Security Commissioner Reinhart rapidly climbed the front steps and entered the Council building. Council guards stepped quickly aside and he entered the familiar place of great whirring machines. His thin face rapt, eyes alight with emotion, Reinhart gazed intently up at the central SRB computer, studying its reading.
“Straight gain for the last quarter,” observed Kaplan, the lab organizer. He grinned proudly, as if personally responsible. “Not bad, Commissioner.”
“We’re catching up to them,” Reinhart retorted. “But too damn slowly. We must finally go over—and soon.”
Kaplan was in a talkative mood. “We design new offensive weapons, they counter with improved defenses. And nothing is actually made! Continual improvement, but neither we nor
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We’re not far enough along to risk an overt attack.” A harsh, ruthless glow twisted across his handsome features, distorting them into a stern mask. “But the odds are moving in our favor. Our offensive designs are gradually gaining on their defenses.”
“Let’s hope the war comes soon,” Kaplan agreed. “We’re all on edge. This damn waiting….”
The war would come soon. Reinhart knew it intuitively. The air was full of tension, the elan. He left the SRB rooms and hurried down the corridor to his own elaborately guarded office in the Security wing. It wouldn’t be long. He could practically feel the hot breath of destiny on his neck—for him a pleasant feeling. His thin lips set in a humorless smile, showing an even line of white teeth against his tanned skin. It made him feel good, all right. He’d been working at it a long time.
First contact, a hundred years earlier, had ignited instant conflict between Proxima Centauran outposts and exploring Terran raiders. Flash fights, sudden eruptions of fire and energy beams.
And then the long, dreary years of inaction between enemies where contact required years of travel, even at nearly the speed of light. The two systems were evenly matched. Screen against screen. Warship against power station. The Centauran Empire surrounded Terra, an iron ring that couldn’t be broken, rusty and corroded as it was. Radical new weapons had to be conceived, if Terra was to break out.
Through the windows of his office, Reinhart could see endless
“See, I told you. Look how fast they’re walking now, and to them it seems like we’re following them,” Jamal exclaimed with an angered look on his face.
From here the tone of unease and apprehension often felt before a great battle is set. This is not a haircut. It is a preparation for war.
(O’Brien 152). The reader is constantly second guessing themselves. This experience allows one to relate to the feeling of the soldiers, one of constant wondering, “Is this alright?” and/or “What am I fighting for?” Thus, the soldiers experiencing the paradoxical nature of war in this story is mirrored and experienced by the
In contrast, the author uses George as a metaphor for those who would fight, kill, and die in the war; this element is an important part of the author’s persuasive strategy. W.D. Howells wants to appeal to the values and the emotional sensibility of his audience, for this reason, Howells portrays George as passive and unsure of himself. George is fearful of the war and he sees no glory in it. He believes that God is peaceful and the idea that God would advocate for war runs counter to George’s belief in peace. In short, the author uses George’s story to illustrate the consequences of war for the reader. This strategy works to persuade a resistant audience to relate to George, hence, lowering their resistance to the anti-war message of this piece.
1. “In any war story, especially a true one, it’s difficult to separate what happened from what seemed to happen. What seems to happen becomes its own happening and has to be told the way. “ (71)
It’s no surprise that soldiers will more-than-likely never come home the same. Those who have not served do not often think of the torment and negative consequences that the soldiers who make it out of war face. Erich Remarque was someone who was able to take the torment that he faced after his experience in World War I and shed light on the brutality of war. Remarque was able to illustrate the psychological problems that was experienced by men in battle with his best-selling novel All Quiet on the Western Front (Hunt). The symbolism used in the classic anti-war novel All Quiet on the Western Front is significant not only for showing citizens the negative attributes of war, but also the mental, physical, and emotional impact that the vicious war had on the soldiers.
To soldiers, fighting on the front lines is a life changing event that can forever alter the way they look, think, and feel. By using juxtaposition, Erich Remarque is able to capture how feelings and behaviors can change while trying to become free from the war experience in Chapter Seven of All Quiet on the Western Front. The main character, Paul, faces three events that make him yearn to rid himself of the terrible weight of war on his shoulders. It is clear that you can never truly understand what it is like in a war until you are the one doing the fighting.
Many people say that war is worse than Hell because innocent people die in it. In Beah’s life, this is most definitely true. Throughout the war, Beah goes through many hardships and witnesses the deaths of innocent loved ones, and Beah’s writing reflects how he felt during these times. Beah uses rhetorical strategies like diction, imagery, and detail choice to convey the emotional process he had to undergo in order to survive.
War is a serious topic that has been around for as long as anyone can remember. Heller’s novel, is a comedy about soldiers during WWII. Yet, when observed closely, these “comic” scenes are actually quite tragic just as most things related to war are.
Even though technology in “The Machine Stops” and technology today have many differences, many characteristics are in common. The futuristic modern technology in “The Machine Stops is very dependable as well as modern day technology, except that in “The Machine Stops” everything is machine generated. Most people today communicate on the cell phone or text messages. Frequently, people may be contacted over video messages as well. In “The Machine Stops” the most common way to communicate is by pictures or video messages with little face to face contact. Technology used in both case scenarios is very reliant for humans. For example, humans rely on the internet to look up a question if we don’t know the answer. In “The Machine Stops”, they often did not have to ask questions because the technology already did it for them. In relation to the story, they refer to when the machine stops as a “technological death”, which we can relate to the same phrase in a way that if humans did not have the access to technological works, most of our world would not be able to function. People would struggle with communication with their families, difficulties to their jobs, and wouldn’t be aware of what was happening in the world.
“But, when they get close it will be time to strike so get ready, we
War is so powerful and destructive that it can change every person just by introducing itself. The Foreshadowing is a novel by Marcus Sedgwick that is set in 1915, during the onset of WW1; it tells us the story of Alexandra Fox and how her gift of clairvoyance transformed every person surrounding her in ways they had never imagined. Alexandra was raised from a privileged background with her brothers, Tom and Edgar and her mother and father; as she evolves throughout the novel, she grows as a loving sister and an independent woman whose passion to save the ones she loves is admirable.
Scuttling innocently through the twisting corridors I bore the same expression; head down, shoulders hunched, avoiding any eye contact - my desperate attempts to deter the despot for one day at least. Despite my efforts, there was no escape, as seemingly within the second of having that naively optimistic thought, a cruel, callous voice demanded I surrender my broach. Fear spiked, as it always did, but with it came something else, an alien emotion ... Looking back now, I see that it must have been the cumulative effect of months of torment that brought me to the realisation that at this point I had reached the nadir of my life. Deriding cackles pierced my ears and this time I recognised the emotion, fury. It burned through my veins, along with the memories of the past to form a feeling of overwhelming power. I met the daggers that would usually invoke terror, and calmly, I said “No.”
Are computers going to replace the human thought? How many times do you see yourself going to www.google.com or some other search engine to find even the simplest information? In the educational system more and more courses use and require some form of computer activity. One of the main concerns is that education used to be about research, problem solving, critical thinking, and human analysis. Now with the implication of computers, education is not about the research, it focus is how fast can you find the answer. The lazy point and click approach may have the answers, but has no real meaning to it. Computers are taking away not only basic skills, but the need to develop them at all.
The speaker lets the reader know right away about the reality of war. The invincible, fearless soldiers that are envisioned by the reader are quickly transformed into