Consumerism In Oh Wonder

Music is often considered “the universal language.” Throughout, history it has symbolized love, brought people together, and has been the cornerstone of many lives. In the 1950s, a new form of music entered American mass culture that drastically changed the culture of the United States (U.S.): rock music. In the U.S., it began as Rock ‘n’ Roll, a originally “black” music genre that was then taken and promulgated by white Americans. Post WWII, many Americans—especially teenagers—struggled with the newfound societal conformity and normalcy, and rock provided them a form of retaliation. From its beginning, Rock united the younger generation of Americans, stirring up a sense of community amongst teenagers and troubling many adults by their actions—heightening

Brave New World by Aldous Huxley depicts a future world that has mechanized and removed all sense of life to being human. In this world, people work for the common good of the community and are conditioned to dislike what, today, we would consider common and healthy relationships with people and environments. The story follows a man, John, not born into the culture and his struggle with the unfamiliarity with the “Brave New World”. Published in 1932, Brave New World often leaves roots back to the world Aldous was in when he was writing the novel. I believe the genius of Huxley’s writing was his ability to effectively select the traits of 1930’s society that would later become a staple for Americanism in the coming century and, in time, allowing for a relatable story to the modern day while giving us warning to the future.

1.Whats consumerism ? Consumerism is defined by the preoccupation of society with the acquisition of consumer goods . Good morning/afternoon fellow classmates , today I’ll be discussing how the powerful images conveyed in Bruce Dawe’s texts Americanized and Abandonment of Autos, and a cartoon by Clay Butler, raise issues and concerns about consumerism.

     Rock ‘n’ roll music came of age in the sixties which was a period in the nation’s history when a young generation expressed their anguish and sense of alienation to the country’s social establishments by searching for new answers to the age-old questions concerning the meaning of life, the value of the individual, and the nature of truth and spirituality (Harris 306). The classic rock music which was created during this period gave form and substance to this search. Songs such as “My Generation” by the Who recorded the keen sense of alienation that young people felt from the past and the “Establishment” and it also showed the keen sense of community they felt among themselves.      Classic albums such as the Beatles’ “White Album,” the Who’s “Who’s Next,” Dylan’s “Highway 61 Revisited, and Pink Floyd’s “Dark Side of the Moon” capture what was essential about the time because they were both a result of that time and because they helped to produce it by reinforcing the younger generation’s feelings of alienation and separation.      Although

Through the Cold War, America was transitioning in various ways such as the way messages were shared, consumerism, and the constant race against the Soviet Union. During the years 1959-1964, Rod Serling, a New York writer and playwright began using one of the newest inventions, the television, as a way to share his opinion about controversial topics. The rise of the television allowed Serling to access to a larger audience whom he could share his opinion in the form of science fictional episodes in the show The Twilight Zone. Although the show seems ominous and a horror related TV show, it allows us to understand the effects and feeling towards topics such as a possible nuclear war, consumerism, space exploration.

When Korean veterans returned from the fighting, everyone was overjoyed to be reunited with their loved ones after two huge, deadly wars.

“You’ve got to listen to the heavens, you got to try to understand. The greatness of their movement is just as small as it is grand.” Most young adults of my generation do not know who The Grateful Dead are, but they unknowingly dawn the apparels and slang created in the counterculture of the bands following the Deadheads. The band, The Grateful Dead, became popular in the 60s and carried out wide spread recognition and fame into the 80s. Their calming, peace-promoting music became popular because it ‘transported’ people, it took them away from whatever they were going through in their life and set them on a new path. Fans of the band

Popular music is often one of the best lenses we have through which to view our own cultural orientation. Many of the artistic and experimental shifts in popular music have mirrored changes in our own society. For instance, the emergence of Elvis Presley as a public figure would signal the start of a sexual revolution and the growth in visibility of a rebellious youth culture. Similarly, the folk and psychedelic music of the 1960s was closely entangled with the Civil Rights, anti-war and social protest movements. In this regard, we can view popular music as an artifact through which to better understand the time and place in which it is produced. In light of this, the state of popular music today may suggest troubling things about our society.

Rock ‘n’ roll presented us with the emergence of a cultural phenomenon, which the book lays out for us. Altschuler sees rock as a “metaphor for integration, as the focal point for anxiety that cultural life in the U.S. had become “sexualized”, a catalyst

Music has been a long standing form of expression for hundreds of years. More recently however, it has become a way for artists to make social commentaries on the society they live in. During the 1970s, Punk bands and Ska bands emerged in England and rose to become a major source of social commentary through their upbeat music. Specifically looking at music from The Stranglers, The Specials, and The Clash, it is clear that lyrics clouded with anger and passion can be best communicated through upbeat sounds and melodies. Each of these groups communicates a need for radical change in society; but each one goes about this in a different way. Through the songs, “I feel like a Wog,” by The Stranglers, “A Message to you Rudy,” by The Specials, and “White Riot,” by The Clash, these bands point out that there is a common enemy in Society. They are forcing the mainstream to realize unpleasant truths about the culture that they inhabit. The future of England was unknown, and these songs were written during a time where people were worried about their place in the world. Faith in the system was dying and these bands gave way to a future generation to improve upon society that will present a more positive and equal multicultural Britain. Through the music it is clear that multicultural Britain was complicated; there were tumultuous times that these bands were commenting on, which pitted races against each other but also brought them together in fighting back against suppressive societal

As we are constantly exposed to mass media and popular culture in our modern society, the insidious nature of consumerism has allowed it to penetrate into every aspect of our lives, dictating our very beliefs, values and wants. Nearly every individual in our society subconsciously conforms to the shallow and superficial mindset that characterises our consumerist culture. This idea is highlighted by the following texts; the poem “Enter without so much as knocking” by Bruce Dawe, an extract from the sermon “The Religion of Consumerism” delivered by Peter House, the poem “Breakthrough” by Bruce Dawe, and the

Each year, new books declare rock and roll to be an active force in the moral collapse of American culture. To many, rock and roll has come to be seen as a social menace (Pattison 175-77).

Consumerism is the center of American culture. Americans tend to confuse their wants with their needs. With new advances in technology, as well as the help of advertisers, people are provided with easy access to new products that seem essential to their everyday life, even though they have survived this long without them. People cannot live without food, clothing, and shelter. But realistically, according to people's different lifestyles, more than food, clothing, and shelter are needed. Most people need to work to survive. Unless a job is either in their own home, or within walking distance, a means of transportation is needed. Whether it be a vehicle, money for a taxi-cab, or a token for a ride on the subway, money must be spent

Whoever said money can’t buy happiness? Today, the argument can be made that happiness and consumerism are directly linked. It is fair to say that happiness is a relative term for different people. However, the obtaining of new and shiny things has become such a part of everyday life, that it provides happiness when people are purchasing something new, and causes sadness when no buying is taking place. For many, it seems to be a protective coating against the harsh realities of everyday stresses from a job, or family life.

Today, people consume for pleasure. The act of consuming goods may allow one to fit in, feel confident, or participate socially in shopping culture. Consumerism has become a universal behaviour amongst most people and groups. According to Sharon Boden, consumption is affected by both external and internal constraints and expectations (150). I argue that consumerism and consumption is no longer an accurate indicator of a person’s actual status and wealth. As a society, we have increased accessibility to commodities and experiences. For example, driving a Mercedes-Benz is no longer a symbol of being wealthy or belonging to the upper class. Leases or loans have brought such luxuries to a broader spectrum of social