Buendias

One in twenty people do not worry about growing old. It is time to let go and remember, that this is the only life I get to live. Something Wicked This Way Comes, The Art of Resilience, and The Third and Final Continent all render minutiae on the three declarations that will be specified. Firstly, characterization, helps to develop the plot of each story and contribute to the moral. Secondly, facts and detailed information contributes by bringing content to the passages. Lastly, in all three literary devices, there is a similar reoccurring motif. The main moral portrayed in the three pieces of literature is that the ability to grow gives a person the aptitude to change; but if they withhold from change, there could be unwanted consequences.

“The Cask of Amontillado” composed by Edgar Allan Poe is one of the precise examples of Poe’s hypothesis of solidarity of the short story. Poe’s utilization of language helps the reader to understand the conflict between two men, Montresor and Fortunato. In the story, Montresor, cunningly, wants to take revenge from Fortunato. Although the two men are seen in an unexpected way, they both need a similar thing; to fulfill the desire for something that has long past due. Montresor is confessing his crime in front of someone. The story broadens Montresor character but limits Fortunato’s character. The theme of trickiness and revenge, is explained with the utilization of symbolism and irony, Montresor seeks peace

Aura by Carlos Fuentes explores the ideas of fantasy and imagination against the backdrop of Mexico City in the 1960s, coinciding with the Latin American Boom. This was a time of literary experimentation as the Latin American novel gained increasing popularity amongst wider audiences. As such, Fuentes uses Aura to redefine narrative norms by incorporating genuine historical events into fantastical situations and through the use of symbolism to heighten the feelings of the uncanny and the unknown which linger throughout the novel.

Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go

This way of writing is based on the “rational view of reality” versus the “acceptance of the supernatural” (Moore). Magical realism is usually associated with contemporary Latin American fiction but it is also seen in the writings of authors from different countries (Lodge 114). The unexplained fantasy in these works is used to depict “historical convulsions and … wrenching personal upheavals” that can not be otherwise described adequately in a realistic fashion (Lodge 114). One of the best known magical realism novels is Gabriel Garcia Marquez’s One Hundred Years of Solitude. The best known magical realism short story author however, is Jorge Luis Borges. Although Latin American literature was predominantly written by males in the past, it is becoming more diverse now with the voices of females, homosexuals, and Jews.

In the short story “The Cask of Amontillado”, the author Edgar Allan Poe allow the reader to be a participant in the story. The story is told by Montresor who shows a rancor against Fortunato for a displeasure that is never textualized defined. Montresor leads an intoxicated Fortunato into a series of halls under his palazzo with the promise of a taste of Amontillado. Throughout the story the, the author uses the first-person point of view to describe Montresor surroundings and show us his thinking, and his feelings.

To begin, in the first part of the story, a city called Omelas and its inhabitants are described as one happy community, but a negative connotation on the city and its people is implied as the story progresses.”They

   One Hundred Year of Solitude by Gabriel Garcia-Marquez projects itself among the most famous and ambitious works in the history of literature. Epic in scope, Marquez weaves autobiography, allegory and historical allusion to create a surprisingly coherent story line about his forebears, his descendants and ours.

In his ‘Amantillado’, he uses the foregrounding and integration of language to accentuate the themes and issues of his story, while also enticing an audience with the fascinating mentions of revenge and sinister ideas by addressing the “weak point” REF of Fortunato. He creates his sense of intrigue with the inner monologue of Montresor REF before then reverting onto the actual situation and interaction between characters in this story. Poe plays with irony by contrasting the prior mentioned weak point to the “respected and feared” aspect of Fortunatos’ personality. Poe’s work is in fact literary as clarified by his interesting, complex language

In this essay I am going to discuss whether or not we can consider Lazarillo de Tormes as a subversive text and the reasons behind why or why not we may believe it to be so. To accomplish this, I will explore the background behind Lazarillo, the different methods and literary devices used to convey dual meaning and give the text an undertone of subversion.

Edgar Allan Poe’s short stories always attract our attention by the images of murders, terrors, madmen, and mysteries. “The Cast of Amontillado” is Poe’s famous short story, which presents us a cold-blooded murder and two persons with personality flaws. This essay will make a contrast between the two characters by analyzing their characteristics and their psychological changes as the plot develops in order to understand the theme of this story.

Gabriel Garcia Marquez has dealt with historical themes in several of his fictions, but in One Hundred Years of Solitude, the author makes a statement about history and the importance of historical consciousness. In this paper, the view of history expressed by Gabriel Garcia Marquez in One Hundred Years of Solitude will be the focus.

“Eleonora” use the significant settings to develop a conflict. In “The Cask of Amontillado,” the

Garcia Marquez has said that "One Hundred Years of Solitude is not a history of Latin America, it is a metaphor for Latin America" (Dreifus 1983:1974). The historical themes include conquest and colonization, settlement and scientific discovery, civil wars, foreign economic intervention, technological change, and finally the decay and disappearance of a long-established way of life.

Magic realism is a writing style in which mythical elements are put into a realistic story but it does not break the narrative flow; rather it helps a reader get a deeper understanding of the reality. Often time’s Latin-American writers utilize this writing technique. It has been speculated by many critics that magic realism appears most often in the literature of countries with long histories of both mythological stories and social turmoil, such as those in Central and South America. Like many Latin-American writers, Gabriel Garcia Marquez used this approach of magic realism, in his book “One Hundred Years of Solitude”, in which he reveals the history of Macondo through the seven generations of the