Essay about Comparing Sir Tryamour and Amis and Amiloun

Knight,” and “Le Morte d’Arthur.” Within these three Medieval stories, the ideals of courtly love

Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The

Whats a good medieval romance without chivalry? The combination of qualities expected of an ideal knight, especially courage, honor, courtesy, justice, and a readiness to help the weak. “The world of Sir Gawain and the Green Knight is governed by well-defined codes of behavior. ... The ideals of Christian morality and knightly chivalry are brought together in Gawain's symbolic shield. The pentangle represents the five virtues of knights: friendship, generosity, chastity, courtesy, and piety.”

The Courtier, originally written as a “courtesy book”, can now be considered to provide significant insight into the norms and practices associated with courtship and gender during the Renaissance era. The book’s third volume is a particularly insightful window into 16th century romantic ideals. Throughout Book Three, Baldassare Castiglione builds an elaborate perspective on what makes the perfect court lady, what sexual and social behavior is acceptable, and how an ideal couple (both courtier and court lady) should function.

Thomas Malory’s “Le Morte d’Arthur,” and the Gawain Poet’s “Sir Gawain and the Green Knight” are important works that should be considered when studying medieval literature. They both portray the style and structure of medieval romance. They also tackle the same topic of King Arthur and his knights, as well as share the same characters of King Arthur and Sir Gawain. In order to be able to go over these works and understand them, one must understand the aspects of literature of the time.

Once returned with armor for Palamon, the fighting ensues amidst the feuding cousins. Before their dispute concludes in death, the wise knight, Theseus, along with his wife and Emily, the cause of the knights’ quarrel, happen upon them in the grove. Although both former prisoners, and one forever exiled from the land of Athens, Arcita and Palamon truthfully reveal their identity and the motivation behind their duel as “chivalry [requires] knights…to swear loyalty to their superiors” (Thierry). Arcita and Palamon, with all loyalty to the Duke, unveil their true identities, a brave act of chivalry that nearly results in the execution of the devoted knights. Theseus, moved with compassion at the plea of the two women, pardons both Arcita and Palamon, knowing that only those in love “can be called a fool” (Chaucer 46). Theseus’ amnesty emulates the “ideal chivalric knight,” one who “[is…] compassionate [and] just…to those in distress” (Thierry). In

Two conflicting disciplines are prevalent throughout Arthurian Legend; that of chivalry and that of courtly love. The ideal of each clash throughout the medieval tales, and it is impossible to interfuse the two models for society. Chivalry is a masculine code, an aggressive discipline, whereas courtly love is based upon women - their needs, wants, and desires. The consistent problem if Lancelot and Guinevere’s adulterous relationship in different tellings of the affair relates back to the differences presented in chivalric code and courtly love ideals.

Chretien de Troyes wrote Erec and Enide almost ten centuries ago as one of five Arthurian Romances during a time when the chivalry, the code of knightly and courtly conduct, was hyper-idealized. Chivalry required knights to continually participate in tournaments and quests, and help those in need to bring about the greater social good, by defending good against evil, while it required maidens to not simply be saved by knights, but to support the knights in their endeavors. Through the story of the knight, Erec, and his wife, Enide, Chretien shows the struggle to balance love and chivalry. As the best knight of King Arthur’s court, and as the most beautiful lady in the kingdom, Erec and Enide are both great individually; however, their union

In Lanval, one of Marie De France’s twelve Lais, she demonstrates a narrative poem about love and lust set in medieval times. Her short, romantic tale narrates a knight’s love affair with a maiden that is so beyond beautiful that she surpasses all earthly splendors. Lanval, a knight who sat at King Arthur’s Round Table, is the center of Marie’s story and is envied by all the other men and hated for his gallantry, kindness, attraction and courage. The poem’s location is based in the feudal town of Carlisle.

The conventions of courtly love stem from the precise chivalric code of knights in the Middle Ages and passionate romances of European medieval folklore. Fantastic tales of dauntless knights and their fair damsels, often set in King Arthur’s kingdom

The tales of Marie de France, shed light on the romantic relationships and chivalry of this time period. This is very insightful for modern people to be able to read and understand the culture of that time. Knighthood and chivalry were respected by some, but many times they were disregarded for passion. Love and marriage are largely connected to physical attractiveness of the person and the passion involved. Marriage is not a very serious commitment and will be disregarded whenever another presents themselves as a more attractive lover. Religion is not huge in the stories but can be present when looking for a lover. Magic plays a part in the Yonec and Bisclavret stories, but is not largely present throughout.

The stories of Lancelot (The Knight of the Cart) and Perceval (The Story of the Grail) within Chrétien de Troyes’ Arthurian Romances depict a world of Medieval Romance that is somewhat different from one that was depicted in earlier epics. These romances are more focused on the battle between love and honor rather than on war and valor, which were depicted in earlier epics of de Troyes’ time. The tale of Lancelot follows a star-struck knight who undergoes an inner conflict between both the lover and hero inside him. His intense commitment to rescuing the queen causes him to make rash decisions which inevitably restrain him from controlling his own fate. Perceval’s story exhibits a different purpose for love in a knight’s life. Unlike Lancelot, he accepts love only when he believes it can further advance him in becoming the perfect knight. The two heroes’ actions showcase an inner conflict between maintaining their honor as knights and the love for another. Through these two tales, Chrétien de Troyes shows that that idealistic love and conscious chivalry cannot necessarily successfully coexist, yet it is the unachievable idealistic view that these two ideals do coexist.

While the theme of love itself, may it be positive or negative, is reoccurring, Marie’s presentation of romantic relationships and their differing qualities can be considered a theme alone. In “Guigemar”, the relationship between the knight and his lady represents loyalty, and an ability to heal or cure. Yet, the relationship between the beast and his wife in “Bisclavret” demonstrates the selfish and traitorous behavior that can occur between partners, especially if one has proved to be adulterous.

In "The Knight's Tale" there are also elements of the courtly love romance. However, this evidence is somewhat hypocritical. In the tale, both Palamon and Arcite fall deeply in love with Emelye, who is quite out of their reach because they have been imprisoned by Theseus, King of Athens. The two men pine over Emelye, declaring their love for her, but realize that neither will ever have her.

During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.