Black Stereotypes in the Harlem Rennaissance

 Harlem Renaissance 2015, Wikipedia, accessed 23 August 2015, .  Harlem Renaissance n.d., History, accessed 23 August 2015, .  Harlem Renaissance n.d., Encyclopedia Britannica, accessed 23 August 2015, .  Great Migration 2015, Wikipedia, accessed 23 August 2015, .  Claude McKay 2015, Wikipedia, accessed 24 August 2015, .

In the 1920’s, blues was a very popular and dominating genre in the music industry. Generally, the blues was sung by African American women because according to the book entitled, “Blues Legacies and Black Feminism” by Angela Davis, “…The most widely heard individual purveyors of the blues—were women.” (Davis 4) The blues delivers certain emotions such as sadness, loneliness, love, sex, and feelings about the certain circumstances the artist may be going through at the time. Two women who dominate this style of music are Gertrude “Ma” Rainey and Bessie Smith. As stated by “Gay & Lesbian Biography”, “The careers of Rainey and Smith are closely interwoven.” Ma Rainey is a woman who is admired for both her amazing vocals and her ability to entertain. Bessie Smith is a woman who started off as a background dancer for her peer Ma Rainey, but then went on to emulate her by outdoing her success. Both women are very talented musicians who can not only sing and entertain, but they also create an impact as two of the most influential feminists during the 1920’s who helped shape the blues into what it is today.

The early 1900s was a time marked with tragedy in America. Started and ended with the Great Depression in between, it was not America 's finest moment. Prohibition was in place, the Klu Klux Klan was still marching, and the Lost Generation was leaving for Paris. But despite the troubling times, people still found beauty and meaning in the world around them. They still created art and celebrated life. The Harlem Renaissance was an artistic and literary movement that developed a new black cultural identity through artistic expression. It fused African traditions with slave history and American culture, and revealed to the world what life was like as a black person in America.

The women previously talked about on include, unfortunately, white women due to the fact that racial issues were still prominent post Civil War to the roaring 20s. Racial tension between blacks (now freed) and whites intensified as time continued after the Civil War. Yet, much like women, racial equality had its gains and its setbacks, especially in the South. Many of the gains for African Americans came in forms such as free blacks whom were equal to white men, political participation, and artistic and social expression during the Harlem Renaissance. However, the setbacks were much larger defeat, such as segregation and the overall treatment of blacks in the States.

"Race pride" and "race consciousness" cornerstones to the Harlem Renaissance, were closely linked to a new understanding of the African heritage of Black American(Marx 170). The Harlem Renaissance was a period between 1920 and 1940 of great cultural, economic and identity assertion among talented and expressive African Americans. Its high point occurred between 1920 and 1930 but it had started before then and continued after. The art, literature and music of the Harlem Renaissance expressed the rebirth of the African American spirit and it was born in the minds of its poets and in the hears of its common people. Such emotions were expressed in songs, essays, artwork, and dance. The Harlem Renaissance brought along racial pride for blacks.

Within any group of people there is always going to be some form of judgment and African American people of the early twentieth century Harlem are no different. Throughout this course students have been immersed into the culture of 1920s Harlem and through this immersion many significant issues have surfaced from the artist of the time period. A major issue that has been repetitive throughout all forms of art during this period is colorism. Colorism which can also be called color conscientiousness, intra-racism, being color-struck, or having a color complex is a long standing epidemic focusing on physical appearance with a large concentration on

The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset,

One of the most inspirational, upsetting, and hope inspiring pieces of history that America has to offer is the city of Harlem, New York. There might be many things that come to mind when one hears of the city Harlem such as the Renaissance, the ghetto, the hipsters, and even former President of the United States; Bill Clinton. While all of these things do embed the culture of Harlem it has feel from the heights the city once held it fell to the point where it was once even disowned by famous African American poet James Baldwin who was once seen as the city’s golden child. Even though Harlem has been through a lot of changes over the last century it is still a beautiful place and important to American history.

The Harlem Renaissance represents the rebirth and flowering of African-American culture. Although the Harlem Renaissance was concentrated in the Harlem district of New York City, its legacy reverberated throughout the United States and even abroad, to regions with large numbers of former slaves or blacks needing to construct ethnic identities amid a dominant white culture. The primary means of cultural expression during the Harlem Renaissance were literature and poetry, although visual art, drama, and music also played a role in the development of the new, urban African-American identity. Urbanization and population migration prompted large numbers of blacks to move away from the Jim Crow south, where slavery had only transformed into institutionalized racism and political disenfranchisement. The urban enclave of Harlem enabled blacks from different parts of the south to coalescence, share experiences, and most importantly, share ideas, visions, and dreams. Therefore, the Harlem Renaissance had a huge impact in framing African-American politics, social life, and public institutions.

Drenched in Light” by Zora Neale Hurston, hints at several reasons for being to minstrelsy for the Harlem Renaissance, mainly because Isis embodies entertainment and stereotypes. The little girl, Isis, has a personality that hooks readers into the story. Everything about Isis is a way to keep the readers and everyone included in the story captivated. Thus, causing people to believe Isis is simply a puppet being controlled by the need to entertain everyone around her.

During the 1920’s a new movement began to arise. This movement known as the Harlem Renaissance expressed the new African American culture. The new African American culture was expressed through the writing of books, poetry, essays, the playing of music, and through sculptures and paintings. Three poems and their poets express the new African American culture with ease. (Jordan 848-891) The poems also express the position of themselves and other African Americans during this time. “You and Your Whole Race”, “Yet Do I Marvel”, and “The Lynching” are the three poems whose themes are the same. The poets of these poems are, as in order, Langston Hughes, Countee Cullen, and Claude Mckay.

Racism or racial discrimination is the direct opposite of being loving and therefore stops people from becoming the Jesuit ideal of being men and women for others. Poems, the literary arts and motion pictures can offer an escape for those affected by this type of bigotry. Unfortunately, there has been other examples of racially prejudiced poems, literary arts, and motion pictures. For example the 1915 film Birth of a Nation was a groundbreaking film that led to the emergence of the Second Ku Klux Klan. The movie dealt with the Civil War and the Reconstruction era of the United States. The reason why this film is so controversial is that it portrayed African Americans as not smart and also sexual violent, while portraying the KKK as a just and chivalrous force for good. This film influenced the Harlem Renaissance Poets because it illustrated how hate and discrimination existed against African Americans. That is why racial discrimination is one of the most important problems. Racial discrimination and stereotypes are important to consider in modern times because they are the opposite of love, which is hate. The poetry I chose that dealt with how African Americans not only survive with racism but learned how to defeat it.

I always found the 1920’s a very interesting decade as it went from a lively moment to a depressing and struggling one within a split second. Therefore, I believe that I learned all of the concepts pretty well. For instance, I learned about the Harlem Renaissance, the cause and effect of The Dust Bowl, and the lasting political argument of the New Deal in the United States. First of all, the Harlem Renaissance was a time period where African Americans began to embrace their roots and create art/works to reflect their experience living in US society. However, during the Great Depression many Americans were left unemployed. In addition to drastic unemployment rates, the environmental disaster, also known as the Dust Bowl, contributed to many

This judgment began unexpectedly to spread as African American music, especially the blues and jazz, became a worldwide sensation. Black music provided the pulse of the Harlem Renaissance and of the Jazz Age more generally. The rise of the “race records” industry, beginning with OKeh’s recording of Mamie Smith’s

     Between 1910 and 1920, in a movement known as the Great Migration, hundreds of thousands of African Americans uprooted from their homes in the South and moved North to the big cities in search of jobs. They left the South because of racial violence and economic discrimination. Their migration was an expression of their changing attitudes toward themselves, and has been described as "something like a spiritual emancipation." Many migrants moved to Harlem, a neighborhood on the upper west side of Manhattan. In the 1920's, Harlem became the worlds largest black community; also home to a highly diverse mix of cultures. This unprecedented outburst of creative activity exposed their unique culture and encouraged