sing and entertain, but they also create an impact as two of the most influential feminists during the 1920’s who helped shape the blues into what it is today.

Popular music is often one of the best lenses we have through which to view our own cultural orientation. Many of the artistic and experimental shifts in popular music have mirrored changes in our own society. For instance, the emergence of Elvis Presley as a public figure would signal the start of a sexual revolution and the growth in visibility of a rebellious youth culture. Similarly, the folk and psychedelic music of the 1960s was closely entangled with the Civil Rights, anti-war and social protest movements. In this regard, we can view popular music as an artifact through which to better understand the time and place in which it is produced. In light of this, the state of popular music today may suggest troubling things about our society.

The blues have deep roots embedded within American history—particularly that of African American history. The history of the blues originated on Southern plantations in the 19th century and was created by slaves, ex-slaves, and descendants of slaves. They were created by individuals who endured great hardship while performing endless hours of arduous labor and blues served as a form of escapism. To these individuals, songs provided them with the strength to persevere through their struggles. Blues songs depicted individuals who persevered in the face of adversity. They were symbols of hope to those squandering in the depths of oppression. In relations to the blues, every song has a story behind it and within every story, there is something to be said. Blues artists, through their struggles, detail how they overcame hardship and laughed at the face of oppression. They defied the rules and in doing so, showed African Americans that they too are beacons of hope for the hopeless. The best blues is instinctive, cathartic, and intensely emotional. From irrepressible bliss to deep sadness, no form of music communicates more genuine emotion than that of the blues. Like many bluesmen of his day, Robert Johnson applied his craft as a lonely traveling musician on street corners and in juke joints. He was a lonely man whose songs romanticized that existence. With Johnson’s unique vocal style, haunting lyrics, and creative guitar techniques, Johnson’s innovation embodied the essence of

In 1951, Alan Freed, a European American disc jockey for a Cleveland radio station, first coined the term rock’n roll. Fifty years later, if you were to poll the general public on which race would dominate that genre of music, the response would be overwhelmingly whites. But rock’n roll is not a white mans music. African American’s were and still are an essential cornerstone of the genre known as rock’n roll. But rock’n roll simply would not exist if it weren't for African Americans. Their presence is felt in almost every genre of music known to the United States. Early twentieth century black musicians helped shape, influence and create my favorite genre of music today.

A single source of blues music cannot be traced, but Ma Rainey is rightfully credited with introducing it to the world. Hence the reason she was dubbed as “The Mother of the Blues”. During an interview in the 1930s, Ma told musicologist John Work, that she heard what would be called blues, for the first time around 1902. She was in a small town in Missouri working a show at the time, and one morning a local girl came into the tent singing about a man whom had left her. This new style of soulful music drew in Ma Rainey so much she later had the girl teach her the song. Rainey performed the song as an encore in a show soon after, earning a special place in the show, and marking the start of her career (Jas Obrecht Archive).

On the other hand, Blues were basically from work songs of African Americans slaves at the time. “It is a native American music, the product of the black man in this country, or, to put it more exactly the way I have come to think about it, blues could not exist if the African captives had not become American captives”(pp.17), said Jones and Baraka. In Jazz – A History, Frank Tirro wisely analyzes and explains the relationship between the unique background and

Charley Patton is known as the father of the delta Blue. His official year of birth is unknown but is speculated to be between 1887, 1891. He wasn’t born in the Mississippi Delta however, his family moved there and he spent much of his life there. I believe his Blues came from the fact he was of mixed heritage having black, Cherokee Nation and certainly not in the dominant whit culture. His family moved to the Dockery Plantation which was renowned for its favorable treatment of it sharecroppers and lenience on the musical indulgences of its residents. At the Dockery Plantation, Patton and other gave birth to the Delta Blues. He learned from a man named Henry Sloan who played what is viewed as an early Blues style. He influenced many other artists at the Dockery plantation including younger protégé‘s like Robert Johnson and Howling Wolf. Although Patton as of diminutive stature, he had a gritty, growly voice of a much bigger man which is said to have influenced the distinctive raspy voice of Wolf.

Rhythm and blues, also known today as “R & B”, has been one of the most influential genres of music within the African American Culture, and has evolved over many decades in style and sound. Emerging in the late 1940's rhythm and blues, sometimes called jump blues, became dominant black popular music during and after WWII. Rhythm and blues artists often sung about love, relationships, life troubles, and sometimes focused on segregation and race struggles. Rhythm and blues helped embody what was unique about black American culture and validate it as something distinctive and valuable.

With things, such as explicit lyrics and depiction of women, drugs, and violence an assumption can be made that gangster rap represents a masculinity that rappers portray themselves as in their songs. Dating back to its origins, African Americans had always been the face of gangster rap, with such names like Tupac, Biggie, Jay-Z, DMX, and much more, as covers of rap magazines. Gangster rap had always been seen as what people interpret it to be and that is a raw rhythmic and explicit version of poetry in motion, but gangster rap depicts more than what people interpret it to be. Gangster rap depicts the image of how a strong African American male should look like, a bold, angry, rebellious, and fierce man. Strong African American males are subjective to gangster rap, mainly because of how gangster rap portrays masculinity. In “Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Muscic” Oware argues that although gangster rap music portrays the masculinity of African American males through the use of hyper masculinity, misogyny, and violence in lyrics, gangster rap music also provides a way for rappers to express themselves to commemorate their fellow friends through lyrics that depict family/friend relationships, success by association, and have a tribute for lost friends.

Eddie James “Son” House, Jr., an American blues singer and guitarist once stated, "People keep asking me where the blues started and all I can say is that when I was a boy we always was singing in the fields. Not real singing, you know, just hollerin', but we made up our songs about things that was happening to us at the time, and I think that's where the blues started (Cohn, 1993).”