Clarissa's Excessive Pride

The character was illiterate and thus excluded her from others. In the beginning of the story, the shame from the daughter and others was made prevalent as the author wrote “I learned to be ashamed of my mother” (58). The shame and prejudice began to grow when the mother goes to the school to register her daughter. The mother needed and asked for help when she was filling out the forms that were required for her daughter to go to school. The author wrote “The women asks my mother what she means . . . The women still seem not to understand. ‘I can’t read it. I don’t know how to read or write,” (60) showing that the women the mother was asking for help, did not understand her question, because her ignorance of other people. Her poor understanding of the question clearly made the mother feel even more ashamed of herself. The author goes on to write “My mother looks at me, then looks away. I know almost all of her looks, but this one is brand new to me.”(61) exhibiting how the mother never felt so ashamed and embarrassed in front of her daughter. Once the woman realizes that she was on a higher “level” than the mother, she agreed to help, the author wrote “and suddenly appears happier, so much more satisfied with everything”(61). The mother was being ridiculed and humiliated by the second, as the other

In Mrs. Dalloway Clarissa and Septimus smith have various similarities. Clarissa eventually triumphs over her issues/depression in her life unlike Septimus that eventually loses and commits suicide. Mrs. Dalloway an upper class 50 year old British wife the central character of the novel, struggles constantly to balance her thoughts and world. Her world consists of a fabulous lifestyle such as fine fashion, parties, and aristocratic society, but as she the novel goes on she looks beneath the glamour of her life and searches for a deeper meaning. Looking for privacy, Clarissa has a tendency toward introspection that gives her a capacity for emotion. She is always concerned with appearances around other people and no matter the pressure she keeps herself composed. She uses a lot of useless talking and activity to keep her ideas and emotions safe and locked away, which can make her seem shallow even to those who know her well.

Connie does not have any control over what people do to her, however, the criticism she takes from her mother whenever she compares her to her sister June combined with her mother’s insults gives Connie a low self-esteem and insecurity about herself; she thinks she is “less worthy” because of this and makes her think her beauty is everything, that she is nothing without it.

With a name like Tris (short for Beatrice) Prior, the heroine that Shailene Woodley plays in this sci-fi thriller is custom-built to be a young-adult role model. She begins the film, derived from Veronica Roth's debut novel, with a major dilemma.

This form of satire is more mild in nature, and is often used to arouse amusement in people. In this piece, Pope uses a story about a woman who gets a lock of her hair chopped off to ridicule social pretension and vanity. Although this form of satire is not as harsh as Juvenalian satire, it is much easier to interpret, and not to be taken so seriously. This however, can make the point seem less serious, as it will be addressed in a comical way. However, this poem is effective in its own way at getting its point across. One of the important elements that speaks in the poem is the speech made by the character Clarissa. In her speech, she questions why a society that places emphasis on beauty in women cannot emphasise good humor. This speech is often interpreted at the main moral of the story, that people often react too much to silly things, like losing a lock of hair. For this type of topic, this form of satire works very well, as harsh ridicule is not needed to point out

Throughout her life, novelist Virginia Woolf suffered with mental illness, and she ultimately ended her life at age 59. As art often imitates life, it is not surprising that characters in Woolf’s works also struggle with mental illness. One of her novels, Mrs. Dalloway, recounts a day in the life of Clarissa Dalloway, a high society woman living in London, and those who run in her circle. As the novel progresses the reader sees one of the characters, Septimus, struggle with post-traumatic stress disorder brought on by serving in war. At the end of the story, he commits suicide. While there is no explicit articulation of any other character suffering from mental illness in the novel, Septimus is not alone. Through her thoughts and actions, we can deduce that Clarissa also endures mental and emotional suffering. Though Clarissa does not actually attempt to end her life in the novel, her mental and emotional suffering lead her to exhibit suicidal tendencies. To prove this, I will examine Clarissa’s thoughts and actions from a psychological perspective.

The children in the neighborhood are probably the most influential people in Sylvia’s life, since she is around them most frequently, and they are her peers. They too seem to come from the same kind of background as Sylvia—poor, defensive,

Connie felt not worthy of her mother, she felt she was less than her sister, yet she knew she was better than her sister June. Connie’s mother spoke about June so positive and so negatively about Connie, still, Connie knew she was prettier and better than June. Connie needed the reassurance even if it was from herself. “She was locked inside it the way she was locked inside this house.” Additionally, Connie feels locked inside herself, she is locked in her comfort zone, where it was fun and games. Connie soon realizing that this Friend guy is no fun but scary games. She wanted to stay at home where that other guy treated her, where she knew she was better than June, where her mother and father could help her. Now, there was no help no light in the day time, all she saw was darkness and evil in Friend’s eyes.

Another small but important window scene takes place after Clarissa returns home to discover that her husband has been invited to Millicent Bruton’s lunch party but she has not. After reading the message about the party on a notepad, she begins to retreat upstairs to her private room, “a single figure against the appalling night.” As she lingers before the “open staircase window,” she feels her own aging, “suddenly shriveled, aged, breastless… out of doors, out of the window, out of her body and brain which now failed…” Again, there is a hint of danger as death is portrayed as a somewhat alluring transcendental experience,

In the novel Mrs Dalloway, Woolf conveys her perspective, as she finely examines and critiques the traditional gender roles of women in a changing post-war society. Woolf characterisation of Clarissa Dalloway in a non linear structure, presents a critical portrayal of the existing class structure through modernist’s eyes. Titling her novel as Mrs Dalloway presents Clarissa’s marriage as a central focus of her life, drawing attention to how a women’s identity is defined by marriage. Despite the changing role of women throughout the 1920s, for married women life was the same post war. Clarissa experiences ‘the oddest sense of being herself invisible…that is being Mrs Dalloway…this being Richard Dalloway,”

At the Clarissa Ballroom the guests flood in, and everyone separates into their normal cliques; the mothers and aunts sit together at a table gossiping, the grown men all gather in an open area near the door and start complaining about the latest Vikings game, the younger kids start running around the tables and blowing out candles, and all the others separate, talking about how lovely the service was. Then there are always those few individuals who walk in and do their own thing. Aunt Bessy, for example, is taking her time looking over what will be served for supper, planning out each plate with such detail that her mouth begins to water in anticipation.

Clarissa and Septimus both feel trapped in their lives and oppressed by the people around them, which leads to them find ways in which they can escape the negative world around them. Clarissa is described to the reader as having “a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very dangerous to live even one day” (Woolf, 17). Even as Clarissa walks down a crowded street the sense of loneliness controls her mind. Societal oppression of loneliness makes her feel distant from the rest of society. She describes herself as, “no longer being Clarissa, but simply Mrs. Dalloway” (Woolf, 11). Clarissa has lost a sense of herself and feels as though she no longer fits in. However, her parties serve as an escape from the outside world, which helps to explain why she loves

From the beginning of Mrs. Dalloway, Woolf establishes that Clarissa’s bright and hopeful spirit has become dulled and burdened when subjected to the oppressive nature of marriage. During a glimpse into her younger years, the reader is able to see Clarissa. With each flashback into Clarissa’s youth, the reader is provided another image of Clarissa before marriage, one that highlights her passion and curiosity for life. While Clarissa felt a passion and connection with Peter, she could not bear to live in a marriage where her freedom was something she had to sacrifice. The decision she makes is logical in some ways, but her choice also brings into question the fault of her marriage in the first place. In Clarissa’s world, the option for passion and the security of her freedom was not available nor would it ever be; therefore, she was forced to choose between the two. Men, however, were not forced to make such decisions and were given the liberty to wait well into their later years to find a spouse suitable to their liking. By choosing to marry Richard over Peter, Clarissa forsook the option of passion in

The effect of Sally on Clarissa's life runs deep, as she is a close friend as well as a physical attraction. In fact, in

Throughout the novel, there are flashbacks of Clarissa spending her summer at Bourton and her living in the present of wartime Britain. This is significant because most of the time Clarissa reflects on the past and she connects it to her current life while all of these events are happening in a single day. In the beginning of the novel Clarissa buy flowers for the party she is hosting later on in the evening, the flowers being symbolic in the novel representing her love and joy for them. “How fresh, how calm, stiller than this of course, the air was in the early morning; like the flap of a wave; chill and sharp and yet (for a girl of eighteen as she then was) solemn, feeling as she did,