One’s frame of mind can lead to complete madness. Dealing whether the madness of both Hamlet and Ophelia is real or fate, who forces the madness onto Hamlet and who forces the madness onto Ophelia. Through out the play the audiences comes to see the original Hamlet and Ophelia dealing with their madness. The audience gets a good look at the opinions and secrets both Hamlet and Ophelia have against the people in their lives. Their regular discourse shows their madness when they are acting crazy about the events in their lives. Hamlet and Ophelia’s regular discourse are events when he does not appear to be mad. In Shakespheare’s Hamlet, Hamlet and Ophelia’s madness, whether real or fate, shows us more about their characters, opinions and secrets …show more content…
As demonstrated throughout the play Hamlet’s madness is evident whether real or fate, Hamlet’s madness is consistent as stated “I am mad but north-north-west: / When the wind southerly, I know a hawk from a handsaw” (II. ii. 377-78). Hamlet is claiming that he is / southerly, I know a hawk from a / handsaw (II. ii. 402-03) seen as crazy frequently however he claims that he can choose the moments to be mad. Hamlet is speaking to Rosencrantz and Guildenstern stating that Hamlet knows what Rosencrantz and Guildenstern plan to do. This leads to Hamlet faming madness which is known as true, he is actually mad. “How strange or odd some’er I bear / myself / (As I perchance hereafter shall think / meet / To pit an antic disposition on) (I. V. 190- 92). The death of Hamlet’s father is something …show more content…
“ Oh, woe is me, / T’have seen what I have seen, see what I see!” (III. I. 161-62). Ophelia stated the cruel site it was to witness Hamlet being the way he was, knowing his personality and his well being and his mental state before. Ophelia’s madness reveals something about her character such as she is not as strong crafty as Hamlet and most of the other characters. Ophelia eventually breaks down under all the pressure from her father and brother about her being tricked by Hamlet. Ophelia performs a song about a young woman like her self being fooled unto losing her virginity, “By Cock, they are to blame. / Quoth she, “Before you tumbled me, / You promised me to wed” (IV. V. 45-47). This demonstrates that Ophelia cannot cope with the stress and anxiety of whether or not Hamlet lovers her or not and if she has been used by him. Ophelia one day realizes that Hamlet was treating her with no respect, and states “And i, of ladies most deject and wretched , / That sucked the honey of his music vows” (III. I . 156-57). In Ophelia’s life she listens and obey the only men in her life such as her father Polonius who will speak and Ophelia will do and listen, Laertes Ophelia’s brother who has the same role in her life as her father, but he talks to Ophelia about Hamlet, that since Hamlet is capable for his own perception but the environment he is in no state for him to marry her.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
People have mostly seen women inferior to men because women have been thought of as simple-minded and could not take care of themselves. Shakespeare’s Hamlet shows how men treated and thought of women during the 1500s. There was an order most did not interfere with; however, some did. In the 1500s, women were supposed to conform to men’s wishes. Throughout the play, Ophelia first obeyed her father and brother’s wishes, ignored the social norms later, and then went mad, which caused her to never gain her own identity.
This is emphasized by Laertes’ and Polonius’ concern to protect Ophelia. Ophelia tells her father of Hamlet “he hath importuned me with love in honourable fashion”. Polonius insists that Hamlet will only use Ophelia for sex which Laertes supports. He describes her virginity as a ‘chaste treasure’. Ophelia is viewed by her father, brother, and consequently the audience as a virginal naïve girl.
Before she knows it, she is placed in a predicament where she has to chose between her loyalty to her father, or her own feelings. She chose to lie to Hamlet rather than reveal her father. This is her fatal flaw. Hamlet, knowing she is lying to him, gets very angry and not only denys his feelings for her, he questions her integrity and refers to her as an impure woman. Hamlet is rude in his own day by asking Ophelia "Lady, shall I lie in your lap?" (Act 3, Scene II, Line 109) Ophelia had deserved the treatment she received from him. Hamlet was fed up with Ophelia ignoring him and always trying to stay away from him. From her betraying Hamlet and the denouncing of his love, this confrontation begins Ophelia true fall into insanity.
Hamlet, by William Shakespeare, is a complex play, filled with layers of meaning. These are often revealed through the madness of the characters and the theme of madness throughout the play. Although Hamlet and Ophelia are the only characters thought to be so afflicted, the reactions of other characters to this madness mirrors their own preoccupations.
The Tragedy of Hamlet, Prince of Denmark is one of Shakespeare’s most tragic plays. Most of the characters in this play suffered a heartbreaking death, although, all of the characters faced anger, regret, madness or distress. Madness was a reoccurring theme in this play, two characters portrayed this more than others. Ophelia and Hamlet faced similar fates, with similarities and differences along the way, all to do with their madness.
Hamlet's public persona is a facade he has created to carry out his ulterior motives. The outside world's perception of him as being mad is of his own design. Hamlet is deciding what he wants others to think about him. Polonius, a close confidant of the King, is the leading person responsible for the public's knowledge of Hamlet's madness. The idea that Hamlet is mad centers around the fact that he talks to the ghost of his dead father. He communicates with his dead father's ghost twice, in the presence of his friends and again in the presence of his mother. By being in public when talking to the ghost, the rumor of his madness is given substance.
Hamlet's surrounding are increasingly affected by his flaw. Hamlet begins to forget all important obligations in his life and neglects his responsibilities, causing other problems. One very important commitment Hamlet has which he lets go is his relationship with Ophelia. Ophelia becomes very confused and hurt. Hamlet hurts her in a couple of ways. First, he neglects her, and second, he insults her. "Ha, ha! Are you honest??Are you fair??That if you be honest and fair, your honesty should admit no discourse to your beauty. ?I loved you not? Get thee to a nunnery." Then Hamlet kills Polonius, Ophelia's father, which in turn makes her go mad and in her madness she commits suicide. Hamlet loses objectivity. He does not respect the King nor his mother's feelings. Hamlet meets with his mother and insults her. He calls her a whore and a sinner for marrying a murderer. Since he knows that the King is a murderer, he attempts
Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. Ophelia is the only truly innocent victim in Hamlet. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck.
Hamlet’s sanity has made many people question him. “Hamlet certainly displays a high degree of mania and instability throughout much of the play, but his “madness” is perhaps too purposeful and pointed
Hamlet is one of Shakespeare’s most famous plays. In it, a young, Danish prince struggles with the death of his father and the betrayal of his mother. This struggle is so profound; it shakes its main character Hamlet to the core and brings him to the brink of sanity. Shakespeare uses madness to convey important information throughout the play especially through Hamlet and his love interest, Ophelia. Hamlet does not always appear to be mad, in fact throughout the play his sanity is questioned by the reader and other characters. Whether real or faked, Hamlet and Ophelia’s madness reveal to us more about their characters, opinions and secrets than their regular discourse.
Overwhelmed by outside forces and her repressed love for Hamlet, Ophelia is truly a sad and remorseful character in this play, an innocent victim with little essence or depth. An evident victimized woman, ruled by her Renaissance sense of romantic love, it can further be argued that Ophelia was extremely ambiguous. She was too incompetent to decide what she really desired in life. Because she falls in love with Hamlet at a very young age she cannot truly comprehend what love is all about, even though there is strong evidence that Ophelia had sexual relations with Hamlet. Hamlet emphasizes the hypocrisy of his words
“Behind the mask of madness, both Hamlet and Ophelia can speak freely” This is a quote often used to explore the reasons as to why the characters: Hamlet and Ophelia use the element madness. In the play, it is believed that Hamlet is both feigned and real mad. The meaning of ‘feigned madness’ is defined to be “assumption of a mental disorder for the purposes of evasion, deceit or the diversion of suspicion.” Whereas ‘real madness’ is defined to be “the state of being mentally mad; insanity”.
Hamlet discovers elements of false love in Ophelia as he relates her flaws with Gertrudes'. Ophelia is part of a plan to set up Hamlet which will determine whether he is truly mad in her love or otherwise. Her love is being used to play with Hamlet's emotions. "I will leave him and/ Suddenly contrive the means of meeting between him/ And my daughter" (2.2: 209-211). Polonius decides he will use Ophelia to manipulate Hamlet by getting her to resurface his feelings and repressed love for her. By setting up this meeting between Ophelia and Hamlet, Polonius has objectified her love in effort to anger Hamlet. This act goes to show that Ophelia allows her love to be used as a method to better understand Hamlet's madness. Ophelia clearly chooses to obey her father over her love for Hamlet. After learning that he was subject to Ophelia's false love, Hamlet becomes very rude in attitude towards her as he feels he has been chested. "Get thee to a nunnery. Why wouldst thou be a breeder/ Of sinners? I am myself indifferent honest, but
After a long meditation on the nature of being and death, Hamlet catches sight of Ophelia. As she attempts to return some of the remembrances that Hamlet gave when courting her, Hamlet caustically questions Ophelia’s honesty. He denies ever having given Ophelia anything and continues to erratically claim that he loved her once before declaring that he never loved her at all. The problem here is that no one knows the exact intent of Hamlet as he claims to love Ophelia amidst a number of happenings that questions how genuine his love towards Ophelia. Not only does he doubt her honesty because he knew about her plan with Polonius and Claudius to eavesdrop on him, he is unsure of her purity and her love for him and he tells her, “get thee to a nunnery” rather than give birth to sinners ( ). Increasingly agitated, Hamlet condemns marriage itself, saying that no more marriages should be allowed, before exiting the room and leaving Ophelia in shambles. Looking deeper into the behavior that Hamlet demonstrates in this scene, there is completely no love that he shares with Ophelia. In a way, Hamlet seems convinced that Ophelia is the love of her life, but yet he has the behavior of insulting her and not giving her the priority that she needs. His character portrays a man who cannot be connected to his self and this leads him to a number of problems as regards the way he treats Ophelia. It is not just the feelings that Hamlet has towards Ophelia that describes his love for her but his actions say a lot on the feeling that is in the inside. Reaching to an extent that he can