The Chorus in Sophocles’ Antigone plays an interesting role in the sense that, not only do they serve as characters in the story, but they also as a party able to interact with the audience. They function as a personification of Sophocles’ own opinions in the major conflict between Creon and Antigone of which authority ranks higher: man, or gods. However, as they are also characters this insertion of the playwrite’s is not jarring. By the end of the play, it is evident that the Chorus mostly on the side of Antigone.
The characters of Antigone and Creon are representations of competing types of authority. Antigone embodies piety and the divine right to rule the gods have over humanity. Creon, on the other hand, is the personification mankind and its desire to
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However, this does not mean that they necessarily agree with what he is saying. In fact, many of the responses the Chorus say to Creon that could be construed as them agreeing with him are actually fairly noncommittal. When Creon asks the Chorus to not side with those who want to see Polyneices buried, their response is, “There is none so foolish as to love his own death (line 239).” They do not claim that they agree with Creon’s punishment, simply that no one would be stupid enough to go against the king. The Chorus then suggests the mysterious burial of the body may in fact be “the work of the gods” before Antigone ever brings that idea to their attention. When Antigone is brought in for her crime, the Chorus discusses the reasoning behind her actions, “There is a certain reverence for piety. But for him in authority, he cannot see that authority defied (line 927).” They believe that Antigone should be respected for upholding the will of the gods, and only disagree because she should know better than to go against the authority of the
The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the
When a messenger comes to Creon, bringing the news that Antigone has buried her brother, he begins his arguments why Antigone has broken the law. He begins by stating that a man shows what he is made of by his "skill in rule and law." In other words, the law is everything and as a ruler, he must do everything for his country. He considers Polyneices an enemy of the city and a threat to the security of the city as well. Thus Polyneices will be called a traitor in life and in death and dishonored. The scene when Antigone and Creon face each other is the opportunity for both to defend themselves. Creon questions Antigone. She bases her responses on that the city laws proclaiming her as illegal are not the laws of Zeus or laws proclaimed by gods, but rather, laws made by a man that one day will also die. She will honor her brother's death because this is what the gods have proclaimed for all mankind. (lines 460-463)
First, Creon plays a significant role in the plot of Antigone. He, of course, is the center of the plot. It develops mostly around his actions. For example, Creon could have had the chance to live “happily ever
The Chorus’ idea of wisdom is that there is no happiness without wisdom. If you do not act wise and think wisely about your actions you will never experience happiness. Since Creon did not think thoroughly about the consequences for burying Antigone he was left to a life of pain and misery. If he thought of a way to punish Antigone without upsetting the Gods and Thebes, the outcome of Antigone might have been better for Creon. He might have never lost all the things he held dearest and let down everyone that looked up to him.
Antigone’s words, actions and ideas contrast with Creon’s characters to the point of these two characters having conflicting motivations. These Conflicting motivations cause the characteristics of abomination, discourteous, and egocentric to be highlighted within Creon’s character. Ultimately, these conflicting motivations develop Creon a tragic hero by his downfalls, how he’s been aggressive, and also when Haemon and Antigone killed their selves.
The first article I read was “Sophocles’ Antigone and the Self-Isolation of the Tragic Hero” by Elizabeth Bobrick. After reading this article I have gained more information on how Antigone and Creon were similar. For example, in the article the author talks about how Antigone and Creon both isolate themselves from their family. It is also mentioned in the article how both Creon and Antigone accuse each other of being wrong which I find ironic because both characters always believed to be right due to their high egos. It is also mentioned that Antigone immediately identifies herself as a hero girl giving more reasons to why she is so egocentric. Creon tries to destroy his Philoi meaning family because he felt dishonored by Antigone who was wanting
Throughout the story, both Antigone and Creon are symbols of the theme of pride and power that is shown throughout the story. In Antigone, the theme of pride affects the plot because if Creon was self-less rather than being prideful, he would have understood Antigone’s following of the unwritten laws and accept her feelings, which would prevent her suicide. In conclusion, while there are multiple themes that appear throughout the play, pride and power are both the most
Antigone believed that the actions she took were done for the right reason, because they adhere to the law of the Gods. In opposition to that, Creon believes that the actions he had taken were in fact the right ones, because he believed that Polyneices was a traitor to the land, and that anyone who should give him a proper burial would suffer the penalty of death. So, the actions that were taken by both of them individually were the right ones, in their own minds at least.<br><br>Antigone, in her plan to give her brother Polyneices a proper burial, kept in mind the consequences that she would suffer for having followed through with the plan. This doesn't necessarily mean that Antigone does not obey the human law that is set up by King Creon, it just means that this particular rule conflicted with the law of the Gods, something that Antigone believes highly in obeying, especially when it deals with her family. Antigone disregards the Olympian Justice that governs the land and also presides over the set laws that make civilized life attainable (Segal "Antigone" 172).<br><br>Antigone goes up against human law, by burying her brother Polyneices, knowing well that she will have to sacrifice her own life. She does this only because it is morally and ethically right, and this is why she stakes her life based upon her strong beliefs (Segal
He says that Polynices used to harm her father Oedipus the King and the brain to all of this was Eteocles. During the argument Creon talks about happiness, but Antigone spits on his idea of Happiness. Antigone believes in what she thinks. She never is non-believer in what she thinks.
Some of the times the Chorus speaks in this drama, it seems to side with Creon and the established power of Thebes. The Chorus's first speech (117–179) describes the thwarted pride of the invading enemy: The God Zeus hates bravado and bragging. Yet this encomium to the victory of Thebes through Zeus has a cunningly critical edge. The Chorus's focus on pride and the fall of the prideful comments underhandedly on the willfulness seen in Antigone and will see in Creon. In Creon's first speech, where he assumes the “Now here I am, holding all authority and the throne, in virtue of kinship with the dead” and reiterates his decree against the traitor Polynices (191-192). In lines 308-309 the Chorus says to Creon “My lord: I wonder, could this be God’s doing? This is the thought that keeps on haunting me. The Chorus is questioning Creon if it could be the doing of God who buried Polynices, Creon replies; “Stop, before your words fill even me with rage that you should be exposed as a fool, and you so old. For what you say is surely insupportable when you say the gods took forethought for this corpse” (310-313).
Antigone retaliates by saying that his law is not that of the Gods so it does not stand. He wants to have Antigone killed, but his son his her fiancé. He tries to explain to the king that the gods would have wanted Polyneices to be buried and that Antigone did the right thing that she should not be punished for it. Creon’s hubris however comes out yet again. He will not even listen to a word his son has to say; however now he does not want to kill her, but to send her away into a tomb, where the Gods can determine her fate.
The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them
Creon and Antigone are both different in some way , Antigone is a strong willed girl. That has high respects for everybody except Creon. Antigone became depressed when her brothers fought with each other. Antigone is very bold and believes that women are strong, they should be treated the same, and believes that men and women are equal. Creon , a older selfish and centered king of Thebes, extremely cruel, wants a lot of money.
In Antigone there are many examples of love and war throughout the play. The chorus plays a big role in explaining how love and war both take place. Love and war can not only be seen by the plot of the story, but can also be observed within many of the characters. Love is shown for the dead and other family members, war is shown by suicide, and people standing up for themselves and what they believe in. The are many examples of the characters showing the love that they have for one another, but the struggle that they have with war within themselves is also shown. Throughout the play love and war are shown in the way that Antigone, Haimon, and Creon show their feelings about many different things and each other.
Another difference which can be spotted throughout the play is the projection of emotions that the two give off. Antigone seems like more of a fervent, headstrong individual. Creon, on the other hand, sends readers more of an emotionless and insensible