Cruel Intentions Movie Review

Dr. Strangelove is one of the many masterpieces made by the great Stanley Kubrick. The movie was made in 1964 at the Shepperton Studios in London, UK. The time the movie was made is of great importance, in fact, it was made only two years after the Cuban Missile Crisis. Kubrick pictures, in an extremely comical yet somewhat serious way, what the world would look like after one of the two forces (U.S vs. USSR) was triggered in initializing nuclear warfare.

My opinion on the movie I watched, “The Outsiders” is that it was okay. I found some parts boring. There were some parts that was trying to be as emotional as the book and they looked very fake. The director of the movie was Francis Ford Coppola. The author of the book was S.E. Hinton. The Year the movie was made was 1983. The movie was about two gangs. The Socs and the Greasers. Two Greasers (Johnny and Ponyboy). A group of Socs jump them and Johnny is forced to kill one to save his friend from drowning. Johnny and Ponyboy run from the law to a small town named Windrixville. They soon become heros.

This belief is supported by the text throughout. Firstly, she displays an attention-seeking behavior. It appears to stem from the lack of attention that she receives from her mother. Although she hates her mother for not treating her right, she continues to devise new ways to please her and come under her notice. When she realizes that her mother will never be that source of comfort for her, she turns to external sources by using deceitful means. She seeks it from the nuns at Saint Christopher’s and the nurses, both at her school and at the various hospitals where she faked seizures. Her relationship with Christopher is characterized primarily by her need to receive some affection for which she initiates writing to attract him. Similarly, she starts attending AA group meetings only to receive some comfort from its members even though she is not an alcoholic and she acknowledges that it is dishonest to be posing as one. She looks for attention from so many people, but with no one else to turn to, the readers feel that she is ultimately asking them for it. The strongest evidence is presented when she says that writing is a way for her to reach out to others, encouraging readers to continue pursuing this line of thought (173).

Kathryn Merteuil, the primary antagonist in Cruel Intentions, is the master at manipulating both men and women. She is the most popular girl at her school and bases the entirety of her self-worth on her perception that everyone either wants her or wants to be her. In order to maintain her appearance, Kathryn binges and purges and has a heavy cocaine addiction. Although well liked and popular, Kathryn holds no stable relationships and is easily upset and irritated when things do not go her way. Although this film’s focus is not Kathryn’s mental health diagnosis, Kathryn’s actions and unstable emotions are arguably that of a patient with Borderline Personality Disorder.

In Rear Window, Hitchcock uses visuals in order to capture the perfect cinematic film and experience. We as the viewers identify with Jeff because much like how he is watching his neighbors, we are also speculating his life as a film. Our hero, L.B. Jeffries or “Jeff”, out of boredom creates an outdoor theater for himself by spying on his the people outside his window. Hitchcock uses “murder-as-entertainment” and the idea of watching a cinematic film as ways to captivate the viewers and make us subconsciously take part in intruding on someone else’s life. Hitchcock then punishes Jeff and the viewers for being “peeping toms” and casting our unwanted voyeurism on other people’s private lives. Through fear and embarrassment, Hitchcock puts our actions into perspective as we become self-conscious of our indecent objectification toward human lives.

Besides being a great film, Good Will Hunting offers a great basis for which linguistic studies regarding dialect can be done. The film offers a great contrast in characters from “Southie” to prestigious high-class individuals. While there is a noticeable difference in the dialect used, the focus is primarily on stereotypes between the lower and upper-class individuals. Language and dialects help to reinforce the stereotypes regarding socio-economic classes.

“The Hurt Locker” by film maker Kathryn Bigelow conveys the theme of the movie at the very beginning. The theme is a simple quote by Chris Hedges which states, “The rush of battle is often a potent and lethal addiction, for war is a drug.” (Hedges)The film 's greatest achievement is its ability to communicate the underlying truth of this quote consistently throughout the movie. Sergeant First Class William James, played by James Renner, captures this message through his job description, dialogue, and demeanor, as well as his obstinate/erratic behaviors. The creative selective style of slow motion effects, instability of camera movement, and the intense sound/visual effects clearly evokes the chaos and confusion that is associated with any drug/addiction. The location, scenery and lighting contribute to the feel of realism.

Shouldn’t we have the right to state our opinion without being punished? In the following passage/trailers ''My So Called Enemy'', ''Texas Vs Johnson'' and '' American Flag Stands For Tolerance'' all show information as to how different people should be accepted. How the first amendment protects our freedom of speech and how the American Flag should or shouldn’t be treated. All three passages send a message about how we as human beings must be willing to accept peoples opinions that are different from ourselves.

Can you see the signs ? The movie “Sign” is based on a small family. Graham a loving father, Merrill a carrying brother, Morgan a opened minded boy, and Bo the quirky little sister who lived on a small farm together. The film “Signs” is full of suspense and it keeps the overall audience on their feet wondering what was gonna happen next but also playing with audience mind. Signs the movie was very interesting, the way the director/producer planned out the movie was ingenious. The heroic father cares and loves for his kids and he’ll do anything to protect them from harm's way.

When watching The Hateful Eight it’s clear that Quentin Tarantino was inspired by John Carpenter’s The Thing. There are quite a few subtle nods to the classic horror film as well as some not so subtle similarities. One could watch one right after the other and immediately see the similarities between the two films. While most people would not consider The Hateful Eight a horror film it takes the greatest horror aspects of The Thing and uses them to its advantage. Quentin Tarantino took quite a few ideas from John Carpenter’s The Thing and modified them so they fit seamlessly in to his western film, including actors, characters, and even some music that was originally written for Carpenter’s film but was never used.

1984 gave rise to quite a few quality slashers. You had Friday the 13th: The Final Chapter, A Nightmare on Elm Street and Silent Night, Deadly Night just to name a few. Today isn't about those little hits, but instead, it's about the even littler guy, the low budget slasher known as The Mutilator (aka Fall Break). Directed by Buddy Cooper, a man who loved slasher films and just wanted to make a fun movie, The Mutilator is a hidden horror gem that deserves to be more recognized than it is. It provides the gore, a bit of nudity and a fun vibe throughout the 86-minute runtime. What more can you ask for in a slasher flick? The Mutilator was presented cut for the longest time, but thankfully Arrow Video searched and searched for the full uncut version and provided it to us on an amazing

In 2006 a movie called United 93 was released in theatres all over the world. It was directed by Paul Greengrass, who is from England. The theme is terror and is about what happened to the fourth and final hijacked plane on 9/11. This movie tells the story of both what went on inside the plane with the passengers and the terrorists, and what happened “behind the scenes” in the FAA and in the flight control towers all over USA. Already when the film was produced, some people thought it was too early for a movie on this subject and disrespectful to the families of the victims. But was it really too early after 5 years? I don’t think so. How can it be disrespectful, when he asked for permission to make this film from all the

Cut to the scene in Clueless where the water sprouts from the fountain behind Cher when she realizes that she loves Josh. It is shot in high and straight angle, boom down. The fountain is so dramatic, which shows that Cher had realized something really important.

To Kill a Mockingbird is a 1962 film directed by Robert Mulligan, and is based on the novel by Harper Lee of the same name. The film stars Gregory Peck (Atticus Finch), Mary Badham (Scout Finch), Phillip Alford (Jem), John Megna (Dill), Robert Duvall (Boo Radley), and Brock Peters (Tom Robinson). To start the film a woman is narrating her childhood in Macomb, Alabama that was "a tired old town even in 1932." She (Scout) recalls that she was six years old that summer. Scout and her brother Jem are fascinated by the neighbors a few door down, particularly Boo Radley, which they share with Dill, a boy visiting town for the summer. The primary plot line for Scout, Jem, and Dill revolves around Boo Radley.

“I’ve spent muddy days watching young lads beat the hell out of each other. But once in a while, there’s one that comes along and lifts your heart.” --Glen Foy in “Goal! The Dream Begins”