Bounty hunter Levi Owens glared at the wanted poster one last time. He folded the tattered notice and slid it into his vest pocket. All he needed was two weeks to track the swindler and another to drag his worthless hide back to Austin. All he wanted—was to shoot him dead.
His pack mule kicked out and Levi cursed its previous owner. A poorly trained animal took a lot of work, but right now, it was all he could afford. He loaded the last bag of the provisions on the mule and pulled a tarp over the rest of his supplies. When he turned around, he locked eyes with his widowed sister-in-law Rose. She wrapped her hands around a smooth handled shovel and stabbed it into the ground.
Six months ago, Levi buried his wife Anna. In many ways, Rose looked
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In the past, he thought the feathers brought him good luck. He no longer believed in such superstitions, but it was a difficult ritual to break.
Few people challenged Levi Owens, but Rose was the exception. She never wavered. Today, he wouldn’t take offense since she’d been out to pile more dirt on Anna’s grave. The dirt had sunk where the ground settled; it was a chore he should’ve handled, but he couldn’t make himself go out there again.
When Anna was sick, he appreciated her coming to help. They had a common cause, but the woman had never hid her distaste for his profession. Who’d blame her? A man like him, a bounty hunter, around decent folks, and he’d up and married her sister.
Even so, Rose claimed she stayed on this long to be near Anna, so maybe she couldn’t let go either. He didn’t ask; he had his own problems letting go. Townsfolk didn’t ask about his widowed sister-in-law and a kid staying out here, but then he wasn’t one to offer explanations either.
His young nephew Cole came over to stand next to him. “Goodbye, Uncle Levi, I’ll miss you.”
Cole tried to brush his tears away, and Rose reached out to console him, but the kid turned and ran for the house. She whirled around to Levi, her features hardened like
His wife, Rose, decided that even though she could never forgive him, she would raise the baby, saying, “A motherless child has got a hard time. From right now, this child got a mother. But you a womanless man” (49). Rose knew that the baby would need real love and care, and deep down, she knew that she needed something to love. Note the similarity between the words “motherless” and “womanless”, which shines a light on the fact that Troy needed Rose’s love as much as Raynelle needed her care, but unlike the baby, he did not get it. As Wilson’s characters demonstrated, living without love is far easier said than
barn. Here, he comes to a realization while looking at the bird's feathers saying this, that the
“ She thinks of her mother, who is dead. Dead, but still her mother. Joined. This is confusing. Of her father a gray old man who sold wild mink, rabbit, fox skins to Sears, Roebuck (Walker pg.2). Roselily once again starts to think back to the days when she was a child, to the days when she had no worries. She feels her mother who is dead still stands beside her in spirt to guide her on this unknown journey she is about to embark on, and for a moment it gives her comfort. “Or forever hold,” the Preachers’ words ring in Roselily’s ear. “ She does not even know if she loves him. She loves his sobriety. His refusal to sing just because he know the tune. She loves his pride. His blackness and his gray car. She loves his understanding go her condition. She thinks she loves the effort he will make to redo her into what he truly wants (Walker pg.3). Here the author really dives in to what Roselily thinks of her new husband. She knows she doesn't love him and probably never will. However, there are aspects about him which she thinks she can love and she realizes that will have to do
Although Roselily’s life in Mississippi before marriage may not have been the greatest but, she is comfortable with it, and is scared of the change that is about to occur. As the preacher is finishing the ceremony she thinks” She wants to live for free for once. But she doesn’t know quite what that means.” She knows that once she gets married, between being a housewife and his restrictive religion she will
As for Anna’s crimes, on a social and familial level Anna, having not been married off at an appropriate age, pursued sexual relationships with not one but two men out-of-wedlock and without her father’s knowing. Furthermore, Anna was accused of stealing from her father relentlessly and of leading a “scandalous, undisciplined, and reprehensible life” (3). These crimes, in addition to the consequent reactions of her family and city would provide the foundation out of which the feud would fester.
I would like to be considered for the Lance Robert McLendon Scholarship because I am a hardworking, disciplined individual. I have committed myself to take advantage of the plethora of scholarship opportunities available to students such as myself. I welcome this opportunity to allow you, the reader to get to know me.
Well come on…I’ll make a batch of biscuits,” (26). Rose steadily tries to be the best mother that she can be for the Maxson family and not just take care of herself. She represents the primary care giver of the Maxson household by cooking for everybody and bringing the whole family in together to eat. “Okay, Troy…you’re right. I’ll take care of your baby for you…cause…like you say…she’s innocent…and you can’t visit the sins of the father upon the child. A motherless child has got a hard time,” (79). By Rose saying and doing this, it just proves how loving and tender hearted she is. Even though Rose is not the child’s mother, she still wants what is best for the baby. “Stop that yelling. You gonna wake up Raynell. I just got her to sleep,” (80). This shows that Rose has fully accepted Raynell as her daughter. Rose does not see Raynell as just Troy’s daughter but also hers too. Rose says, talking about Lyons, “Let the boy have ten dollars, Troy,” (19). This shows how loving and caring Rose acts towards Troy’s son. Rose and Troy clearly do not have enough money to be giving it out, but she encourages Troy to give some to Lyons because she cares about everyone. Rose is a very good hearted person who uses all of her characterisitcs to keep everyone in the family together and keep them in check.
Walker continues to use negative imagery and ideas to reveal her hesitation towards the arrangement. The author uses these literary devices because she wants to illustrate Roselily’s reasons for marrying the man. Roselily does this because it is what's best for her and her children. In a way, Roselily is being forced because she does not have a better alternative to her current life. By marrying the man, Roselily will have a renewed lifestyle and reputation. Roselily imagines the flowers in her hand as kids. When she does this, her head fills with murderous thoughts. “A squeeze around the flowers in her hands chokes off three and four and five years of breath” (Walker 4). As guilty as Roselily feels, this shows how Roselily wishes she never had given birth to any of her kids. When she tightens her grip on the bouquet of flowers, she thinks of her children. Roselily dreams she did not give birth to these kids. Roselily’s ideas of murder could possibly be associated with her obsession with the idea of her personal spirit being robbed from her. Weddings usually give off positive connotations, however in Roselily’s mind she disturbs the happy wedding with dark thoughts such as the idea of murder. Deviating from the topic of “personal spirit”, Brent studies the ferocious thoughts swarming Roselily’s mind. “Roselily’s rebellious thoughts during the wedding ceremony go so far as to enter the realms of murder and blasphemy. She expresses a wish that she could be free of her three
| Rose is describing her frustration and also, describes her jealousy towards Caroline’s life; that she escaped from living on a farm and had the ability to choose her life.
To begin with, after being told her husband’s secret, she deserted him for a “less dangerous man”. She said the following: “Fair friend," said she, "be happy. That which you have coveted so long a time, I will grant without delay. Never again will I deny your suit. My heart, and all I have to give, are yours, so take me now as love and dame.”
His kind of punishment wasn’t a time-out or a swat on the behind as most children receive. His were the kind that affects a child for a lifetime. Rose has no idea whether she is about to be beaten or if she’ll endure other horrors from her
“For a minute Rose of Sharon sat still in the whispering barn. Then she hoistered her tired body up and drew the comfort
Have you ever seen someone that was so stressed out that they have done something you can't believe? Or someone who was so troubled that they did something that was so shocking? A Juxtaposition is a comparison of two things that are polar opposites. In “Krik? Krak!”, a series of short stories the author Edwidge Danticat utilizes Juxtaposition to create troubled characters, that in return create an overall shocking moods throughout the book. The three characters that display this shocking mood are, Guy, a depressed father, Night Woman.
Despite their differences in age, heritage, and story, Tita, from Like Water for Chocolate by Laura Esquirel, and Rose of Sharon, from The Grapes of Wrath by John Steinbeck, are similar in how they are changed by love, abandoned by love, and protect their families. Both Tita and Rose of Sharon are changed through love, experience abandonment, and protect their families. Love influences Tita and Rose of Sharon’s lives, but love’s effect that makes them similar. Tita’s expresses change when Pedro confesses his love for her. Tita responds enthusiastically, “Yes, a thousand times.
She had expected him to release his internal beast, and not his internal puritan father. Talks questioning the masculinity and tastes of the guy went on for long until he finally decided to marry someone. By the way, that someone turned out to be the first girl he met, an average girl from an average farming