Cultural Heritage In Everyday Use By Alice Walker

“Everyday Use” is a story about family and heritage. Through various arguments the authors, Susan Farrell and Nancy Tuten, share their thoughts and ideas on Walkers meaning of the story. Although they both agree that the story has to do with heritage, Nancy Tuten’s ideas and Susan Farrell’s differ.

     Dee believes she is more cultured than her family. She may have more knowledge about different cultures and religions that she learned in school, but she does not know as much about the family heritage as she thinks she does. For example, when Dee changes her name to “Wangero Leewanika Kemanjo” she destroys important links to her heritage that she will never understand. Her mother tries to explain to her that her name is significant because it belonged to particular beloved ones. However, Dee seems to reject the names of her ancestors, yet she is eager to seize their handmade goods. When Dee realizes she is not going obtain possession of the quilts, she storms out of the house without saying a word. It is apparent that the only reason for her visit is to get the family heirlooms, not to see the house, her mother, or Maggie.

Alice Walker’s story “Everyday Use” is a story decipating family and heritage. She released the story with a collection of other short stories called In Love and Trouble: Stories of Black Women. This collection revealed Walker to be one of the finest of late twentieth century American short-story writers (Phy-Olsen). According to Cowart, the story address itself “to the dilemma of African Americans who are striving to escape prejudice and poverty.” One of the main characters, Dee, made drastic changes and would like her mother and sister to see things her way. Dee’s statement to her mother and sister regarding their disregard of heritage is very ironic considering the fact her name is a part of the family’s history, her new behavior, and her

Alice Walker's "Everyday Use," is a story about a poor, African-American family and a conflict about the word "heritage." In this short story, the word "heritage" has two meanings. One meaning for the word "heritage" represents family items, thoughts, and traditions passed down through the years. The other meaning for the word "heritage" represents the African-American culture.

In "Everyday Use," Alice Walker stresses the importance of heritage. She employs various ways to reveal many aspects of heritage that are otherwise hard to be noticed.

Dee on the other hand, represents more of a modern, complex, materialistic way of life. She moves to the city to become educated. She is ashamed of where she comes from. In a letter mama receives, Dee writes “no matter where we ‘choose’ to live, she will manage to come see us” (Walker 281). Furthermore, when she comes home to visit she tells mama that she has changed her name to Wangero Leewanika Kemanjo because “I couldn’t bear it any longer, being named after the people who oppress me” (Walker 282).

Although Alice Walker’s short story “Everyday Use” is evidently different than Flannery O’Connor’s short stories, “A Good Man Is Hard To Find” and “Revelation,” there seems to be a striking similarity between the main characters O’Connor and Walker chose for their stories. Dee, one of the main characters from Walker’s “Everyday Use,” the Grandmother from O’Connor’s “A Good Man Is Hard To Find,” and Mrs. Turpin from O’Connor’s short story “Revelation,” all share one major flaw, that is, they feel a sense of superiority to those around them. Their self-glorification and prideful beliefs about themselves and the people surrounding them becomes the central conflict as each story unfolds. Dee’s insulting comments towards her Mama and younger sister Maggie about their lack of education, the Grandmother’s sense of moral superiority and her frequent passing of judgment onto others, along with Mrs. Turpin’s categorization of people based on their socioeconomic status and outward appearance, all illustrate the ugly reality of pride that is ever present in the human heart.

The African heritage plays a major role in the story, “Everyday Use”. Alice Walker emphasizes the meaning of heritage by having Dee come visit her family and contradicting her heritage. As Dee go off to college, she meets new people and finds her a boyfriend, Asalamalakim. Alice Walker adds attention onto Dee’s new name, Wangero, because Dee changes her name, not understanding the true root of her original name. “No, mama,’ she says. ‘Not Dee, Wangero Leewanika Kemanjo!’ ‘What happened to ‘Dee’?’ I wanted to know. ‘She’s dead…” (160). However, Dee truly believes that her heritage lies way back to Africa. The African clothes and name gives an understanding that Dee thinks that she is from Africa and that is where her heritage originally lies. In addition, Mama and Dee have different point of views on what heritage truly is. Mama tells Wangero (Dee) that her name comes from a line of ancestors, yet Wangero believes that her new name has more roots in it. “You know as well as me you were named after your aunt Dicie,’ I said. Dicie is my sister. She named Dee. We

“Everyday Use” demonstrates real life struggles during the period is was written and published (1973), by using historical criticism, we can see that people are often disconnected due to their education. Alice Walker successfully shows the disconnection of heritage value by having one character well-educated and young, and another character who was not able to get an education and is much older. Taking the historical context, plays a major role in the way this short story is viewed. It was a time where people of color had a different and difficult experiences getting an education. The narrator was talking about not being able to get an education, so it was important her daughter get an education; The narrator wanted to be on a television show with her daughters to demonstrate how successful she became. However Dee the narrator's daughter sees her mother and Maggie her sister differently as if they do not know how to appreciate things for their valuable history. One example is, when she wanted the quilts that were suppose to go to Maggie; Dee gets upset that she cannot have them and her mother does not understand why she wants to put them on display.

Heritage has an influential role in every individual’s life. “Everyday Use” by Alice Walker is a short story that portrays two sisters’ from a poor African American home and their conflicting views on the value and meaning of heritage. Maggie, the younger sister, is uneducated but truly appreciates where she comes from. Dee, the oldest sister, is an educated college student but her she has a warped idea of heritage. Alice Walker uses the characters, point of view and symbolism to develop the main theme of heritage.

Mrs. Johnson is the living matriarch of the family in “Everyday Use”. Walker presents her character as strong, “big-boned”, with the ability to handle situations in a masculine manner stating, “I was always better at a man’s job” (Walker 8). Mrs. Johnson remembers her ancestors with a certain reverence, and she and Maggie both share similar attitudes towards their

Dee shows that she does not value heritage by changing her name to Wangero. She adopts an African name "Wangero Leewanika Kemanjo" and rejects her identity. She tells her mother that the name Dee is dead and that she "couldn't bear it any longer, being named after the people who oppress me". When Dee does speak of her changed name, "it's as if there is not even a tombstone to make the presence of her absence and it is as if her return seems less a return, she appears a curious visitor who has momentarily stopped off a road which began and ends elsewhere". Through heritage, her name was chosen after her aunt and Grandma Dee.

The genuine appreciation of heritage and family is the focus of Alice Walker’s “Everyday Use”. Dee and Maggie’s characters are the vessels that Walker uses to demonstrate the difference between appreciating possessions for their usefulness as well as their personal significance and their contrasting value as a trendy, materialistic connection. There is a palpable difference between Maggie and Dee, both in physical appearance as well as in personality traits and their treatment of the personal artifacts that come into play within the story is very telling of this.

Upon exiting the car wearing a “loud” dress and “dangling” (Walker 282) jewelry, Dee greet her family by saying, “ ‘Wa-su-za-tean-o’ ” (Walker 283). Although this word is never translated, Wangero’s use of foreign language in the presence of her relatively uneducated family is a clear indication of her desire to exhibit her intellectual superiority. Dee’s behavior implies that the changes in her personality are simply examples of her ancestry and newly found consciousness of intellect; however, her true motivation clearly stems from insecurity and selfishness. The incident with the quilts reveals Dee to be a product of trend. Dee initially had no desire for the quilts, but later becomes interested when Black-American heritage becomes fashionable. Dee Johnson is clearly an aggressive and potent force to be reckoned with consequently; her actions reveal immense insecurity and turmoil.

The narrator described herself as large, big-boned woman with rough, man-working hands. She said she can kill and clean a hog as mercilessly as a man, and her fat keeps her hot in zero weather (444). She seemed to be a hard working woman, who differently from Dee is proud of her heritage and where she came from. It is understood she knew she may not have had the best life possible, but made the best of it. She knew Dee was the successful, popular child, but once Dee returned home with a changed name she saw her in a different light. She realized Dee’s doings were from throwing out the cultural heritage she belonged to into the new, hip black movement. She seemed to appreciate Maggie more after Dee tried to remove things from their house to show off. When Dee argued with her about giving the quilts to her instead of Maggie who was used to never winning, or having anything reserved for her the mother grabbed the quilts from Dee and handed them to Maggie. The mother is very grateful for her children, but is not going to let Dee, the daughter who has “made it”, take over the quilts meant for Maggie once she married.