Cultural Criticism In Othello

Set in 16th century Venice, Othello, by William Shakespeare, explores the idea of an outsider from the very beginning of the play. Shakespeare uses Othello, a black army general, to explore the relationship of an outsider in high Venetian society using a variety of approaches. The reader sees characters consistently referring to Othello in derogatory and demeaning terms, as well as frequent implications that Othello is scarcely human. Further exploration of an outsider in society comes from Othello himself, as he outlines a few of the major differences that set him and the community apart.

There are many opposing views to the way that Othello is defined within Shakespeare's The Tragedy of Othello. Some suggest that Othello is a savage "Moor," and at no point is he the noble "Venetian" he attempts to portray himself as. Others suggest that Othello is the noble "Venetian" he portrays himself as, and his ultimate demise stems directly from Iago being a savage. Yet some agree that Othello is both the noble "Venetian" and the savage "Moor," unable to fully interpolate himself into the "Venetian" paradigm, but becoming, rather, a "noble savage."

Therefore, even before Othello is physically presented to the audience, the Elizabethan audience would already have an image of Othello being wild and “moorish” since they would have the similar notion as Iago and Rodrigo towards black men. Therefore, Shakespeare establishes the racist concepts from the very beginning of the play to set the base for the tragic downfall of Othello. Racist language is not only limited to the beginning of the play; it is constant throughut the play. Iago uses racist words when he wakes up Brabantio to inform him about Desdemona’s marriage. Iago says an “old black ram” is “tupping” Brabnatio’s “white ewe” which is highly racist and reveals the Elizabethan society’s prejudice against black men. The Elizabethan era believed that black men have animal-like and sexual nature and Iago uses this notion to make Brabantio fear about the mixed marriage and persuade him to stand against Othello. Also, Iago makes use of the racist Elizabethan notion that the colour black meant evilness by calling Othello as “the devil”. This is ironical because in the play, Iago is the one who is playing the role of “the devil” whereas Othello just the biggest victim who is manipulated by Iago. The irony adds on as Iago, white man, is the most evil one in the play where normally according to Elizabethan racist notion, black men are the one who should be the

In William Shakespeare’s classic Othello, it has remained relevant for the years since it was written. Not only because of the universal themes seen throughout, but due to its enduring value which has been seen in the exploration of issues that we as a society still face today. Othello as a character is portrayed as an outsider compared to the Venetian upper class society due to his different ethnicity, this classically reflects the views from Shakespeare’s time and still today reflects from issues seen recently. The recurring instances of social injustice and racial bias both in the text and in society today show that we as society still have not grown and continue to be bias to people due to things they cannot change. The nature of villainy shown through the antagonist, Iago, as he explores the need of power and how power or the want of

In Othello's case he was being discriminated against by Brabantio Desdemona's father because, he believed that there were exceptional men, of the same culture and race for Desdemona to marry. Emilia was expected to obey and do what her husband Iago told her to do, even when she need to tell the truth. Also, that if a woman was unfaithful or slept with other men they were nothing and were to be treated as second class. Looking at Othello from a cultural lens offers a look at what most people of the Elizabethan era believed that are still seem today. There are people who are against interracial marriages and believe that people of the same race should only have relationships. Some men in the world believe that a woman's place is the kitchen and house to cook, clean and watch the children. They also believe that women should listen to what their husbands tell them as absolute rule and that women will always slept with anyone or cheat in a relationship. This view on race and gender has changed over time, but there are people who still can not accept the change. They are the people that others need to watch out for and decrease their numbers by teaching acceptance and getting the word out about how times are

For example, in Othello, in Act one, Scene 1, “O thou foul thief, where hast thou stowed my daughter? / Damned as thou art, thou hast enchanted her! / For I’ll refer me to all things of sense, / If she in chains of magic were not bound, / Whether a maid so tender, fair, and happy” ( Act 1 Scene 2, Lines 64-67). In these lines Brabantio is treating Othello like he’s a criminal basic on his skin tone. “So opposite to marriage that she shunned / The wealthy curlèd darlings of our nation, / Would ever have, t' incur a general mock, / Run from her guardage to the sooty bosom / Of such a thing as thou—to fear, not to delight” (Act 1, Scene 1, Lines 70-74). To understand that quote you have to know how the 1600 were when came to marriages with blacks and whites.The father feels that the daughter knew about it, so it had to be Othello fault that she fell in love with him. “Judge me the world if ’tis not gross in sense/ That thou hast practiced on her with foul charms, / Abused her delicate youth with drugs or minerals/That weakens motion. I’ll have ’t disputed on” ( Act 1, Scene 1, Lines 75-78). Still Accusing Othello of wrongdoing, but Othello had not once interrupted and tried to fight

Using the most compelling lens to analyze the play by William Shakespeare, we’ll learn that even in 2018 it’s eye opening even if Othello is 400 years old. To get the best experience you would have to view it through a cultural lens where you’ll learn that when you compare the culture 400 years ago and the culture today not much has changed when it comes to racism.

Ryan, Kiernan. “Racism, Misogyny and 'Motiveless Malignity' in Othello.” The British Library, The British Library, 15 Mar. 2011, https://www.bl.uk/shakespeare/articles/racism-misogyny-and-motiveless-malignity-in-othello

Othello or The Moor of Venice by William Shakespeare is a tragedy of race. Shakespeare creates a hero who does not fall under a racist stereotype, Othello is a nobleman, a decorated soldier, very well respected by his men (with the exception of Iago). One of the few characteristics that harms, rather than helps him, is that he is dark-skinned in a society utterly dominated by men prejudiced against those with dark skin. At the start of the play, he appears confident that, "My parts, my title, and my perfect soul / Shall manifest me rightly." (Shakespeare, 1, 2, 36-37) But Iago makes sure to use Othello's race against him as much as possible. As a brave soldier from Africa and recently instated supreme commander of the Venetian army, Shakespeare still allows Othello to succumb to the subtle racism that surrounds him. Most of it comes forward through the dialog, and is directed toward Othello. Shakespeare makes no effort to hide this colorful language, nearly every character uses a racial slur to insult Othello at some point in the play. Even Emilia, who doesn’t trust her own husband, sinks to the level of insulting Othello based on the color of his skin. Though the main character to make racist remarks in Othello is Iago, making him a representation of white supremacy. The effect of racism on Othello is quite evident and is one of the main causes of his insecurity about his marriage. These black stereotypes show up in the play and lead to the problem with trying to produce

The themes relevant in the text that are still applicable to the modern interests of today are as follows; Betrayal is the key issue related with the text and consequently defines the term ‘tragedy’. Betrayal is portrayed in Shakespeare’s “Othello” all through the act and even from the very beginning; Act 1, Scene 1- Iago and Roderigo are discussing their hatred towards Othello. During this discussion, the racism and sort of indirect betrayal is brought out in the play as Iago explains to Roderigo his manipulating scheme leading to the betrayal and downfall of Othello; their captain and supposed ‘respected’ leader. Betrayal- in however many forms it may pursue- is sadly displayed regularly in life, and through many unwarranted situations varying even from day to day. Racism is a major issue associated in the reigns of the context of this script. The period of this Shakespearean text was also situated at the time of increase in hatred, discrimination and racism towards black ethnic races. In Act 1, Scene 1, we read of Iago’s racism towards Othello as a ‘fat lip(ped)’’savage’, as he tends to marry a smart, prized, beautiful yet white woman. All through the play Othello gets referred to as a savage or

Othello by William Shakespeare raises the issue of how rampant beliefs and attitudes in a society can cause a person to question their sense of self. In a society where racial equality is near non-existent, Othello, a black skinned foreigner in the Venetian society, is constantly reminded of his status as an outsider. Othello, however, is not depicted in a stereotypical manner and despite occupying a highly respected position he is often confronted with blatant racism throughout the play. The prevailing attitudes and beliefs of Venetian society towards Othello are exploited by Iago in order to manipulate Othello’s self confidence and emotional state.

Brabantio shows his racist ways clearly here; he feels that his daughter could never love Othello unless she had been somehow tricked! When one looks deeper into this mindset we understand how loving Othello, the Moor, could be seen as such an issue to her father. Then and even today color is associated with, “sin, damnation, and eventually, sexual promiscuity” (Hall, 182). White on the other hand is associated with, “purity, virginity, and virtue” (Hall, 183). For Desdemona to love Othello she must give up her innocence. For a “pure” and “virtuous” woman to love a man such as Othello she must be a “sinner” and a “whore.” This “realization” of his daughter’s lack of purity causes Brabantio to die due to pure grief as Gratiano explains to us:

Prejudice is an act of dehumanization. Throughout the Shakespearean play The Tragedy of Othello the theme of prejudice dominates the society in which the characters are restrained to. For the duration of the play the character Othello encounters various verbal slanders of racism and slurs leading to his spiral and demise. To the extent in which it contributes to him murdering his wife out of jealousy and, later, executing himself. The discrimination present in the play casts an influence on his character, consequently leading to pivotal downfalls. The act of prejudice is evident through Iago’s promotion of racial bias, the prevalence of racial attitudes, and the exemplification of Othello as an outcast in their society. Thus, the story becoming a tragedy for the existence of racial bias. Allocating that the influence of prejudice can obstruct one’s mindset, ultimately leading to the disintegration of one’s character.

Othello is a tragic hero because of his greatnesses and his weaknesses. He is a noble man who possesses all the qualities of a military leader, which he is. He has control over himself and shows courage as well as dignity. Just as Othello is a virtuous man there are some flaws within him, these flaws complete him ff as a tragic hero. Othello is often blinded by trust and can not see a person for who they really are. He trusts the people around him even when they mean to afflict harm upon him. Through this, it can be seen why Othello is one of the most tragic hero out of all the characters from Shakespeare’s many plays.

“Othello” is a tragic play of jealousy, racism and struggle for power. Right from the beginning, Shakespeare has created vigorous dialogue and conflicting situations. There is a direct contrast between black and white in this play, with black meaning something negative and evil and white meaning pure and fairness. The clash between these two colours leads to severe hatred and enmity between a few people.