Character Analysis In Grand Torino By Clint Eastwood

For more than fifty years, Clint Eastwood has been actively defining and redefining cinema as an art form. His experiences as an actor on television and in film have greatly influenced his directing style. Across his films, Eastwood incorporates several issues and techniques that help the audience to identify said films with Eastwood's directorial style. Eastwood's aim in his films is to tell stories of the human experience. Francois Truffaut and Andrew Sarris have aimed to define the qualities that make a director an auteur whose works stand out above the rest. The qualities defined by Truffaut and Sarris can be seen in Eastwood films including Unforgiven (1992), Million Dollar Baby (2004), and Changeling (2008) and help to establish Eastwood as an auteur.

As a consequence, he avoided the Hmong family. He even expressed distaste for them to their face, not wanting to learn about them or their culture. After much conflict, Walt was presented with the opportunity to help his neighbors and to open his mind to adapting to the inevitable cultural diversity in his town.

Finally, one of the most important moral values a human being can possess is selflessness. It is when a person puts someone else’s needs before their own. In Gran Torino, one of the most heartfelt and saddest moments was when Walt sacrificed his life for Thao and the neighbourhood. He knew that if Thao went after his

There are quite a lot of widespread stereotypes of Italian Americans in “The Godfather” movies which involve characters, Italian foods, family, and violence. Food plays a huge role in The Godfather movies. Characters in the movies are always seen eating Italian food such as pasta. If the directors were not referring to any specific ethnic group than why were all the movies showing characters with Italian names eating foods that were known to be “Italian” foods. Also, violence is a major key in the movie which is also stereotyped to Italian Americans by them being associated with crime and the mafia. “ Thus, rather than helping to overcome the negative image of Italian-Americans fostered by entertainment programming, the media reinforces

For example, Kennedy the construction supervisor asks Walt when he can have “the keys” to his Gran Torino, and looks down on Thao for getting a lift. Without a car, Thao is dependent and still a boy. When Walt lends him the Gran Torino to take Youa on a date, he is giving Thao independence and the possibility of a girlfriend. Furthermore, the Gran Torino represents being a genuine American man. Walt built the car when he worked for Ford, and despises the “Jap-burners” that his son Mitch drives around in and sells. Likewise, Spider (an ‘anti-citizen’) drives a white Honda in every scene he appears in, except the last one. When Walt leaves the Gran Torino to Thao in his will, he is giving him more than a car. He is giving him a reward for work, a source of prestige, independence, and an American identity. The closing scene of the film shows Thao driving the car down an esplanade, a young man with a future, and hope.

While many movies have depicted various areas of the criminal justice system, the Shawshank Redemption is like no other. I first watched the film many years ago on television and since have seen it numerous times on platforms such as DVD and Netflix. The key stars in the production, are actors Tim Robbins and Morgan Freeman. Other standouts that who are featured in supporting roles included actors Bob Gunton and Clancy Brown. The film was directed by Frank Darabont who is known for criminal justice films such as the Green Mile. The Shawshank Redemption was first released in theaters September of 1994.

“As an initiation, Thao is asked to steal Walt’s prized 1972 Ford Gran Torino. He botches the attempt, as Walt, rather stumblingly, chases his out of his garage with his M1 rifle. Later, Thao’s sister, Sue (Ahney Her) is set upon by some stereotypically predatory young black man and Walt, brandishing a pistol, rescues her.

THE GODFATHER, made in 1974, details the Corleone crime family in Manhattan during the mid 1930s. The Don, Vito Corleone, played by Marlon Brando, leads his organization against a relentless narcotics push by a rival family, the Sollozzos. Vito Caleone does not want anything to do with drugs because he believes they will be the downfall of the Mafia. The story, covering a ten year time period, offers a rich tapestry of Mafia life from the inside, drawing the audience into witnessing the transfer of power within a close-knit family

“The Godfather Part II” is the second movie in the Godfather trilogy, and mentioned as one of the best movies of all time. Is this a fair criticism of the movie? Well, the only way to find out is to dissect a movie and what makes it great. A movie can be critiqued in a variety of ways, but one of the main criticisms is how the visuals explain the story, and bring it to life. The story of a movie, and how it flows, is the pivotal component that draws viewers in and keeps their interest. With movies, one effective way to critique a movie is to observe the believability, and impact of the acting. Film is a visual media, this is a known fact, however, fitting music can contribute to setting the mood, and tone of a movie. What most makes a movie worth watching is the story, and how it is laid out throughout.

"Gran Torino" tackles racism head on. Although the main character Walt Kowalski, played by Clint Eastwood, is prejudiced against almost everyone, the film focuses on an Asian neighborhood, uncovering racism and violence. The neighborhood has gone down hill since it has become immigrant-dominated. The house next door is now owned by a Hmong family, a widespread South-east Asian minority, and Walt does not trouble to distinguish them from the Koreans he fought in the 1950s. Throughout the film, we learn Walt had to kill many Koreans as part as his duty as a soldier during that period of time. The film takes a twist when the bitter old war veteran's life takes an unexpected turn after Thao, a shy, teenage boy who lives next door to Walt is bullied by his

Q. What kind of man is Walt Kowalski? Examine character development throughout the film Gran Torino?

Social- Cognitive theory believes that humans are individuals who are capable of proactively making things happen to assist in their own development (Parajes, 2002). In Good Will Hunting, Will Hunting did not believe that he was able to make a positive change in his life. Will is a prodigy, particularly in mathematics, who did not recognize his gift. He was born and raised in the slums, where he is now comfortable. He was abandoned by his parents and in and out of numerous foster homes. He experienced abuse and neglect in these homes. He was not only physically abused but also mentally and psychologically.

In “The Journey to the West,” the monk was accompanied by Pigsy, the Sha Monk, the Handsome Monkey King, and the horse. Each of these supporting characters possess a certain magical ability that assisted the monk on his journey, additionally they had their own flaws. This contrasts the monk, which has no magical ability and was devoted buddhism. The strengths, weaknesses, and backgrounds of these supporting characters encapsulate the idea of buddhism throughout the novel, and by including them and Xuanzang the book is able to summarize the idea of buddhism.

Walt’s oldest son and his wife bring birthday gifts for Walt they think are thoughtful and will make Walt’s life “easier.” Entirely out of touch with Walt and his goals and values, the gifts and retirement home suggestions are rejected, as is their presence. “No one can say we didn’t try” (Eastwood, 2008), but the audience knows better. Had they been more perceptive years ago about Walt’s communication/language culture, their presence would have been the best gift

Clint Eastwood depicts a sense of transformation in protagonist Walt Kowalski from a racist tormented character to a compassionate father figure through characterisation. Protagonist, Walt is perceived as a tough, worn, old man who has had enough of the people around him. He is viewed as a stereotypical irritable old Korean war