The purpose of the paper is to compare and contrast the characters of Penelope in the epic, The Odyssey, Lysistrata in the comedy, Lysistrata, and Medea in the tragedy, Medea. The writer will first give a brief synopsis of each character, followed by a comparison and climaxing with the contrast.
Penelope, a loyal, faithful and patient wife is faced with suitors pressuring her daily to remarry. She uses her wit and cleverness to hold them off. She assures the suitors that she will remarry as soon as she finishes the burial shroud for her husband, which she has no intention of finishing until her husband returns. Upon realizing that her husband had returned she makes an announcement to marry the winner of the archery contest.
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Nevertheless, she kept putting them off by knitting a burial shroud for her husband that she had no intention of completing. Lysistrata showed great strength when she was able to gather the women together for the sex strike, this action was usual for a woman in that era yet she succeeded in getting the women to participate. Although the play starts with Medea being suicidal her strength is quickly restore as her hate for her husband surfaces. Her strength was fueled by hate and thoughts of sweet revenge, which she carries out toward the end of the play.
Penelope, Lysistrata, and Medea were clever female characters. Penelope believes that the shroud is unnecessary because her husband will return to her. Due to her station in society, however, she can't simply refuse to remarry. By delaying her suitors until Odysseus' return, she shows some amount of cleverness.
Lysistrata's whole plan to have a sex strike was clever. She caught the men by surprise as she played on their vulnerability. By requesting that the women use their attractiveness to make the males want them sexually, Lysistrata encourages the women to play to their stereotype and exploit the sexual, romanticized female. Myrrhine is used by Lysistrata to seduce her husband, Kinesias, who is left with his painful erection unsatisfied (pg763-765)
Medea, during her escape across the Mediterranean, killed her own brother and dumped him overboard, so that her pursuers would have to
Penelope is a great example of how Greek women should act in early society. Penelope was loyal to her husband, she was clever, and she was a good mother to her son Telemachos. Penelope honored her husband and didn’t go against him even though he was gone for over 20 years. She also had to face over 100 suitors while Odysseus was gone. Penelope showed her cleverness when she told the town she would remarry when she finished weaving the rug. Every night Penelope would undo the work she weaved so she could buy time for her husband. She was very faithful to her husband and believed him that he would return to her. These traits that Penelope show are how other Greek women should act in society. The roles women played in society was that they
Unlike Odysseus Penelope is confined by the gender roles of her time and cannot use physical strength against the suitors or even direct verbal rejection, instead Penelope resorts to her emotional resilience and wit in order to challenge the suitors. She wrongly reassures the suitors that once she finishes weaving a gift for Odysseus’s father, she will choose someone to marry her, “’Young men, my suitors, let me finish my weaving, before I marry’…every day she wove on the great loom but every night by torchlight she unwove it.” (II. 103-104, 112-113) Penelope’s actions are strategic and well calculated. Her main goal, like Odysseus, is to successfully overcome her situation. She understands that she may not be able to physically fight the suitors but she can trick them until Telemachus or Odysseus are able to. By crafting a lie that delays the suitors from marrying her immediately, Penelope restrains the suitors from seizing Ithaca, her household, and posing a threat to Telemachus or Odysseus. Her lie gives Odysseus a crucial advantage in the physical fight against the suitors as he comes back to a city and household where Penelope
Throughout the Odyssey we are shown how clever Odysseus is that it brought attention away from how clever Penelope really is. “Young men, my suitors now that the great Odysseus has perished,
Penelope serves as one of the most crucial characters within the Odyssey. She one of the few driving forces for our main protagonist’s journey home and she is also an exemplar model of female character breaking the mold of the damsel in distress. She actually takes it upon herself to take command, to some extent, of her own situation while her husband is presumably making his way back home from war. Penelope even matches Odysseus in craftiness and sly personality. For example, Penelope had told the suitors that she would assume a new husband after she was done weaving a shroud, but she would secretly unweave her progress every night. This behavior is a reoccurring theme. Penelope sets up other tests, such as having to shoot an arrow through
It was seen as irrational to the men that women withheld sex, that their own wives abandon their vice to be heard in a society where there was not a part in democracy for women. Moreover, this situation depicts how serious the women were about having a voice in their government, because a three-decade long war was excessive. Luckily, Lysistrata did not back down from the men and was determined to find a voice amongst the men, in that society, a woman did not belong in the government, because a woman is a housewife and a sex tool. (ADD MORE)
Penelope has a very complex and interesting character. For example her determination to wait and to mislead the suitors for so long shows that she had great intelligence and perseverance. Penelope's wit is acknowledged in this quote from Antinous "For all the Achean beauties of former times, none had at her command such wits as she."(Page 20, Book 2). Penelope's wit is also shown in her scheme to mislead the suitors by saying that they must wait for her to weave a shroud for Odysseus's father Laertes. She told them
Penelope: In the opening chapters of The Odyssey Penelope is angry, frustrated, and helpless. She misses her husband, Odysseus. She worries about the safety of her son, Telemakhos. Her house is overrun with arrogant men who are making love to her servants and eating her out of house and home, all the while saying that they are courting her. She doesn't want to marry any of them, and their rude behavior can hardly be called proper courtship. She has wealth and position; she has beauty and intelligence; most of all she has loyalty to her husband. But against this corrupt horde who gather in her courtyard shooting dice, throwing the discus, killing her husband's cattle for their feasts, and drinking his wine, she is powerless.
Penelope acts as the damsel in distress. She is unable to keep the suitors away from her house because she is a woman, and that makes her vulnerable. She also provides Odysseus with a reason to return home because she is his wife. She has no choice but to pick one of the suitors, and soon. Penelope says she is “wasted with longing for Odysseus, while here they press for marriage”(1004). She still loves her husband, which gives him hope that he will be accepted once he makes his return, and gives him a reason to continue trying. She also cannot turn the suitors away, preventing her from being able to protect herself. This once again proves that, as the damsel in distress, Penelope needs Odysseus for protection.
In Medea, a woman betrays her homeland because of her love for a man. Jason is the husband that she ferociously loves and makes sacrifices for. They have two children together: Antigone and Ismeme. In Jason's quest for the golden fleece, Medea assists him in multiple ways. One of the things she does to help their cause is bring
Penelope, just as Odysseus, portrayed the great human trait of patience. She did what it took to fend off the suitors with hope that her husband would come back for her. Penelope didn’t give up hope because she felt in heart that Odysseus would come
Ultimately, she chooses to use manipulation and temptation to her advantage to sway the minds of men. “If we sat there at home in our make-up, and came into their rooms wearing our lawn shifts and nothing else and plucked down below delta-style, and our husbands got all horny…but we kept away and didn’t come to them—they’d make peace fast enough I know for sure” (Aristophanes 80) Lysistrata urges that the women avoid sex by any means, even if they must fight against physical force by their husbands (Aristophanes). By using this tactic of a sex strike applied all over mainland Greece, Lysistrata remains confident that women can persuade men to keep peace as opposed to war. Therefore, evidence suggests in Aristophanes’ play that women such as Lysistrata derives power and authority over men through sex and temptation. Women can only attempt to persuade them due to the fact that men hold too much power to be outright forced to anything.
Lysistrata comes to the conclusion that the only way to save Athens from destruction in war comes with defiance of her husband. In her role of rebel within the family, Lysistrata decides to "...compel [her] husband to make peace" by withholding sex from him until he stops his disastrous warring behavior (Lysistrata, 7). She concludes, "...there are a thousand ways of tormenting [him]" that will lead to the ultimate safety of Athens (Lysistrata, 9). Unlike Antigone, Lysistrata realistically considers the possible consequences of her actions. She understands that the consequences of rebellion against her husband could be dire. Lysistrata recognizes that her husband might beat her or even rape her in order to get physical satisfaction, but she also realizes that her husband would, "...soon tire of the game there's no satisfaction for a man, unless a woman shares it" (Lysistrata, 9). Lysistrata acknowledges that defying her husband will have consequences, but she chooses to realistically face those possible consequences, and continues knowing that her actions will benefit Athens. Aristophanes' reveals that a woman's greatest allegiance lies with her polis through Lysistrata's role of rebel within her family to save Athens.
As a mother, Medea on the surface is not the best, as she eventually kills her children, ignoring their pleas for mercy ("Mother, don't kill us"). However, we must not ignore the heartache and pain that Medea endures in killing them. It takes incredible conviction to carry it out ("parted from you, my life will be all pain and
Euripides and Homer are said to be two of the four cornerstones of ancient literary education. The former, Euripides, known as one of the great tragedians of classical Athens produced approximately ninety-two plays, but was rejected by most of his contemporaries during his lifetime. Euripides was the first of his time to portray a woman as a sympathetic character and a victim of society. Homer is known as the greatest ancient Greek epic poet. His most famous works being the Iliad and the Odyssey. Both of these ancient authors used strong women in their works.
While Penelope remains subservient in her domestic role as wife, she is also referred to as complementary to her husband, who is known for his intelligence and cunning. Penelope can be viewed as his intellectual equal when she deceives her suitors for three years by weaving and unweaving Lord Laertes’ shroud each day: