Claude McKay's If We Must Die
One of the most influential writers of the Harlem Renaissance was Jamaican born Claude McKay, who was a political activist, a novelist, an essayist and a poet. Claude McKay was aware of how to keep his name consistently in mainstream culture by writing for that audience. Although in McKay’s arsenal he possessed powerful poems. The book that included such revolutionary poetry is Harlem Shadows. His 1922 book of poems, Harlem Shadows, Barros acknowledged that this poem was said by many to have inaugurated the Harlem Renaissance. Throughout McKay’s writing career he used a lot of dialect and African American vernacular in his writing, which was rather controversial at the time. Writing in dialect wasn’t
…show more content…
If we as humans die in whatever situation arises, let it not be like an animal, inhumane, without a name and unjust. “If we must die, O let us nobly die”, and eventhough the person might be by far outnumbered, beaten and maimed not to sit there and take the punishment. That there last breaths is one of victory because the person never stopped fighting back. Erasing the idea of passive resistance which made such people like Gandhi and Martin Luther King Jr. known for. Although the poem had a universal appeal, McKay published this poem through one of the fiercest times for African Americans. There were severe racial problems with Blacks and Whites through out sparking violence. In 1919 they’re where countless race riots in Harlem and all over the United States. This poem could have even fanned the flame that the race riots started. This poem itself moved people to stand up for themselves and I don’t doubt that it did. This poem can easily be read today and appeal to today’s society. It seems that there will always be an oppressed group, that is something we can’t escape from. If the poem “If We Must Die” were read today, I feel it would move countless people into action. Especially now where there are a lot of problems with the New York City police department. The Police department’s using tactics of racial profiling, countless shootings, and deaths of young African American and Latino men. No matter what decade we live in, same rules seem to apply. Their will
Claude McKay was a black man born in Jamaica, he choose literature very on in life and kept with it. He moved to the United States at age twenty three to study at Tuskegee Institute and was immediately shocked by the blatant racism prevalent in Charleston, South Carolina. He moved to New York and shortly after became co-editor of The Liberator, a famous abolitionist newspaper, he wrote some of his most revered poems while working there. He was part of the Harlem Renaissance a movement that was a reawakening of artistic and cultural talents of African American people in the United States and helped to reinvigorate their pride in being black.
During the Harlem Renaissance, many African Americans struggled through a shifting period in time from slavery to equality. Some African Americans expressed their feelings at that time through poetry such as “Yet Do I Marvel” written by Countee Cullen and “If We Must Die” by Claude McKay. In “Yet Do I Marvel” Cullen writes about how the struggles he is facing relate to God and how he is being punished. McKay’s poem is slightly different; he emphasizes the idea of dying an honorable death for his freedom. These two poems are classic examples of how some African Americans felt during the Harlem Renaissance.
Clearly provocative and even chilling, “If We Must Die” by Claude McKay stirs deep and powerful emotions in any who reads it. A poem inspired by violent race riots, it serves as a motivating anthem representative of an entire culture. Graphic and full of vengeance this poem is demanding action, not telling a story. McKay utilizes imagery to its fullest extent creating an end result which any man or woman, black or white, who has ever felt the hard and hateful hand of oppression can relate to.
Claude McKay’s poems reflect on American culture during a specific time in history, known as Harlem Renaissance. A time where racism was predominately a way of living for many, this was a beneficial time in history for African Americans. Bringing blacks together in a new movement that had not been present in America. Development in which blacks emphasized themselves by taking on their racial identity. It was a time period in which the black community helped each other to be able to express themselves as who they truly are, creating a true African American visual doing so
The Harlem Renaissance is an important time in American literature. There were writers at this time like Wallace Thurman, Zora Neale Hurston, and Langston Hughes. Langston Hughes wrote many poems such as the “The Negro Speaks of Rivers” and “The Weary Blues.”
In conclusion, the poem was used as a key to unlock some of the thoughts the negro had concerning Africa. The negro in this poem was a representative of all negroes during this time; their thoughts and the their feelings toward Africa. Cullen’s usage of the literary devices allow for an effective expression of the meaning of this poem. Poems are intensified language of experience, so the devices assured the connection of the reader to the poem and the experience. This applies to many issues in society today because as beautiful as our country is there are still dark clouds that cover the very essence of what the states once stood
In the poem ,“America”, Claude McKay uses figurative language and diction to create a dark tone, a powerful empowering tone, and an optimistic tone. The theme of double consciousness of African-Americans is supported in the poem and the poem itself also connects to the purpose of the Harlem Renaissance which was to fight back racial hate and stereotypes with black empowerment.
Langston Hughes and Claude McKay share similar qualities in their respective poems “I, Too, Sing America” written by Hughes and “America” written by McKay. These poems, though different and unique in style, share common characteristics that make each poem a classic piece of American literature. Hughes and McKay, both African American males, were very notable during the Harlem Renaissance period. Both writers express their views on their individual African Americans perceptions in America in these poems, through their use of diction, tone, theme.
The Kansas City Call summed up the general mentality of African Americans during the 1920s with the statement “The New Negro does not fear the face of day.” (pg 118) Unlike the old days of slavery, African Americans had become more radical towards their oppressor and were beginning to organize as a people. Harlem Renaissance poet Claude Mckay embraced the “New Negro” archetype in his work by stating “If we must die, let it not be like hogs/ Hunted and penned in an inglorious spot….. Like men we’ll face the murderous, cowardly pack/ Pressed
Poetry became a primary medium by which African-Americans could explore the "new Negro" identity that flourished during the Harlem Renaissance (Academy of American Poets). Countee Cullen, Claude McKay, Langston Hughes, Jessie Redmon Fauset, Georgia Douglas Johnson, and Gwendolyn Bennett are among the literary greats of the Harlem Renaissance. Although each poet cultivated a unique style, there
All three of the poems discussed in this essay relate to the struggles suffered by African Americans in the late 18th century to the early 19th century in many different ways. They had to live under harsh
During the 1920’s a new movement began to arise. This movement known as the Harlem Renaissance expressed the new African American culture. The new African American culture was expressed through the writing of books, poetry, essays, the playing of music, and through sculptures and paintings. Three poems and their poets express the new African American culture with ease. (Jordan 848-891) The poems also express the position of themselves and other African Americans during this time. “You and Your Whole Race”, “Yet Do I Marvel”, and “The Lynching” are the three poems whose themes are the same. The poets of these poems are, as in order, Langston Hughes, Countee Cullen, and Claude Mckay.
Claude McKay was a Jamaican poet who brought hopefulness to the oppressed during the Harlem Renaissance in his poem, “If We Must Die”. McKay experienced the hardships that colored people were going through because of their race and nationality. He believed that the people should fight for what they believe in, even if it seems like a hopeless cause. McKay uses the concept of dying with dignity to persuade his fellow African-Americans that are being oppressed to fight for what they believe in.
1. Author’s role and importance within the Harlem Renaissance. The poem Harlem Shadows was written by Claude McKay, and it clearly describes a lot that happened in the Harlem Renaissance period. It was the transition period between the olden time and the time that Harlem experienced a revolution of just about everything ranging from culture in general to social activities to a revolution in music.
Many people have both feared and questioned death throughout the ages but when it’s time to die, two kinds of people emerge: those who accept it and wait to die, and those who keep fighting. Dylan Thomas describe the importance of continuing to fight in his poem “Do Not Go Gentle Into That Good Night”, which he wrote for his dying father. Firstly, there is lots of symbolism in the poem, which helps to develop the theme of never giving up. Secondly, the author uses many literary devices, which help to develop the main theme of the text, which is to never stop fighting. Lastly, there is lots of imagery used to help develop the theme of persevering until the end even more. Death is all around us but it is important to persevere and keep fighting