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Similar material painted around this time in 1817 was John Trumbull's oil canvas “Declaration of Independence,” located in the United States Capitol Rotunda. ii Gilbert Stuart was a renowned artist who was known for capturing the inner character, which he believed was reflected in their physical features. He believed Washington features indicated a man with great passion.i The George Washington portrait brought Gilbert Stuart fame. This period in time a person like George Washington would give the artist more sitters.iii In addition, reproducing this portrait gave Stuart more money, either painting it with his own two hands or having

Not long after we were on our way to Mt. Olympus. Nerves were to their highest extent when we arrived, the first thing I seen were the roller coasters, I have a thing for roller coasters always have always will.

The most stunning monument in our capital is the Washington Monument. At 555 feet high, it is the tallest such monument in the world. It is an obelisk by shape, yet not a true obelisk because it is not carved out of a single stone. The monument was built at intervals between 1848 and 1885. It memorializes George Washington's achievements and his devotion to principles and to his country.

efforts to make American wilderness a better place, he has been tributed. Some including Mount

From Trajan’s Column, completed in 113 AD, to the statue of Christopher Columbus in Easton, Pennsylvania, monuments and memorials have been a significant element of celebration and honor throughout history (Source B). Though monuments are typically meant as a symbol of honor, recent controversy over statues dedicated to Confederate leaders and generals has sparked the debate over how to choose subjects to memorialize, and the actual development of these memorials. When considering what or who to honor, one must also consider the subjects impact on history, ensuring that it is positive. In creating memorials and monuments, groups and agencies should examine the historical significance of the events or persons they wish to memorialize, and the

In the book Monument Wars by Kirk Savage, "the monumental core in Washington functions somewhat like a pilgrimage site, where communities of believers actually come together in the act of occupying a holy site, seeing a relic, reenacting a sacred event" (source A). The Lincoln Memorial meets the "criteria" by having the location pertain to Washington D.C. and Lincolns presidency and him living in Washington District of Columbia. The memorial itself contains no actual relic of Lincoln. it is pure representation- a colossal marble statue. (source A). The Lobsterman monument never really had a place, to begin with. "the artist just slapped a coat of bronze paint over the plaster model and shipped it to New York” (source F). This quote itself shows that in the making of this monument for the new york world fair in 1939 it was never well put together, and it now is in storage. Having the monument in Washington D.C. is ridiculous due to the fact that it had nothing to do with Washington D.C. in the first

1942 – March 9, 2016. He spent 74 years on this earth. He had become a respected and

On May 1, 1981 a jury declared Maya Ying Lin of Athens, Ohio as the winning memorial design. The memorial’s walls point to the Washington Monument and Lincoln Memorial. 58,267 names are inscribed in chronological order of the date of casualty. I believe this depicts the war as a series of human sacrifices and therefore they shall receive a special place in history. Each name is preceded on the west wall or on the east wall by one of two symbols: a diamond or a cross. The diamond denotes that the individual has been declared deceased. The 780 persons whose names are designated by a cross were either missing or prisoners at the end of the war and remains missing and unaccounted for. If a person returns alive, a circle, as a symbol of life, is inscribed over the cross. In the event an individual’s remains are returned or are otherwise accounted for, the diamond is superimposed over the cross. Knowing this, I remain hopeful that some soldiers will return home alive. Walking beside the wall and seeing the names inscribed allowed me to feel great pride in my country as these soldiers gave up their life fighting for the people of America. The Vietnam Veterans Memorial will properly commemorate each soldier for the rest of

America has shown over the course of history that we will work together to achieve a common goal. In the majestic and captivating George Washington Crosses the Delaware completed by Emanuel Gottlieb Leutze, we see how the boats full of men are headed into the light from the darkness, along with seeing the flag as a beacon of light. (11) Leutze uses logos in his painting by giving us a factual event even if it is modified to showcase his point. The viewers

In Cross-Cultural Claims on Devils Tower National Monument, Dustin, Schneider, McAvoy, and Frakt (2002) explained a conflict between American Indians and rock climbers over the right use of the mountain in Wyoming. Also, they showed how a difference in culture and world perspective can influence the dispute. The climbing discussion emerged almost one century after President Roosevelt declared Devils Tower as the first American national monument in 1906. The reason was the increasing numbers of tourists and climbers in the area due to the release of Steven Spielberg`s movie where the monument was used as a filming site. At that time, the constant

It started as an idea to draw sightseers, but in 1923 state historian Doane Robinson suggested carving some giant statues in South Dakota's Black Hills. Robinson was not the first American to think that a big country demanded big art. As early as 1849, Missouri Senator Thomas Hart Benton proposed a super-scale Christopher Columbus in the Rocky Mountains (1). In 1886 the 150-foot Statue of Liberty was unveiled. In the 1920's, an unconventional sculptor named Gutzon Borglum was carving a Confederate memorial on Stone Mountain in Georgia. Robinson wanted his sculptures to stand at the gateway to the west, where the Black Hills rise from the plains as a geographical prelude to the Rocky Mountains. Here, the granite outcropping resist erosion to form the Needles, a cluster of tall, needle-like peaks reminiscent of the spires on a Gothic cathedral.

The responsibility of designing and building a monument is no small feat. After all, the end product is meant to memorialize important, and sometimes tragic events and/or people that have significantly contributed something to society. How does one begin to plan a memorial in the first place? Certainly, it can not be rushed, and can be a very grueling process. Several things need to be considered, including determining the proper location of a monument that suits the people who see it. One must also consider the intended audience and what the monument represents. Of course the simplicity or complexity of the monument structure must also be determined. Along with that, monument builders need to consider the positive and/or negative affects on people viewing the monument. In short, there are three main things that need to be considered when debating how, or even if, to make a monument.

If you’re anything like me and you see this painting of “The Rock” by Peter Blume (1944), you may wonder what in the world is going on in the picture. At our first look, we see the obvious; the enormous rock Peter Blume placed right in the center. After looking at the scenery going on, I think that the placement and size of the rock is proportioned that way as a sign of it being significant. The way I see it, the monument plays an important role when it comes down to determining why there are so many things going on at once in the painting. With the comparison of the details of the hard working people to the broken rock, half built building, and the smoke, I will establish the reasons of why this picture shows both destruction and loyalty- and the ways destruction in this painting also results in uniting the people working.

The republican mural tradition got a slow start for several reasons. Not only did they lack the cultural celebratory reasons for creating them that the loyalists had, there were also economic factors at play. A simple

Many artist believed George Washington had the look of power and control, so they would paint, sketch or sculpt images of him to create that “powerful” setting. For example, Emanuel Leutze in 1851,