Chaucers Use of Courtly Love
Chaucer's Use of "Courtly Love"
Chaucer admired and made use of the medieval "courtly love" romance tradition, although he did not fully "buy into it." The "courtly love" code is based on the woman as the center of attention. The medieval knight suffers greatly for his love, who is often someone else's wife. He will do anything to protect and honor her, remaining faithful at all costs. Adultery and secrecy characterize these relationships. The knight views a woman and experiences true love. The knight fears that he will never be accepted by his love; therefore, she is worshiped at a distance.
Elements of courtly love can be seen in both "The Book of the Duchess" and "The Knight's Tale." In "The
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"The Book of the Duchess" was written as an elegy, honoring and celebrating Lady Blanche. In Chaucer's elegy, the Black Knight represents John of Gaunt, while the White Lady represents Lady Blanche. In the deeper meaning of the poem the lovers are married, not in an extramarital relationship. This does not follow the traditional pattern of the courtly love romance. Chaucer strays from the traditional role of the courtly love romance to make the point that marriage is a sacred thing. John of Gaunt truly loved his wife. There is no happy ending to the poem. In the elegy, Chaucer does not try to comfort John of Gaunt. Rather, he honors Lady Blanche, providing a sense of immortality and remembrance through his poetry
In "The Knight's Tale" there are also elements of the courtly love romance. However, this evidence is somewhat hypocritical. In the tale, both Palamon and Arcite fall deeply in love with Emelye, who is quite out of their reach because they have been imprisoned by Theseus, King of Athens. The two men pine over Emelye, declaring their love for her, but realize that neither will ever have her.
"For Goddes love, tak al in pacience Our prisoun, for it may non other be; Fortune hath yeven us this adversitte. Som
Service in love often has a positive connotation which suggests a profound love, whereas possession generally receives a negative connotation suggesting a superficial love. However, Geoffrey Chaucer and William Shakespeare explore in depth the roles of both possession and service in love and reveal to their readers which one is ultimately the superior way to gain love. The stories of “The Knight’s Tale” and The Tempest are different thematically, yet the thread which unites them both expresses similar ideas regarding love, possession and service. Both William Shakespeare and Geoffrey Chaucer show the reader love cannot be claimed; it is earned through service of the heart. By examining the similarities in “The Knight’s Tale” and The Tempest
First, one of the key things that the Medieval stories did to depict the ideal of courtly love
In terms of literary quality, Chaucer went great lengths to give all elements a bit of attention. The work is primarily about a knight who is pardoned from a rape on the condition that he acquires the answer to one of life’s
In Geoffrey Chaucer’s poem, The Knight’s Tale, the author encapsulates chivalrous characteristics in his telling of a battle for love. In its fundamental form, chivalry idealizes a knight’s conduct, both on and off the battlefield (Gregory-Abbott). Chaucer employs this “heroic code [of] bravery, loyalty, and service to one's lord” to illustrate the idillic knight throughout the narrative (Rossignol). Chaucer’s poem, The Knight’s Tale, exhibits the ideals of chivalry in the form of two knights, desperately in love with the same woman, and a wise Duke who embodies the voice of reason. Each knight upholds honor through compassion, troths, and heroism on the battlefield, despite their afflictions with each other.
Two conflicting disciplines are prevalent throughout Arthurian Legend; that of chivalry and that of courtly love. The ideal of each clash throughout the medieval tales, and it is impossible to interfuse the two models for society. Chivalry is a masculine code, an aggressive discipline, whereas courtly love is based upon women - their needs, wants, and desires. The consistent problem if Lancelot and Guinevere’s adulterous relationship in different tellings of the affair relates back to the differences presented in chivalric code and courtly love ideals.
The conventions of courtly love stem from the precise chivalric code of knights in the Middle Ages and passionate romances of European medieval folklore. Fantastic tales of dauntless knights and their fair damsels, often set in King Arthur’s kingdom
In Chaucer’s “Franklin Tale” the plot revolves around a married couple: the knight, Arviragus, his young wife, Dorigen, and a young squire, Aurelius who importunes and attempts to Dorigen. The characters can be said to oscillate between desire and their ego honor which affects what they say and do. Lacan’s definition of desire tells us that we desire for recognition from this “Other.” Our desire is to become what the other person lacks. Duby’s model of courtly love is a concept that focuses on chivalry, nobility and women being at the center. In this paper, I will examine what the story reveals about the relation each character has to his or her desire, how they act in accordance to their desire and the role magic or illusion plays in the plot and how it affect characters’ relation to desire.
Throughout literature, deep relationships can often be discovered between a story and the author who writes it. Relationships can also be found in stories about a husband and wife. In Geoffrey Chaucer's The Canterbury Tales many of the characters make this idea apparent with the stories they tell. In “The Pardoner’s Tale”, a distinct relationship can be made between the character of the Pardoner and his tale of three friends. Also, the Wife in “The Wife of Bath’s Tale” boldly declares her relationship towards her husband.
The ‘love’ in their situation could also be said not to be love at all
Though the characters, social ranks, and circumstances are different in each and every one of the stories mentioned, there are some repeating themes. Love is a theme presented in all of the examples. In Chaucer’s the “Canterbury Tales,” the “Wife of Bath Tale” ended with the questionable love between the rapist and the crone, and “The Wife of Bath’s Prologue” offered interesting interpretations on love through the numerous marriages of the wife. In “Sir Gawain and the Green Knight” love was presented as Sir Gawain fought out of love and dedication for his uncle, the king, he fell in love with his friend’s wife, and realized the foolhardiness of loving another man’s wife and wore the green band as a symbol of his disappointment. In “Morte Darthur,”
In "The Knight's Tale", the love between the two knights and Emelye is intensely powerful. The love that Palomon and Arcite feel towards Emelye is so strong that the two knights feel that it is worth more than
Chaucer’s most brutal attack was on the high ranking class and nobility, his use of satire allowed for him to make accusations of their lack of accountability for their actions. This concept was outlined in the Wife of Bath’s Tale, where a young knight physically assaulted a maiden the instance was brought to a court of the king and the knight was then sentenced to execution. The queen, however, chose to spare the knight’s life if he was able to find what women desired most within one year. He returned to the court a year later and revealed that women wanted freedom more than anything, and in return he was forced to marry an old lady that revealed the secret to him. This was what taught him the ultimate lesson. The old lady made a deal with the knight, he could have her old and ugly, but loyal or he could have a young and beautiful wife that he could not trust; when presented with the choice the knight chose to let the woman decide. “The knight thought long, and with a piteous groan at last he said, with the care in life, “My lady and my love, my dearest wife, I leave the matter to your wise decision. You make the choice yourself, for the provision of what may be agreeable and right in honor to us both, I don't care which; whatever pleases you suffices me.” (lines 374-381) The knight has learned that he cannot control his wife and have her love him, as a result of this revelation the lady changes herself into a loyal and beautiful wife. This lesson
love” makes evident Chaucer’s skewed views of love and marriage with underlying tones of misogyny. He expresses these views throughout the work, however, the theme of love and sex is most evident in the sub-stories of The Wife of Bath and The Miller’s Tale.
During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.
A romance requires the telling of a true story in remote places and times. The Knight’s Tale begins with the lines “Once upon a time,” to retell the old events of Theseus in the ancient city of Athens (24). The Knight’s tale meets the requirement of a medieval romance in the first sentence, as it opens with a tale of a far off land in ancient times. Idealized aristocratic conduct, another requirement a medieval romance must meet, becomes present