Comparison Of Alexander Pope And The Rape Of The Lock

To begin, in The Rape of the Lock, Alexander Pope uses satire to invoke a capricious, melancholy mood to illustrate the absurdity of fighting over the cutting of one's hair. Hidden inside this poem is a crafty criticism of the society that helps create the crisis over the stolen lock. A Society in which appearances ere more important to a person’s sense of identity, and treats the insignificant with utmost importance.

Through Helena Shakespeare created a woman so pitiful and wretched that he openly mocked the modern sixteenth-century women who allowed themselves to be treated in such a manner. Had a man been the monarch of England when this play was written, the bard might have been more discrete in his support of feminism. Luckily, Queen Elizabeth was fond of autonomous women and showed little animosity towards such mockery.

In Voltaire’s Candide, the women are constantly being victims of rape, abuse, and violence. They suffer no matter how rich or how poor they were. From Cunegonde to Paquette, and The Old Woman, none of these characters possess such importance as the male characters do. Voltaire ridicules gender roles and the lack of power these women had in the Enlightenment period, which was supposed to be a time of “intellectual freedom and equality for men and women” (Johnson)

As the perception of women changes constantly, society is the only factor in creating their ideal image. These societal views are the basis of their treatment, with the expectation that it is beneficial for them. However, societal expectations of women in the Elizabethan and Victorian eras severely limit their freedoms and rights. William Shakespeare’s Othello and Mary Shelley’s Frankenstein portray most women in their typical roles. Both authors depict the level of injustice in society’s treatment of women through the passivity of women causing their deaths, the silencing of vulnerable women and the portrayal of women as more humane than men.

Geoffrey Chaucer’s The Canterbury Tales is considered a work of satire towards medieval society by many literary critics. Chaucer uses the Wife of Bath as a prime way to quip a key fourteenth century practice wherein medieval society is patriarchal from noblemen to peasants. Women are one of the most restrained groups. The Wife of Bath narrates a story mocking male superiority and spouts a pro-women narrative. In this tale, the Wife of Bath shows women not submitting to a man’s world. For this period in time, she is a progressive who implies men are not in control of society which does not fit the mold of women at the time. She infers women are running everything from behind the curtain with men merely being used as puppets.

Alexander Pope’s “The Rape of the Lock” proves the ways in which hair was prized as an embodiment of a woman’s sexuality. In Christina Rossetti’s “Goblin Market” hair is used as a form of currency and a vehicle for giving into temptation, eliciting notions of Eve’s original sin. Furthermore, the poem bears resemblance to Eve eating the forbidden fruit from the Garden of Eden. An important similarity between these two is how each story is presented: through third person omniscient. This perspective evades bias and favors morality. However, in Pope’s

       Although Alexander Pope's, "The Rape Of The Lock" and Jonathan Swift's "A Modest Proposal" are both witty satires, they differ on their style, intention, and mood.

Thomas Hardy’s poem “The Ruined Maid” introduces its reader to the harsh reality of lower class Victorian Women. Critical scrutiny through a feminist lens helps widen the scope of understanding to reveal beyond the satirical irony of the writing and bring to light the deep rooted social issue of Victorian England’s paralyzing poverty and its effects on women. In Critical Theory Today feminist criticism is explained as, "...the ways in which literature (and other cultural productions) reinforce or undermine the economic, political, social, and psychological oppression of women" (Tyson). “The Ruined Maid” clearly challenges

In the 21st century, many women have been successful because of feminism. Women empowerment in our current time is a lot strong than in the Medieval period, but it is still weak. In “The Canterbury Tales” by Chaucer it represents strong feminist characters in, “The Wife of Bath’s Prologue and Tale”. The characters such as a Wife of Bath, an old hag, and also a Queen from “Wife of Bath’s Prologue and Tale,” play a feminist character in the male-dominated society during that time. Through these three characters, we see strong examples of feminism.

The treatment of women in today’s culture has a lot of problems. Even though in the last century women have been treated better there are still problems. Women are and have always been sexualized in everything they do. Most of the time women are judged on their appearance alone. Gulliver’s Travels by Jonathan Swift is a piece of literature that comes across as misogynistic. There are many times in the book when women are judged primarily on their looks and come across as unable to control themselves. However, Swift is using this kind of writing style to actually convey a point to society. By making these issues larger in the book and by reversing gender roles, it is easier to see all the problems that our society has with the treatment of women. Jonathan Swift is not misogynistic and is trying to prove a point so the treatment of women is improved in our society. The scene of the

     The weakness of women is found in various forms throughout the text. Henry refers to women as “a decorative sex” and that “they never have anything to say, but they say it charmingly.” (Wilde 43) Nowhere is this better supported than during Lady Henry’s

Ever the keen social observer, Jonathan Swift (1667 – 1745) often expressed his reservations about the competences of the female mind through satire or by employing alternate literary voices. However, his ridicule of the female condition does not entail that he was simply a crass misogynist. In reality, the satirist scorned humanity in general: both men and women were unable to escape his seething misanthropy. Swift’s moral satire includes three notorious poems: “The Lady’s Dressing Room,” (1730) “A Beautiful Young Nymph Going to Bed,” (1731) and “Strephon and Chloe” (1731). Human beings tend to delude themselves and see order and beauty where none exists, yet in these poems both the male subject and the reader become disillusioned over the discovery of female humanity. Therefore, Swift seems to imply that life based on delusion usually ends in bitter disappointment, and thus attempts to free us from our prejudices and the futile denial of our basic nature. Furthermore, the author finds in Esther Johnson, or “Stella,” the perfect example of the redemption he aims to imbue in the rest of humanity. Thus, through his poems concerning women, especially Stella, Jonathan Swift reinforces his belief that all humans – even women – are capable of bettering themselves.

Entertainment and education through the oppression of women finds a common place in Geoffrey Chaucer’s The Wife of Bath Prologue and John Webster’s The Duchess of Malfi. In both stories the audience is introduced to the idea of female independence and strength through a confident and skilled female character who envelops the knowledge required to subvert the standards of patriarchal and misogynistic society. While both women in the The Wife of Bath Prologue and The Duchess of Malfi are varied characters who (think they) exude authority and seem to be able to live outside the limitations of a patriarchal society, at a closer look it is obvious this is not the case. Chaucer and Webster have both developed a story that parallel the stereotypes of the misogynist political and social structure of the time. Furthermore, they have blended comedy and entertainment to create stories that are didactic in nature they reaffirm the stereotype of unruly widows and ultimately show that no good will come to women who attempt to live outside the structural confines of the patriarchal and misogynist structures of society.

The role of women in the society is always questioned and for centuries, they have struggled to find their place in a world that is predominantly male oriented. The treatment of women was extremely negative; they were expected to stay home and fulfill domestic duties. Literature of that time embodies and mirrors social issues of women in society (Lecture on the Puritans). But, slowly and gradually, situation being changed: “During the first half of the 19th century, women 's roles in society evolved in the areas of occupational, moral, and social reform. Through efforts such as factory movements, social reform, and women 's rights, their aims were realized and foundations for further reform were established” (Lauter 1406). Feminist poets like Emily Dickinson and Anne Bradstreet talked substantially about feminism in different lights in the past two centuries. They were very vocal and assertive about their rights and the ‘rights for women’ in general. While they might have been successful at making a good attempt to obliterate gender biases but still there are lot of disparities between the two genders. Nevertheless, their poetry reflects a deep angst.

The views of women have altered over time, but have always had objectifying tendencies. During the 18th century, cosmetic alteration to natural beauty peaked and materialism heightened throughout societal views. Authors such as Alexander Pope and Jonathan Swift vividly spew these views throughout their writings. Pope’s Rape of the Lock exposes the materialism used in objectifying women, mainly in the upper-class societal levels. The whole plot of the story centers around a cosmetic appearance creating an objectified view, as since the lock of hair was cut from a woman's head, the missing lock became, so called, evidence of a man’s sexual conquest. Other sexual conquests, forced or not, are spoken with anything but love and only those of