Chapter Four Realism And Perspective

This was successfully created by reconsidering and challenging the established conventions of 'perspective '. Illustrated through 'relativity ', artists combined visual consideration and memory into a concentrated 'still ' which they felt best documented the age in an abstract form, but which was wholly all the more realistic. This form was not only retained for art but stretched into prominent literature; several authors best deployed

However, to further implement how magical realism constitute how this painting is conveyed, the exact meaning behind this trait must be explored. Magic realism is described by a twist in the usual conventions and shows a more fantastical interpretation in the

In Iris H. W. Engstrand article, “Perception and Perfection: Picturing the Spanish and Mexican Coastal West,” I initially did not know what to expect of the article. I figured Engstrand would discuss multiple views and perspectives when moving to the Spanish and Mexican Coastal front. I found the thesis, after reading through the article as it was not outrightly stated, to be: “Artists and illustrators depicted the past -- or the observable present -- in pictorial documents that became the records of current events, journalism, of reportage, and of scientific exploration, discovery, and adventure.” I believe Engstrand’s purpose is to reveal to her readers the predominant primary sources of the late-eighteenth and early-nineteenth century and how the art could be manipulated to please specific cultures or people.

The use of realism changed the way paintings were viewed. The detail,in the paintings were something that people haven't seen before. The painters were extraordinary at their craft. One example of one of these painters was Michelangelo. Michelangelo was an amazing painter and sculptor.

The shift from Realism to Impressionism in the 19th century represented not only a change in form, but it also represented a shift in ideology. As one of our module videos notes, rather than focusing on accuracy and clarity, Impressionism emphasized “what the mind and the eye sees” and the “impression of light and color.” We will briefly discuss how the differences in the approaches of the Realists and the Impressionists had interesting implications for arts and how these ideologies can be applied to the ways in which believers and unbelievers interpret art.

With images, words, and sounds been almost endlessly reproduced and distributed, various critics of modern culture suggest that traditional ideas about art and authenticity are no longer applicable. The problem is said to have been noticed back in the 1930s in the popular essay The Work of Art in the Age of Mechanical Reproduction that was concerned about what would happen to the “aura” of unique works of art when photography and other techniques if anybody could make unlimited copies of images. With the rise of digital technology, copying ability became vast and complex and hence the idea of originality is thrown into

Realism is a theory that depicts world politics as a ceaseless repetitive struggle for power. In other words, political realism seeks to explain international relations between states in terms of power. Realist “views that nation-state as the most important actor…because it answers to no higher authority;” in other words, it is an anarchic system (Kegley, 27). Some traits of realism are that states are sovereign, non-cooperation among states, and the exclusion if morality in policies.

Realism is the artistic attempt to recreate life as it is in the context of an artistic medium. It began as a revolt against the conventions of the classic view of art in the late 1800s in America and Europe in the form of an artistic movement (McConnel, R. 1997). There are many themes involved with realism that shall be discussed. These include accuracy and independence.

“The division between realism and abstraction is not as clear as we might first believe. ” Within The Practices of Looking, Sturken and Cartwright examine the relationship between perspective and realism. In addition to explaining how perspective is important in replicating reality within art and video games. The example given to illustrate this perspective in Practices of Looking is a painting from Mark Tansey, called The Innocent Eye Test. The painting is a critique of the form of realism and depicts a cow stood in front of men in lab coats, staring at an artists realist painting of a cow. Tansey does this to show that the narratives never actually occurred. Realism within art ultimately provides a difficult question to the audience, what

At the 19th century, the invention of camera has provided an easier and faster way to keep records. The function of realistic painting had been replaced.

“While some may deem Leonardo da Vinci paintings tame in their total effect on our society’s modern sensibilities, his development of techniques that immersed the viewer in the world of the painting, and the impact of those techniques cannot be understated.”1

Susan Sontag discusses the difference in viewing art in physical form versus viewing in through a lens. Throughout the essay “In Plato’s Cave”, Sontag thinks both Plato’s cave images and photographs represents, “the mere image of truth” (Sontag 3). With that, Sontag repeatedly uses the terms “truth” and “reality”, but does not define what these terms mean to her. The impression Sontag left for these terms is that “truth” or “reality” stand for nothing more than what we can see. Being said, the difference between what we can with our own eyes and what we can see with a camera is reduced to the physical/mechanical differences between the human eye and body camera/lens.

When we look at the history of the Middle Ages and the Renaissance, we always like to use the confinement of thinking and the liberation of ideas to sum up the two, especially in the art, the medieval paintings are often used in dark colors, deformed three-dimensional concept Showing the real world, and often less a bit human nature. And after the Renaissance, the painting masters are the opposite of it. I am not here to comment on their good or bad, but from the artistic point of view, to explore whether a good form of art needs to reflect the community and a wide range of civilizations

Realism was a huge movement in late 1800s to early 1900s. All art forms were influenced by it. Writers, artists, actors and more started taking a more simple direction and tried to depict life as it actually was. In visual art it was common to see ordinary people doing every day

When trying to comprehend international politics, current events, or historical context, having a firm grasp on the various international relations theories is essential to understanding patterns when looking at interstate affairs. Realism, liberalism, constructivism, and marxist radical theory are used to provide a framework by which we can dissect international relations.