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Cinematic Appropriations of The Great Gatsby Essay

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Cinematic Appropriations of The Great Gatsby

Although Paramount's 1974 version of The Great Gatsby - the one with Robert Redford and Mia Farrow - is probably the most famous, there have actually been six attempts to flatten Fitzgerald's novel into two dimensions. The first was a silent film released in 1926. The second version, with Alan Ladd as Gatsby, appeared in 1949. Two television adaptations followed, one with Robert Montgomery in 1955 and the other with Robert Ryan in 1958. The controversial 1974 adaptation rings in at number five. The sixth version of Gatsby is slated to run on the A&E cable network early next year - Mira Sorvino will play Daisy and Toby Stephens will star as Gatsby. Six! All lacking. All …show more content…

I'd love to play Jordan Baker - I know just how I'd do it! I'd be brilliant!

Any given production of Gatsby is more important than the product, the film itself. Everyone involved gets to live out his fantasy, gets to be Jay Gatsby or Nick Carraway or Daisy Buchanan for a few weeks. Whether he knew it or not, Fitzgerald wrote out the charter of Hollywood. Everyone is young, rich, beautiful, and bursting with hormones. Everyone has some secret he will eventually, painfully reveal. Sure, The Great Gatsby is an American novel. We all identify with Fitzgerald's characters - but Hollywood stars are his characters.

The 1926 version of Gatsby is all but lost, as are the two earlier television adaptations. [3] Remaining criticism of the film centers around poor direction and over-reliance on subtitles. Yet something about this production struck a chord. Gene Phillips reports:

Perhaps the strongest praise accorded the silent film of Gatsby came from Fitzgerald's friend and fellow novelist John O'Hara, who had a certain predilection for the picture. Writing many years after he first saw it, O'Hara said, 'Even now I can remember my exultation at the end of the picture when I saw that Paramount had done an honest job, true to the book, true to what Fitzgerald had intended.' Some time after the advent of sound, O'Hara even tried to buy the screen rights of Gatsby ,

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