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Characterization : ' The Witch '

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Through characterization the Witch is allowed to have the most contradictions, therefore blurring the rigid binary of good vs bad, an idea ingrained in popular culture for eons, in effect making her the play’s most human character. This is key to de mystifying the Grimm Brothers fairy tale Rapunzel as she is no longer placed in a 2 dimensional mold of evil figure. While her defining moments in the text are marked by unexplained rage, jealousy and retribution lensed with zero objective perspective within into the Woods she is given opportunity to be viewed in a more well rounded way as she is central in everyone else’s story allowing the audiences to experience more of her. Through this there is chance to receive benefit of the doubt from viewers when put next to characters like Jack whom we may have trouble sympathizing with due to his absurd approach to the world and lack of depth. His outlook seems improbable as for example its soaked with blind optimism making Jack believe alone he can fix community wide issues, in this case being a Giant whom has penchant for destroying homes and eating people, not believable to anyone who has navigated the real world. The genius of her interpretation from the Grim Fairytale Rapunzel lies in the clarity of her intentions: she very clearly has no maliciousness in her heart when interacting with Rapunzel from inside her tower making it clear that she views this form of protection best for her almost like a parent. The Witch cares for

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