When comparing two relatively similar artistic objects from the same culture, there will invariably be similarities and differences between the two pieces. This is the case when analyzing a Dou Vessel from late 5th to early 4th century BCE China as well as a Zun Vessel from 13th century BCE. Both objects have similar purposes as well as certain aspects of design. However, they differ on other points of design and are also dramatically different in size. The parallels and distinctions of the two pieces are reflective of the cultural disparities and different methods of manufacturing during the two eras of creation. This particular Zun vessel was introduced during the Shang dynasties’ rule over China. Its production took place in close …show more content…
The Zun has intricate images woven through the entire object, including a variety of animal motifs. This can be interpreted as “steps towards bold assertive statements and even baroque ornamentation.” (Thorp, p. 85) There are multiple dragons inscribed on the image, a feature shared with the Dou Vessel. The use of animals signifies an understanding of the animal form as well as infusing life and excitement into the pieces. (Lee, p. 47) Both items also benefit from the implementation inlays. However, the inlay usage on the Zun vessel is black pigment. This is in stark contrast to the gold pigment inlay used in the Dou Vessel. The gold inlay in the Dou vessel, which has a leaf like decoration, symbolizes a new design characteristic that was not popular during the creation of the Zun vessel. (Lee, p. 48) In addition to the distinctions in uses of inlay, the two objects also differ greatly in size, possibly a reflection of the cultural differences. The Zun vessel has features that almost double that of the Dou vessel in terms of diameter and height. Unlike the Dou vessel, which contains handles, the Zun vessels’ ring base design compels one to carry the object on a shoulder. (Thorp, p. 73) This could in part be because during the Shang period, many of these pieces like the Zun were used for “cult” rituals and activities. (Thorp, p. 61) Drinking was a significant facet of some of these Shang offerings, which also included offerings in
The spherical form is decorated with engraved with stylistic depictions of animals in the legends originating from the tribes who where from the area she spent her formative years. Although “Eran” is made of metal, Dr. Thancoupie Gloria Fletcher has created many similar spheres out of ceramics. One such ceramic sphere is called “Moocheth, the Ibis Arough, the Emu Golpondon, the Ibis’s son”. These pieces make use of the beautiful, symmetrical, spherical form, which is an important symbol in Aboriginal culture, as it represents the Earth, fire, motherhood and unity. The spheres are decorated with engravings of animals. It also appears that she has applied some kind of glaze of oxide to the piece, and then washed it back, leaving darker lines in the engravings. Her artworks are powerful as they convey the narratives of her ancestors using stylistic designs and images, often depicting Australian
As Russell Menere, I recommend the management of Boeing Australia Limited to follow the footsteps of Boeing Seattle to adopt and implement cost effective e-Procurement system, which can be interfaced with the legacy information system as we have IT infrastructure in place that is our core strength.
According to Table 1.1, water vessel type W1 popularity increased over time, while water vessel type W2 decreased (refer to Chart #1). With this information, we may include the remaining archaeological data of water vessels in sites “D” and “GM” into the table with correct chronological order that pre-dates 2200 B.C. In essence, we now know the chronological flow of the sites from recent to oldest, which are “PGU”, “B”, “PGL”, “D” and “GM” respectively.
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
The fact that the sculpture is a bronze also impacts the meaning of the piece. Not only does the medium help make the piece more structurally stable and prevented it from breaking, but it also creates a more rigid and
For this first paper assignment I have chosen to write my essay on The Funerary Model of a Pig Sty. This artwork takes place in Ancient China around c. 2nd century BCE. It was designed and used within the Han Dynasty early in China’s history. These clay models like the pig sty and other burial goods had a hand in furthering the development of Chinas cultural heritage and beliefs. Within this paper I will be discussing my chosen MIA artwork, works that are similar but different to this artwork, and also how all three works, although all different, have the same purpose for what they have been made for. Then finally touching on how the context of the piece can change based on its surroundings.
The artworks of Mesopotamia, Ancient Egypt, the Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation. These countries were not always wealthy, clever, creative and powerful enough to gain supplies, but they all find a way to create art with what they had. They have all influenced on each other’s cultures and belief through their artistic values and ways, ranging from the materials and tools they use, position and representation of their monuments and their religious intent.
Throughout different time periods and civilizations come many different types of art that would never be comparable to those of another time or place. There are also the pieces that come from a completely different time and place, but yet they can still be compared to one another. The Torso of a God (Egyptian, New Kingdom, Dynasty 18, last decade of the reign of Amenhotep III, Granodiorite, 1359-1349 B.C.) and the Statue of Asklepios (Greek, Hellenistic period, Pentelic Marble, 2nd century B.C.) are two sculptures made hundreds of years apart, yet they both display many similarities and show how art is constantly changing whilst keeping the same core ideas.
Martin Robertson and Mary Beard’s manuscript, Adopting an Approach, focuses on the study of Athenian pottery. The manuscript begins, by describing Sir John Beazley and his revolutionary method of studying Greek vases. The Beazley Method focuses on the technical conventions of Greek Vases such as naming the artist, dating the pieces and then grouping them based off of similar characteristics. Beazley “provided for the first time a comprehensive framework of analysis for Athenian painting, and a way of dating and classifying.” (Pg. 16) However, what Beard’s main argument suggests is that it is not the artists that help us understand the importance of the vases because even if a vase is assigned to a specific time period or artist, there is
Confidentiality is one of the most paramount aspects of patient treatment and care as it often associates with client safety, and is a fundamental human right throughout the world. This is acknowledged throughout the health care industry and has been the purpose for several codes, laws, and guidelines being implemented in Australia. All people around the world have the right to their information kept private and confidential unless they give permission to have it divulged to a wider audience. Every patient and client that seeks or is given medical attention from any health care provider in Australia has the right to feel they can trust the health care professionals providing their care and treatment.
Our world is full of so many grandiose monuments, eye-catching sculptures, and stunning statues, each having an individual story to tell. Thousands of them have been created however, only a small number of them are actually extraordinary and picture-worthy. This paper will compare and contrast two of those picture-worthy sculptures. Furthermore, I will examine the aspects of each of these sculptures. I will compare and contrast what each of them represents, the differences in texture, their size and their tone.
When we look back at these two different periods of art sculpture we can see the great difference between the two stylistic choices of art. Behind each hunk of stone reads perfect anatomy and certain expressions. One features a more dazed stone face and one gives life for more emotion made within the stone. The Classical Period and Hellenistic period also look somewhat similar from a glance are very different in feeling and meaning.
In literature there is often a good and a bad guy. The separation is obvious and the two do not mix, but in some literature a character that has evil qualities and behaves like the villain, yet is still considered good and readers still sympathize with the character. This occurs in Wuthering Heights; Heathcliff acts as a villain in many ways but still maintains readers sympathy. If only looking at Heathcliff’s actions, he would be considered evil, but because of his past and love for Catherine people sympathize with him.
Various pieces of art found thousands of years ago depict characters based on certain events and legends. I will be analyzing two works of art: The Sound Box of the Great Lyre, a wooden music box (33 x 11 cm) found in present-day Iraq c. 2600-2500 BCE, and Lapith Fighting a Centaur, a high metope relief (1.42 m) on the side of the Parthenon in Ancient Greece c. 447-432 BCE. The former represents a bull with a low relief under its head, depicting animals mimicking the lifestyle of humans. The latter exemplifies a nude man struggling against a mythical creature that is half-man half-horse2. Although these works are from across the world with completely different cultures, they both have similar
Like African paintings, poetry, and woodcarvings, sculptures tell a tale and immortalize cultures and beliefs. Different artists have different styles (African Arts Information). Materials and styles differ from village to village. Most sculptors use green wood, copper, tin, zinc alloys, bronze, ivory, or terra cotta, a kind of earth ware. Most sculpture figures are believed to contain ancestor’s spirits. Others represent sacred ideas or events (Fetzer 106). Some objects are said to be magical and believed to have magical powers (African Arts). Africans carve figures, make masks, and decorate articles for ceremonies (Fetzer 106).