Imagery in Frost's Acquainted with the Night and Sexton 's Her Kind
In order to maximize meaning and overall total effect of a piece of work, writers use various literary devices. These techniques enhance the author's work and add a dimension that results in higher reader satisfaction. Throughout the poems I have read this quarter thus far, I have discovered the use of imagery as a prominent source of literary embellishment. In particular the image of night is used in poems "Acquainted with the Night," written by Robert Frost, and "Her Kind," written by Anne Sexton, to portray a dark and lonely tone. All through both poems there is a dark feeling due to word selection and associations to evil
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In the poem "Her Kind," by Anne Sexton, the same feeling of loneliness is achieved through association with the night. The image of night has the same quality of being rejected by society, and outcast because of the disconnection with people. Night is seen by the world as a time to sleep and be within ones' own thoughts and dreams. For the speaker to be up and about signifies that she is alone while the world sleeps. Therefore she must be lonely. Using night as the setting but not totally describing every little detail, creates a sense of unknown. The witch in this case is spooky and misunderstood and is unable to participate in daily activities so she must take shelter of the night in order to do her evil business. Night allows the concept of a witch to take its full affect. Witches are almost always associated with the night. Especially when it is a wicked witch. Witches are ugly so they must travel at night
The Great Gatsby is a novel by F. Scott Fitzgerald about Jay Gatsby, the embodiment of a rags to riches narrative, and his undying love for Daisy Buchanan. Told in the point of view of friend Nick Carraway, we learn about Gatsby and the lengths he would go to for love. “Winter Dreams” is a short story by F. Scott Fitzgerald about Dexter Green, another character who went from rags to riches, his love for Judy Jones, and dreams of being rich. “Winter Dreams” is a prototype of The Great Gatsby because the characters in both works are similar in that Dexter resembles Gatsby, they both cover the theme of time, and the topic of unrealistic love in both of the stories is similar.
The experience of darkness is both individual and universal. Within Emily Dickinson’s “We grow accustomed to the Dark” and Robert Frost’s “Acquainted with the Night,” the speakers engage in an understanding of darkness and night as much greater than themselves. Every individual has an experience of the isolation of the night, as chronicled in Frost’s poem, yet it is a global experience that everyone must face, on which Dickinson’s poem elaborates. Through the use of rhythm, point of view, imagery, and mood, each poet makes clear the fact that there is no single darkness that is too difficult to overcome.
The author uses imagery in the poem to enable the reader to see what the speaker sees. For example, in lines 4-11 the speaker describes to us the
The two poems “Stopping By Woods on a Snowy Evening” and “Acquainted with the Night” written by Robert Frost are very similar to each other because of the simplistic form of language used and the uses of metaphors. When we first read the poem, it looks like an ordinary poem but once we go in depth and understand the meaning, it becomes so much more. Both of the poem has a very dark, gloomy and lonely setting with a really mysterious tone. There are different metaphors used in each poem to symbolize death; “Sleep” in “Stopping By Woods on a Snowy Evening” and “Night” in “Acquainted with the Night.” The characters in the two poem are both in a journey and has come
In Emily Dickenson's "We Grow Accustomed to the Dark," and in Robert Frost's "Acquainted with the Night," the poets use imagery of darkness. The two poems share much in common in terms of structure, theme, imagery, and motif. Both poems are five stanzas long: brief and poignant. The central concepts of being "accustomed" to something, and being "acquainted" with something convey a sense of familiarity. However, there are core differences in the ways Dickenson and Frost craft their poems. Although both Dickenson and Frost write about darkness, they do so with different points of view, imagery, and structure.
Darkness is a recurring image in literature that evokes a universal unknown, yet is often entrenched in many meanings. A master poet, Emily Dickinson employs darkness as a metaphor many times throughout her poetry. In “We grow accustomed to the dark” (#428) she talks of the “newness” that awaits when we “fit our Vision to the Dark.” As enigmatic and shrouded in mystery as the dark she explores, Dickinson's poetry seems our only door to understanding the recluse. As she wrote to her friend T.W. Higginson on April 15, 1862, “the Mind is so near itself – it cannot see, distinctly”(Letters 253). In this musing, she acquiesces to a notion that man remains locked in an internal struggle with himself. This inner
At a first glimpse, it is common to overlook the difference between a character who only wears black to one who only wears white, yet the color of a character’s clothes reveal much more than a mere color preference. First of all, white is a symbol for life and purity while black represents death and evil so it is safe to assume that the character who wears black condemns himself to a miserable fate while the one in white blooms with cheerfulness. The decision of a poet to embed symbols into their works is not accidental. Symbolism gives a new dimension to the meaning of a literary work. The symbolism employed in the poems “A Noiseless Patient Spider” by Walt Whitman, “The Road Not Taken” by Robert Frost, and the “The Sick Rose” by William Blake portray the author’s purpose of loneliness, decision making, and the corruption of secret love.
Emily Dickinson , a private American poet , whose poems made a lot of metaphorical references had her poems exposed by her younger sister right after she died. As a child Dickinson lived most of her life in isolation which gave her time to write a lot of things like letters and poems like “Before I Got My Eye Put Out” and “We Grow Accustomed to the Dark”. Most of her poems aren't literal. They are written in metaphorical ways to make you think. Like her poem “Before I Got My Eye Put Out” , I think this poem is referring to how she wanted to explore the world , but later realized that she would be safer inside where there was shelter and protection. In her poem “We Grow Accustomed to the Dark” I think she refers to how she lost somebody that she was close to , and the problem she encountered along the way as they were gone. Both of these poems are alike in a way that they both talk about losing or giving up on something. In “Before I Got My Eye Put Put Out” the speaker reacts to the loss by giving up and not trying anymore. I think speaker in “We Grow Accustomed to the Dark” would react differently and actually try to explore the world and go on an adventure.
"The best and most beautiful things in the world cannot be seen or even touched-they must be felt by the heart" Helen Keller once said.The poems I am analyzing is Ode To Enchanted Light by Pablo Neruda and Sleeping in the forest" by Mary Oliver.In "Ode to enchanted light", poet Pablo Neruda touches upon, passion for life, nature, and the world.The author uses this through the use of metaphors, similes, and personification.In "Sleeping in the forest" the author touches upon elements of nature.The author also uses similes, personification, and etc.
“We grow accustomed to the dark” talks about sight in a literal and metaphorical sense. Emily Dickinson has a great way of making the readers really think about what they just read. Not only is the poem powerful and intriguing, you question what you
The poem, "The Night House" by Billy Collins, is very symbolic and meaningful, and most people can relate to because everyone has something they are not content with in life. Collins is a great, straightforward writer that people can depict with in his poems because he is practical and uses simple things or everyday experiences in an easy way. This poem in particular is very symbolic and effortless to analyze because it is the everyday life--- going to work, coming home, and then going to sleep--- the cycle then repeats over and over. He talks about "the body works" at the beginning (which sets the tone for the rest of the poem), which symbolizes that our hearts and minds are not always into what we are doing. He talks and illustrates figurative parts of the body: the heart, mind, conscience, and soul. When he talks about the woman sleeping, all these figurative body parts are restless and come out at night to do what they really want to do.
Melville, Poe, and Hawthorne all tend to focus on the darker side of humanity in their writings. In order to allow their readers to better understand their opinions, they often resort to using symbolism. Many times, those symbols take the form of darkness and light appearing throughout the story at appropriate times. A reader might wonder how light functions in the stories, and what it urges the reader to consider. If we look carefully at these appearances of light, or more likely the absence of it, we can gain some insight into what these "subversive romantics" consider to be the truth of humanity. Hawthorne uses this technique to its fullest; however, it is also very
Many Romantic poets embrace the concept of self -expression through the use of imagination to convey their personal visions of love and life. The power of emotion is evident in Lord Byron's poems. It can be possible that light can be emitted through the darkness of night. In his poem, "She Walks In Beauty", Lord Byron epitomizes the balance between two opposing forces. The two forces involved are the darkness and the light at work in a woman's beauty both internal and external. Throughout the poem, Byron uses imagery through the visual senses that allows us to observe the symmetry between a woman's beauty and the mixing of the darkness and light.
“Acquainted with the Night” by Robert Frost dramatizes the conflict that the speaker experiences with the outside world, which has rejected him, or perhaps which he has rejected. The poem is composed of fourteen lines and seven sentences, all of which begin with “I have.” Frost’s first and last line, “I have been one acquainted with the night,” emphasizes what it means for the speaker to be “acquainted with the night” (line 1; 14). The speaker describes his walk in the night as journey, in which he has “walked out of rain—and back in rain” and “outwalked the furthest city light” (line 2-3). Through the depiction of the changing weather conditions, Frost signifies the passage of time, perhaps indicating that the narrator has been on his journey for a lengthy period of time and has traveled through many cities. Furthermore, the imagery of the rain at night creates a forlorn atmosphere in the poem.
The poem, "She Walks in Beauty," plays with the opposing forces dark and light. Immediately the poem begins by the speaker saying that "the best of dark and bright meet" in the woman's eyes. Additionally, the words "shade" and "ray" in the first line of the second stanza make the reader think of dark and bright. Further into that stanza, once again, the opposites are combined when her "every raven tress...softly lightens o'er her face." "So We'll Go No More A-Roving" also plays with the contrast of both dark and light. The poem takes place