Cubism In Pablo Picasso's Girl Before A Mirror

The dark blue left eye and light blue right tells me that Pablo Picasso may have used her actual eye color. Her body is almost as if she had her back to Picasso and turning her torso toward him; such as in most contrapposto art. In the original sketch you can clearly see her arms and the detail of her body. She is not looking back at Picasso, but instead looking toward the opening curtain. The hair of the young lady is also more visible as it drapes down her back. By repositioning her arm and adding the mask he completely changed her appearance, not only in her face but her body as well. Picasso gave her a double point of view, as you look at her nose and the angles it provides. The hand under the chin gives it an almost claw like feature, with what seems to be her fingers going to her eye to her the opposite side of the chin. With the sharp angles and mask and all the distortion it would be difficult to truly see just the young lady. It is almost as if she is shards of glass pieced together to make a

A large mural, Guernica is an example of Synthetic Cubism painted by Pablo Picasso (1881-1973). Created using the medium of oil paint on canvas with a narrow palette consisting of the neutral hues: white, grey and black; the formalist qualities of Guernica can have harrowing effects on the spectator, “But to see it in real life, in its full size, is an even stronger emotional experience. Some people have said they experienced an instant rush of many powerful, fearful emotions” (The Open University, 2016, Block 3, 2.2.2).

The painting shows five women naked with flat figures, disintegrated planes and faces, inspired by African masks. The compacted space the figures occupy appears to project forward in jagged shards; a fiercely pointed slice of melon in the still life of fruit at the bottom of the composition teeters on an impossibly upturned table top. In this painting, Picasso makes a radical departure from traditional European painting by adaptation of Primitivism and abandonment of perspective in goodwill of a level two-dimensional picture of a plane.

Chiaroscuro in this painting ultimately creates a sculptural characteristic to the woman’s nude figure. Chiaroscuro is an effect of contrasted light and shadow created by light falling from a particular direction onto something. The light and warm color of her body is in contrast to the dark background, and ultimately causes her body to stand out in the painting. The use of chiaroscuro gives the woman an internal glow, which surrounds the entire body, thus developing a stimulating effect on the audience.

Perturbed times in life often were the influence for Picasso’s paintings. Colors and shades were used on the paintings created to reflect all of the troublesome times he went through and how much of an effect those

Poem Evaluation: “what the mirror said” The poem “what the mirror said”, written by Lucille Clifton, acts as an inspiring, motivational poem for women. While trying to convince the woman looking into the mirror that she is important, trying to help her capture her inner beauty, and helping the subject realize her worth in the world as an individual, the poet builds a theme of personal perception. The notions of beauty, worth and uniqueness, and complexity in “what the mirror said”, are emphasized through metaphors, symbolism, repetition, and spacious stanzas. There are always multiple perceptions on what poetry is trying to portray, which is part of the fun of poetry analysis.

One of the unique parts of the ‘Seated Woman’ painting is the style that is presented by Picasso. Made mainstream in the art world by Picasso and fellow artist Georges Braque, cubism is the

Guernica is monochromatic to make its imagery more powerful. Lack of color keeps the viewer focused on the subject matter at hand, as well as keeping the mural cold, which agrees with its general theme of injustice in war. Also, Picasso’s flat imagery does not distract the viewer from concentrating on imagery. The viewer is given no other choice than to concentrate on the subject matter of Guernica and ponder it’s meaning. The flat, grayscale images generalize the imagery and contribute to the general theme of unnecessary suffering and tragedy.

The girl’s expression is sad and her eyes somber; she appears to be assessing herself in the mirror. She is holding a magazine which is open to a picture of an attractive older woman and there are beauty items on the floor next to her. There is an old doll that is carelessly thrown on the floor; it would appear that the doll is not very valuable to the girl. This painting is also very somber and it appears the girl might be comparing herself to the woman in the photo. This could signify her unhappiness with her appearance and her perceived need to look like the models and actresses in magazines and on television. The transition to adolescence is very difficult for young girls and they are very self-conscious about their appearance. The colors in this painting are also very neutral and

It is a cheerful, acrylic painting created using bold and bright colors made to contrast one another. Torres used unity and variety with a selection of lines, shapes, and colors. When you first view the painting, you will notice the directional forces that cause your eyes to view the painting in a particular order. Staring at the front center, the eyes will follow the path of lines that lead your eyes over the entire painting. When you take a closer look at the piece, you will begin to notice a repetition of certain colors and shapes. The painting is also asymmetrically balanced. In my opinion, the most important Principle of Design used for this piece is contrast. The figure of the woman in the front is significantly contrasted from the rest of the painting, and she is made to be the focal point. This piece is representational artwork. It depicts the appearance of a woman and includes subjects from the everyday world.

Picasso was born on October 25 1881, Nationality: Spanish and the movement of his artwork were Cubism, and Surrealism. Art is an artist’s individual interpretation of the subject. Female nude is a piece of art which makes the viewer think what is the artist trying to express by his painting. I was really confused at first when I looked at the art work and it took me a while to figure out what the art really means to its viewer. In general, the visual elements present in the art work like color, shape, lines, curves, and the subject itself are most remarkable visual features. While viewing this piece of art one thing you will notice is the color shade and the sharpen lines of the artwork attracts the viewers and hold you up for a while. Deep color combination of the background and the bright color frame work makes the piece look more vivid and attractive. I am still not quite sure about what is the artist trying to express from this painting but all in all I really liked this piece of

Picassos superb masterpiece, celebrated the feminine form. His representation of this robust feminine figure poised in the most provocative manner. The reclining nude figure seemingly leaps forward ahead of the deep red, blue, and green background. Her curvaceous form exaggerated with each stroke, highlighted with strong black outlines. Femme Couchée defined above all by the drawn line, the curvilinear contours that rivet our attention. His is best known for his colorful palette and serene imagery to represent the vibrate personalities and captured the zealots zest for life of his muses

Concerning color, there is a stark contrast between the figure on the painting and the background. More specifically, the figure of the woman is predominantly delineated in white color, especially pale, ashen white, as far her apparel and facial complexion are concerned, while there are also various hues of grey, with respect to her hair and accessory feather. These white and grey shades are vividly contrasted with the prevailing red and crimson hues of the background (viz. the drape, armchair, and table). Moreover, one can detect colors of dark green (jewelry), some beige on the left (pillar), and darker or lighter shades of blue on the right side of the canvas (sky), which all in concert and in addition to the subtle purple hue forming the sun or moon exude a certain dramatic sentiment. Also, there is brown, which often easily segues into gold (viz. books and attire details respectively). The main contrast of colors between white and red would be interpreted as serving the purpose of rendering the figure of the woman, and especially her face, the focal point of the work, despite, paradoxically enough, the lush red shades at the background. Bearing that in mind, the significance of the woman’s face will be enlarged upon later, when discussing aspects of her identity.

Picasso's painting entitled "Standing Figure" depicts a nude woman with her arms crossed behind her head. It was painted in 1908 during a key period of invention and experimentation, as Picasso began to construct his paintings in a new way. The figure is translated into simplified, geometric forms, reflecting Picasso's interest in the art of Africa and Oceania. Using only a few colors, he focuses the viewer's attention on the intersection of these geometric forms. It seems as though Picasso uses the blue lines in this painting like some sort of directional device, drawing attention to the outline of the woman's figure. As we discussed in class, the style of cubism uses multiple or contrasting vantage points. Another element of cubism is simplifying more complicated scenes into geometric forms. Cubism rejected the inherited concept that art should copy nature, or that they should adopt the traditional techniques of perspective, modeling, and foreshortening. They wanted instead to emphasize the two-dimensionality of the canvas.

Girl before a Mirror, an oil on canvas painting by Spanish artist Pablo Picasso, shows two sides of a girl; one which is illustrated with a dark tone and one with a vibrant colorful tone. This painting is bright; colors are at full intensity and are arranged next to their complements, producing a visual relationship between shape and form. Forms are used to draw the viewer’s eye across the canvas where circular shapes, repeating throughout the work, are compensated by the pattern of diagonal lines of the background. The viewer observes the girl’s profile and full frontal image, looking into a mirror and noticing a different image of herself. In order to achieve this effect, Picasso uses a range of formal elements that highlight the