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Boland's Night Feed

Decent Essays

The "brute routines" encouraged by Virgo's example present the woman's work in starkly negative terms, but the poem does not end with an easy dismissal of domesticity. Its tone softens utterly in its last line with the ending phrase "small families," introducing a note of vulnerability and warm that is difficult to resist. Thus Boland presents the complications of the domestic sphere for the suburban woman speaker of Night Feed; both nurturing and entrapping, it is a place in communication with an expansive universe but as constricting as the small turns of a spiral staircase. In the poem, Boland offers a domestic world transformed by exotic suggestions and informed by the unhoused images of endlessly spinning night stars. The transformation …show more content…

But these are not closed worlds. They assert that they are creating history and reflecting upon it. Boland is always prepared to take the risk any woman poet takes when she writes of gardens, children, marriage, a black lace fan, a stock-pot ... the risk of being belittled, or gently patronised for her ‘domestic preoccupations. (11) Boland has begun to successfully mesh her life in the suburbs with her life as a poet. In Night Feed Boland has put these activities and lives of women on the map for good, and she is not yet finished. In this volume, Boland turns to art to interpret the domestic interior even as she fights the imprisoning effects of that space herself. In the majority of poems from Night Feed, home is still a sphere that holds its inhabitants captive, but the space itself is becoming fluid as Boland cracks open a fissure in the domestic sphere that will open wider as her poetry continues. Boland, however, rebels against the traditional historical assumption that the mundane and the domestic are insignificant and should be excluded from history: “the experience of the silent and the futile and the absurd and the pointless—at least on the surface—routines and rigours of lives. I think we have to retain them as a theme...” (Wright and Hannan,

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