A cross-dressing up to no good “rebel”of a solider know as Klinger off the TV show M*A*S*H brings to light the harsh reality of being an unwilling draft solider by trying constantly to be discharged. Klinger plays the portrayal of the archetype of the classic rebel. The Rebel archetype is a very American archetype and is in some ways a definitive behavior of the American individual and is inexorably linked to freedom. Klinger exemplifies this; his whole goal is freedom- more specifically to get out of the draft that he was sucked into. The show takes place in the 1950’s when America was drafting soldiers from the Korean and Vietnam Wars; Klinger wears his insane “uniform” hoping to convince his superiors that he 's mentally unstable. This character portrayal illustrates the cultural stigma of the 1950’s draft. Men who were drafted were expected to serve, but not all men wanted to be drafted Klinger’s character symbolizes the unheard cry of the drafted soldiers. An example of Klinger 's sassy rebel character would be this quote: Klinger singing: Oh, some guys like the army, I think that it 's a mess. If it 's so damned terrific, How come I wear a dress? (“Klinger 's Quotes”, quote 23). In the quote above, he is voicing his distaste for the army as well as him wearing a dress. This quote epitomizes how willing he is to exhibit his protest. The army has very strict rules and Klinger sought to bend and break as many he could. Not only is his end goal (being discharged from
Henry is drafted to fight in the Vietnam war and returns a very different person. Lyman says, “When he came home, though, Henry was very different, and I’ll say this: the change was no good” (Erdrich 4). Henry becomes transfixed on the television set. At one point, Henry bites his lip so hard that blood pours from his wound down his chin and he does nothing but continue to watch the television (Erdrich 4).
The narrator's thoughts when he is around the professor also show that he is often reminded of the Vietnam stereotype. For instance, the narrator thinks, "Slick characters like my professor like it if you're a killer or at least a onetime middleweight fighter" (8). Another example of the narrator making fun of the Vietnam stereotype is when he thinks, "I figured I should have come to work wearing my fatigue jacket and a red bandana around my head". Say 'Man' to him a couple of times, hang a fist in the air for grief and solidarity, and look terribly worn, exhausted by experiences he was fairly certain he envied me" (44).
War covets the aspect of man that is man itself, for it craves to morph them into mere objects and targets. For many soldiers, they succumb to such a fate; being depleted their ability to feel immediate emotion, they develop primitive, animalistic urges of bloodlust during a time of bloodshed. The aspects of war gravely impacts a person, and as such can be seen in O’Flaherty’s character “the sniper,” as well as seen in O’Brien’s character “Private Paul Berlin.” The sniper is a victim to the war’s cold, emotionless embrace. A Republican soldier, he is, divided from his brothers in arms on the other side, the ones called the “Free Staters.” Nonetheless, under the circumstances, they all are pawns to Dublin’s chess table of a civil war, being played at the mercy of the war’s
Tim O’Brien was born in Austin, Minnesota on October 1, 1946 (Glerean). He spent his childhood growing up in Worthington, Minnesota. Worthington is a small town in the southern part of Minnesota. Tim’s father was an insurance salesman and participated in World War II as a sailor (Glerean). Tim’s mother was an elementary school teacher. Tim had an all-American childhood. He loved learning magic tricks, playing baseball, and reading books. He attended Macalester College and graduated in 1968 with a degree in political science (Tim O’Brien). Around the same time he received his diploma, Tim also received an unexpected and unwanted piece of paper: a draft notice (Glerean). O’Brien was against war, but despite this fact he went overseas to fight for America. He felt pressure from both his family and his country to fight in the war. O’Brien went to Vietnam despite his negative attitude toward the conflict. O’Brien fought in the Vietnam War from, 1969 to 1970. “He served in the 3rd Platoon; Company A, 5th Battalion, 46th Infantry
20) O’Brien tells how these young men were drafted which were constantly in fear, they wished to be there obliviously but war takes up all of one’s attention; it played a big role in their life, changing their tactics, personality and becoming a new person. O’Brien uses this to show the stressful moments in war where one has pressure to be alive and in this case to fit in with everyone else and feel part of something, in a lonely place such as the war.
It shows the hardship of a Marine’s first time deployed, and thoroughly shows every aspect the struggle of the physical and mental rehabilitation. It showed how he began drinking and partying in Mexico as a way to cope with his newly developed unpleasant attitude and displeasing demeanor. When he returns to the US as an advocate against the war, it shows the difficulty the protestors endured and how difficult their mission was. When the film ends it shows how Kovic went full circle from desiring to be in the Marines and being a part of the war, to a drunken protestor dealing with his PTSD and how he turned everything around and became a straight-laced advocate against war for the Democratic Party, speaking at the Democratic National Convention (Stone & Kovic, 1989).
This passage helps the reader understand how the emotional burden of uncertain death weighed on the soldier. However, it also acts as a symbol by giving light to the fact that the emotional baggage they carry was brought about by their own fear of humiliation and shame. Many of the soldiers are there only to avoid the persecution that ensued those who evaded the draft. Through the use of symbolism, O’Brien is able to effectively highlight the burdens faced by the soldiers who conformed to the expectations of society.
Harold Krebs personality in the image with his fraternity brothers shows how differently, he was before he joined the Marines. Hemingway spoke of “A picture which shows him among his fraternity brothers, all of them wearing exactly the same height and style collar” (Hemingway 133). In the picture, Krebs seems to be the most popular guy because he was in a fraternity group. It also shows that Krebs was in a place where he was able to connect or conform to his fraternity peers. His fraternity brothers made him feel part of a family. He was excited and enjoyed his life as a college student. Harold Krebs was an ordinary average college boy, but all that changed when he went to war.
The Vietnam War was a psychological and physical battle for all the young men who were drafted or volunteered. Caputo's own reasons for volunteering illustrate the mentality for some of the men entering into this journey. Those who are inducted into Vietnam face disturbing moral dilemmas that can be expected in an "ethical wilderness." The draft introduced a myriad of young men to the once forgotten moral ambiguity of war. Average American citizens must balance right from wrong in a world without morals or meaning. Caputo himself struggles with the idea that killing in combat is morally justified.
In Soldier's Home, Ernest Hemingway paints a vivid picture of Harold Krebs return home from World War I and the issues he confronts while trying to shift his way back towards the ordinary life he once lived. After his battling over seas took place, it took Krebs over a year to finally leave Europe and make his way back home to his family in Oklahoma. After finally finding the drive to come home, Krebs found that it was difficult to express his feelings towards all he had seen during his tour of duty, which must be attributed to the fact that he was in the heart of some of the bloodiest and most crucial battles mankind has ever seen. Therefore, Krebs difficulty in acknowledging his past is because he was indeed a “good soldier” (133), whose
Soldier’s Home is a story about the experiences of a soldier returning from war. The narrative starts with a description of an image or photograph of Harold Krebs. Krebs is the main character of this story. He was a young man who was attending the Methodist College in Kansas before he had to enlist in the Marines to find in the war (Hemingway 111-116). The opening picture is an increasingly significant source of contrast between the young man who went to war and the one who comes back who has become silent and alienated after coming home. Krebs comes back in 1919 even though the war ended in 1918. His return is not marked by celebrations and parades that were often given to the young soldiers who had managed to come home early. Rather, Krebs finds out that the people are not overly excited about his news of the war unless he lies and exaggerates about his role during the war (Hemingway 111-116).
James Webb focuses on three main characters in his novel: Robert E. Lee Hodges, “Snake,” and Will “Senator” Goodrich. The inspiration for these three characters seems to be not the life of any particular historical figure, but rather the common backgrounds of real soldiers who served in Vietnam in general. Characters in the novel are most often developed only after their initial introduction into the story. After introducing a character to the reader, Webb will often follow this introduction with the story of the characters life before the military and how or why he decided to enlist. Those characteristics not mentioned at his introduction or those that change are typically revealed during or after intense, traumatic events, such as near-death experiences or witnessing the death of a friend. Although the novel centers on only three characters, these three characters represent highly prominent reasons that American’s had for enlisting; to continue a family legacy and protect his family’s honor, to escape the steep decline and unhappiness of his life, and by accident or unwillingly being drafted.
Harold Krebs is a man who has gone through a life-changing event and has experienced many consequences made by his own choices and decisions. He then has to come to the understanding that he has to try and rebuild his life as he knew it. Things weren’t working out at his family’s house so he decided to move to Kansas City where he would get a job. This war was a hundred years ago and Krebs came back and had no clue what to do with his life when he got back. The
In a sense, he loses his role but tries to find it by telling stories about the war. However, the role of a soldier in his hometown is no longer “sensational” and he lies in order to find the pattern of soldier. Still nobody listens to Krebs’ pattern and he begins to search out the role through war books finding it “interesting reading”. It seems that Krebs tries to find another pattern to replace this new complicated life of a former soldier.
When people think of the military, they often think about the time they spend over in another country, hoping they make it back alive. No one has ever considered the possibility that they may have died inside. Soldiers are reborn through war, often seeing through the eyes of someone else. In “Soldier’s home” by Ernest Hemingway, the author illustrates how a person who has been through war can change dramatically if enough time has passed. This story tells of a man named Harold (nick name: Krebs) who joined the marines and has finally come back after two years. Krebs is a lost man who feels it’s too complicated to adjust to the normal way of living and is pressured by his parents.